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	<eadheader langencoding="iso639-2b" audience="internal" countryencoding="iso3166-1"
		dateencoding="iso8601" repositoryencoding="iso15511" scriptencoding="iso15924"
		relatedencoding="MARC21">
		<eadid countrycode="us" mainagencycode="IlChEss"> </eadid>
		<filedesc>
			<titlestmt>
				<titleproper encodinganalog="245$a">Links Hall Performance Series: 1987-1990</titleproper>
				<subtitle>An Inventory of the Links Hall Performance Series at the Creative Audio
					Archive </subtitle>
				<author encodinganalog="245$c">Inventory prepared by Michael Zerang</author>
			</titlestmt>
			<publicationstmt>
				<publisher encodinganalog="260$b">Creative Audio Archive (CAA)/Experimental Sound
					Studio (ESS)</publisher>
				<address> 
	 		<addressline>5925 N. Ravenswood</addressline> 
	 		<addressline>Chicago, IL 60660</addressline>
	 		<addressline id="email">info@creativeaudioarchive.org</addressline>
	 		<addressline id="weblink">www.creativeaudioarchive.org</addressline>
	 	</address>
				<date encodinganalog="260$c" normal="iso8601">2006</date>
			</publicationstmt>
		</filedesc>
		<profiledesc>
			<creation encodinganalog="500">Machine-readable finding aid and skeletal markup derived
				via a macro from Oxygen file; markup checked and completed by Farris Wahbeh. <date
					normal="20060512">May 12, 2006.</date>
			</creation>
			<langusage> Finding aid written in <language langcode="eng" encodinganalog="546"
					scriptcode="iso15924">English.</language>
			</langusage>
		</profiledesc>
	</eadheader>
	<archdesc level="collection" type="combined" relatedencoding="MARC21">
		<did>
			<head> Collection Summary</head>
			<repository label="Repository:" encodinganalog="852$a">
				<corpname>Experimental Sound Studio</corpname>
				<address> 
			<addressline>5925 N. Ravenswood</addressline> 
			<addressline>Chicago, IL 60660</addressline> 
		</address>
			</repository>
			<origination label="Creator:" encodinganalog="100">
				<persname normal="Zerang, Michael">Michael Zerang</persname>
				<corpname encodinganalog="110"> Links Hall</corpname>
			</origination>
			<unittitle label="Title:" encodinganalog="245">Links Hall Performance Series: 1987-1990</unittitle>
			<unitdate type="inclusive" label="Dates:" encodinganalog="245$f" normal="iso8601"
				>1987-1990 </unitdate>
			<physdesc label="Quantity:" encodinganalog="300$a">
				<extent>There are approximatly 176 hours of recorded audio, spanning 195
					digital surrogates on CD-R (a total of 2,143 indidivudal and unique audio
					tracks).</extent>
			</physdesc>
			<abstract label="Abstract:" encodinganalog="520$a">The Links Hall collection includes
				202 artists, groups and ensembles (totalling to at least 317 performers). Events
				range from experimental sound, performance, readings, and musical colloborations of
				various genres.</abstract>
			<unitid label="Identification:" encodinganalog="099" repositorycode="IlChEss"
				countrycode="us"> </unitid>
			<langmaterial encodinganalog="546$a">
				<language langcode="eng">English.</language>
			</langmaterial>
		</did>
		<bioghist encodinganalog="545">
			<head>History of the Collection </head>
			<p>The Links Hill Studio Archive contains recordings of over 135 events of spoken word,
				performance, and music that took place at Chicago’s Link’s Hall, a
				multi-disciplinary project space founded in 1978 by Bob Eisen, Carol Bobrow, and
				Charlie Vernon. In 1985, Links Hall artistic director Michael Zerang initiated the
				The Link’s Hall Performance Series, a curated series that expanded Links Hall
				programming of dance and movement to include contemporary and experimental music,
				traditional ethnic folk music, literary readings, and performance art. The
				Performance Series was initiated to provide artists a consistent performance venue
				dedicated to the exhibition and dissemination of diverse artistic genres. Through
				the inception of the Performance Series, Links Hall provided Chicago audiences a
				series of events to experience the creative output of emerging musical, literary,
				and performance artists. Although the Performance Series began in 1985, unattended
				recordings created by Michael Zerang in a VHS audio format began in 1987. These
				recordings form the bulk of CAA's Links Hall Performance Series archive. In 1989,
				Jim de Jong took over Zerang's role as artistic director. The collection
				reflects Zerang's extensive holdings of recorded material from unattended recordings
				that began in 1987.</p>
		</bioghist>
		<scopecontent encodinganalog="520">
			<head>Scope and Contents of the Collection</head>
			<p>The diverse collection of recordings mirrors the artistic mission of the Performance
				Series as a forum for experimental exhibition and exchange. The extensive nature of
				the collection is indebted to its creator Michael Zerang, who remained the artistic
				director of the Performance series from its inception in 1985 until 1989. In CAA's
				holdings, the collection includes early literary recordings of Gerald Nicosia and
				David Sedaris, to the poetry of Clark Coolidge; the music of Perry Venson, Jeff
				Abell, Nga Jiiwa, and Derek Bailey; percussion improvisations by Thurman Barker and
				Andrew Cyrille; and international sound sessions from the Caribbean and the Middle
				East. Additional artists include: Eugene Chadbourne, Christian Marclay, Kahil El
				Zabar, Ray McNiece, Sandra Binion, and Andrei Codrescu.By browsing through the
				finding aid, one will discover the breadth of the recordings included in the
				archive. The collection also includes original program schedules.</p>
		</scopecontent>
		<arrangement encodinganalog="351">
			<head>Arrangement of the Collection</head>
			<p>The collection is filed chronologically as the Performance Series was recorded
				beginning in 1987. Unique accession numbers were assigned according to individual
				performances as first recorded on original sound videocassete. Therefore, accession
				number reflects the original VHS tape the individual performance was recorded on.
				For example LH1(a) refers to Links Hall VHS tape number one, performance one (a) and
				so forth. Track listings referred to as "Contents" were retrieved from digital
				surrogates that were identified by Experimental Sound Studio and Links Hall interns.
				Titles of performances and related notes were retrieved from original published
				material related to the "Performance Series" see <head>Related Materials</head>></p>
		</arrangement>
		<accessrestrict encodinganalog="506">
			<head>Restrictions on Access</head>
			<p>The archive is open to the public by appointment.</p>
		</accessrestrict>
		<userestrict encodinganalog="540">
			<head>Restrictions on Use</head>
			<p/>
		</userestrict>
		<dsc encodinganalog="544 1" type="combined">
			<head> Related Materials</head>
			<p>Assorted original printed material from the Links Hall Performance Series is included
				in the archive.</p>
		</dsc>
		<originalsloc encodinganalog="535">
			<head>Location of Originals</head>
			<p>Originals and surrogate duplicates are located at ESS.</p>
		</originalsloc>
		<acqinfo encodinganalog="541">
			<head>Acquisition Information</head>
			<p>The bulk of the collection was acquired by ESS on in an audio VHS format. The
				collection was reformatted into three digial surrogate formats by ESS. </p>
		</acqinfo>
		<processinfo encodinganalog="583">
			<head>Processing Information</head>
			<p>Sonia Yoon managed the organization of the collection and supervised the cataloging
				and digital preservation of the material. ESS interns Aaron (? [Get last name from
				Lou]) and Cesar Devila (did they also re-format the collection?) identified each
				recording by artist, date, location, duration, track listing and number. Links Hall
				intern, Virginia DePriest, provided database entry support to consolidate the
				transcribed identification reports Aaron and Devila initially transcribed and
				identified. Ryan Schultz and Katy Lynch provided technical programming support of
				database design and configuration. </p>
		</processinfo>
		<dsc type="combined">
			<head>Detailed Description of the Collection</head>
			<p>The collection is cataloged by event. Supplemantary information related to each
				performance was taken from originally published program schedules.</p>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH1(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An Evening of solo percussion featuring:Jerome Cooper [sound
						recording]</unittitle>
					<unitdate type="inclusive">1987.03.21</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 107 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassette (DAT, ca. 107 min.) : digital, stereo </physdesc>
					<physdesc>2 sound disc (CD, ca. 107 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Jerome Cooper, flute, musette, drumset, talking drum, balaphon</p>
					<p>Recorded live 1987.03.21, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Untitled] (10 min. 13 sec.) -- [Untitled] (9 min. 54 sec.) --
						[Untitled] (8 min. 6 sec.) -- [Untitled] (15 min. 31 sec.) -- [Untitled] (13
						min. 24 sec.) -- [Untitled] (1 min. 51 sec.) -- [Untitled] (6 min. 6 sec.)
						-- [Untitled] (5 min. 55 sec.) -- [Untitled] (14 min. 59 sec.) -- [Untitled]
						(10 min. 35 sec.) -- [Untitled] (8 min. 0 sec)</p>
				</scopecontent>
				<note>
					<p>Master drummer Jerome Cooper opens our percussion series with two sets of
						structured improvisations. Jerome has perfomed with Rahsaan Roland Kirk,
						Steve Lacy, Sam Rivers, Cecil Taylor, The Art Ensemble of Chicago and
						Anthony Braxton to name a few. He was also one of the three founders of theh
						REVOLUTIONARY ENSEMBLE. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH1(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Daniel Scanlan, with: Bill Barnes, Steve Hunt, Erik Neuman [sound
						recording]</unittitle>
					<unitdate>1987.03.27</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 90 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 90 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 90 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Dan Scanlan, trumpet, cornet, slide guitar ; Bill Barnes, trombone ; Steve
						Hunt, percussion ; Erik Neuman, cello ; Michael Zerang, percussion</p>
					<p>Recorded live 1987.03.27, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction] (1 min. 10 sec.) -- ["Felt so bad..."] (14 min. 57
						sec.) -- [Untitled] (26 min. 41 sec.) -- [Untitled] (8 min. 11 sec.) --
						[Untitled] (14 min. 1 sec.) -- [Untitled] (8 min. 21 sec.) -- [Untitled] (9
						min. 9 sec.)</p>
				</scopecontent>
				<note>
					<p>Trumpeteer, Violinst, Guitarist, Composer Scanlan will be joined by
						trombonist Barnes, Cellist Nuemann and percussionist Hunt for an evening of
						compositions and structured improvisations that will be featured on his
						upcoming album. [Links Hall Program Schedule, March-June 1987}</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH2(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Bluesville, featuring: Jeffrey Brown, Howard Edwards, Reggie Smith
						[sound recording]</unittitle>
					<unitdate>1987.03.26</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 100 min.) : analgue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 100 min.) : digital, stereo </physdesc>
					<physdesc>2 sound disc (CD, ca. 100 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Jeffrey Brown, speaker ; Howard Edwards, speaker ; Reggie Smith, speaker ;
						Paris Smith, speaker ; Reggie Young, speaker ; Dan Curry, speaker</p>
					<p>Recorded live 1987.03.26, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction] / Reggie Young (4 min. 0 sec.) -- ["Last time I saw
						Jesus...,"] / Reggie Young (0 min. 30 sec.) -- [Untitled] / Reggie Young (1
						min. 24 sec.) -- [Untitled] / Reggie Young (1 min. 28 sec.) -- [Untitled] /
						Reggie Young (0 min. 42 sec.) -- [Untitled] / Reggie Young (1 min. 17 sec.)
						-- [Untitled] / Reggie Young (1 min. 36 sec.) -- [Untitled] / Reggie Young
						(1 min. 43 sec.) -- ["Morning Boogie"] / Reggie Young (0 min. 46 sec.) --
						[Untitled] / Reggie Young (1 min. 21 sec.) -- [Untitled] / Reggie Young (1
						min. 33 sec.) -- [Untitled] / Reggie Young (1 min. 14 sec.) -- ["Tribal
						Differences"] / Reggie Young (1 min. 16 sec.) -- [Untitled] / Reggie Young
						(2 min. 2 sec.) -- ["Rupert's Christmas"] / Paris Smith (16 min. 38 sec.) --
						[Untitled] / Reggie Smith (1 min. 1 sec.) -- ["One Man Dead"] / Reggie Smith
						(1 min. 49 sec.) -- "The Rules of the Game"] / Reggie Smith (0 min. 53 sec.)
						-- [Untitled] / Reggie Smith (1 min. 9 sec.) -- ["Rain"] / Reggie Smith (0
						min. 25 sec.) -- ["Fear"] / Reggie Smith (1 min. 29 sec.) -- ["Kill the
						Innocent"] / Reggie Smith (1 min. 26 sec.) -- [Untitled] / Reggie Smith (1
						min. 36 sec.) -- [Untitled] / Reggie Smith (1 min. 51 sec.) -- [Untitled] /
						Reggie Smith (1 min. 0 sec.) -- ["Burnt Poem"] / Reggie Smith (0 min. 39
						sec.) -- ["Southbound Train"] / Reggie Smith (1 min. 8 sec.) -- [Untitled] /
						Reggie Smith (2 min. 0 sec.) -- [Untitled] / Reggie Smith (4 min. 8 sec.) --
						["Bluesville Info"] / Reggie Young (4 min. 35 sec.) -- [Untitled] / Howard
						Edwards (1 min. 39 sec.) -- [Untitled] / Howard Edwards (0 min. 28 sec.) --
						[Untitled] / Howard Edwards (1 min. 33 sec.) -- ["Bitches Brew"] / Howard
						Edwards (2 min. 24 sec.) -- [Untitled] / Howard Edwards (1 min. 25 sec.) --
						[Untitled] / Howard Edwards (1 min. 48 sec.) -- [Untitled] / Howard Edwards
						(1 min. 12 sec.) -- [Untitled] / Howard Edwards (2 min. 38 sec.) --
						[Untitled] / Howard Edwards (1 min. 30 sec.) -- [Untitled] / Howard Edwards
						(1 min. 53 sec.) -- [Untitled] / Howard Edwards (1 min. 8 sec.) --
						[Untitled] / Howard Edwards (1 min. 31 sec.) -- ["Intro for Dan Curry"] /
						Reggie Young (2 min. 3 sec.) -- ["Salvation"] / Dan Curry (28 min. 23 sec.)
						-- [End, Links Hall Calender] (4 min. 5 sec.)</p>
				</scopecontent>
				<note>
					<p>This magazine [Bluesville] attempts to represent Chicago's culturally
						neglected Westside as a literary journal, while showcasing young urban
						writers and artists. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH2(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Donald Deering, Amy Sedaris, David Sedaris [sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.02</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 60 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 60 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 60 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Donald Deering, speaker ; Amy Sedaris, performer ; David Sedaris, speaker</p>
					<p>Recorded live 1987.04.02, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Note: First two tracks are empty sound] -- ["Life"] / Amy Sedaris
						(1 min. 57 sec.) -- ["Receipt Over Phone"] / Amy Sedaris (2 min. 8 sec.) --
						["Nancy Sipes/Amway"] / Amy Sedaris (14 min. 56 sec.) -- [Crows
						Noise/Envelopes] (2 min. 20 sec.) -- ["Silent Reading"] / Donald Deering (9
						min. 15 sec.) -- ["Confidential Letter"] / David Sedaris (6 min. 12 sec.) --
						["An Installation Artist..."] / David Sedaris (3 min. 53 sec.) -- ["Filipino
						Coup"] / David Sedaris (7 min. 49 sec.) -- ["Communist Thanksgiving"] /
						David Sedaris (6 min. 3 sec.) -- ["Amy was in a car accident last night..."]
						/ David Sedaris (4 min. 30 sec.) -- [Links Hall/Goodnight] (1 min. 37
					sec.)</p>
				</scopecontent>
				<note>
					<p>Amy writes and performs characters using improvisation. Her brother David
						lectures from his personal diary. Donald performs his poetry. [Links Hall
						Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH3(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An Evening of solo percussion featuring: Andrew Cyrille [sound
						recording]</unittitle>
					<unitdate type="inclusive">1987.03.28</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 96 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 96 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 96 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Andrew Cyrille, percussion</p>
					<p>Recorded live 1987.03.28, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction] / Don Meckley (1 min. 15 sec.) -- [Introduction] /
						Andrew Cyrille (3 min. 5 sec.) -- [Untitled] / Andrew Cyrille (51 min. 0
						sec.) -- [Applause/Cyrille talking/Break] (2 min. 27 sec.) -- [Untitled] /
						Andrew Cyrille (21 min. 49 sec.) -- [Untitled] / Andrew Cyrille (38 min. 23
						sec.)</p>
				</scopecontent>
				<note>
					<p>Currently performing in a trio with Fred Hopkins and Henry Threadgill, and in
						a quartet led by Muhal Richard Abrams, Andrew describes himself as a "Crazy
						Conservative." He has organized a number of highly unorthodox ensembles,
						includeing "DOUBLE DUO" with Famouduo Don Moye, Joseph Jarman and Jimmy
						Lyons, and percussion ensembles with Milford Graves, Rashied Ali, Kenny
						Clarke and others. He is best known for the decade he spent with the CECIL
						TAYLOR UNIT.[Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH3(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An Evening of Poetry with: John Giorno [sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.03</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 34 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 34 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 34 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>John Girono, speaker, performer</p>
					<p>Recorded live 1987.04.03, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [House Introduction] (1 min. 29 sec.) -- ["Berlin"] (1 min. 1 sec.)
						-- ["Strength of Pleasure"] (3 min. 7 sec.) -- ["(Last Night) I Gambled"] (4
						min. 41 sec.) -- ["Stretching it Wider"] (5 min. 5 sec.) -- ["How to make a
						killer rat"] (2 min. 5 sec.) -- ["It's a mistake to think you're special"]
						(2 min. 38 sec.) -- ["Sucking Mud"] (2 min. 4 sec.) -- ["Exiled in domestic
						life"] (3 min. 32 sec.) -- ["Scum and Slime"] (4 min. 35 sec.) -- ["Life is
						a killer"] (3 min. 19 sec.) -- [Applause] (1 min. 2 sec.)</p>
				</scopecontent>
				<note>
					<p>Founder of the GIORNO POETRY SYSTEMS, producers of over 200 poets and
						musicians who work with the sound of their voice and wisdom content. They
						have produced 21 LP's, cassettes, videopaks and books. Giorno has published
						11 books including the recent release YOU GOT TO BURN TO SHINE. He is also
						responsible for the DIAL-A-POEM project and is the star of Andy Warhol's
						1963 film, SLEEP. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH3(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Links Hall and The Center for New Television present: Joseph Celli
						[sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.10</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 83 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 83 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 83 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Joseph Celli, composer, editor, oboe, bass clarinet ; Marty Walker,
						accompaniment</p>
					<p>Recorded live 1987.04.10, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Milling about/setup/trains] (13 min. 40 sec.) -- [Untitled] (12
						min. 5 sec.) -- [Untitled] (6 min. 25 sec.) -- [Information] (3 min. 24
						sec.) -- [Untitled] (9 min. 4 sec.) -- [Applause and break] (3 min. 1 sec.)
						-- ["Snare drum for Camus"] (13 min. 28 sec.) -- [Information] (3 min. 18
						sec.) -- [Open improv] (9 min. 24 sec.) -- [Untitled] (1 min. 0 sec.) --
						[Untitled] (10 min. 14 sec.) -- [Untitled] (3 min. 39 sec.) -- [Q and A] (9
						min. 0 sec.) -- ["Short piece with oboe player"] (2 min. 0 sec.) --
						[Announcement] (1 min. 24 sec.) -- [Milling about] (1 min. 37 sec.)</p>
				</scopecontent>
				<note>
					<p>Following his recent appearance at Carnegie Hall, where he conducted the
						Kronos Quartet in works by Omette Coleman, Celli will perform 7 pieces for
						film, video, oboe, bass clarinet and tape accompanied by Marty Walker.
						[Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH4(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>L.A. Poets #1, featuring: Michael Lally, Jack Skelly, David Trinidad
						[sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.09</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 88 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 88 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 88 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Michael Lally, speaker ; Jack Skelly, speaker ; David Trinidad, speaker</p>
					<p>Recorded live 1987.04.09, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Milling about] (1 min. 0 sec.) -- [Introduction to program] (0
						min. 35 sec.) -- [Introduction to Jack Skelly] (1 min. 23 sec.) --
						[Introduction] / Jack Skelly (1 min. 17 sec.) -- [First reading] / Jack
						Skelly (3 min. 49 sec.) -- ["Reason is an old fart"] / Jack Skelly (2 min.
						21 sec.) -- ["To Marie Osmond"] / Jack Skelly (2 min. 40 sec.) --
						["Heartbeat"] / Jack Skelly (2 min. 25 sec.) -- ["Intro Led Zep"] / Jack
						Skelly (1 min. 11 sec.) -- ["Bonzo"] / Jack Skelly (2 min. 38 sec.) --
						["Jimmy Page"] / Jack Skelly (2 min. 20 sec.) -- ["Food Reading/Tower
						Records"] / Jack Skelly (5 min. 2 sec.) -- ["Freeway Stranger"] /Jack Skelly
						(1 min. 14 sec.) -- [David Trinidad Introduction] (1 min. 1 sec.) --
						[Introduction] / David Trinidad (0 min. 23 sec.) -- ["Point of Light"] /
						David Trinidad (1 min. 30 sec.) -- ["Manson"] / David Trinidad (2 min. 9
						sec.) -- ["Haiku Series"] / Davis Trinidad (1 min. 49 sec.) -- ["11 days"] /
						David Trinidad (25 min. 4 sec.) -- [Break/Intermission] (7 min. 4 sec.) --
						[Introduction] / Michael Lally (0 min. 33 sec.) -- ["I'm Cool"] / Michael
						Lally (2 min. 34 sec.) -- ["My Life"] / Michael Lally (7 min. 59 sec.) --
						["Illness Reading"] / Michael Lally (3 min. 32 sec.) -- ["Don't Fuck"] /
						Michael Lally (6 min. 39 sec.) -- ["Life is a bitch"] / Michael Lally (1
						min. 37 sec.) -- ["No other love"] / Michael Lally (2 min. 29 sec.) --
						[Untitled] / Michael Lally (1 min. 41 sec.) -- ["Anti-semitism"] / Michael
						Lally (5 min. 26 sec.)</p>
				</scopecontent>
				<note>
					<p>This is the first installment featuring poets from the Los Angeles Area.
						Michael Lally has been called "The Francois Villon of our time." Twenty
						collections of his work have been published since 1970. He has received the
						New York Poetry Center "Discovery Award" in 1972; National Endowment for the
						Arts Award in '74 and '81. His work has been denounced as "obscene" in the
						US Congress. Jack Skelly has been active in the west coast literary scene
						writing as well as publishing since 1977. David Trinidad founded Sherwood
						Press in 1981 and has published seven titles. His work appeared in
						anthologies internationally, and he has had numerous readings across the
						country. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH4(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>L.A. Poets #2 featuring: Amy Gerstler, Benjamin Weissman</unittitle>
					<unitdate type="inclusive">1987.04.16</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 64 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 64 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 64 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Amy Gerstler, speaker ; Benjamin Weissman, speaker</p>
					<p>Recorded live 1987.04.16, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [L.A. poets introduction] (1 min. 22 sec.) -- [Introduction] /
						Benjamin Weissman (1 min. 30 sec.) -- ["Haiku"] / Benjamin Weissman (1 min.
						0 sec.) -- ["Haiku"] / Benjamin Weissman (0 min. 36 sec.) -- [Untitled] /
						Benjamin Weissman (2 min. 15 sec.) -- ["The Libertines"] / Benjamin Weissman
						(1 min. 14 sec.) -- ["Museum Boy"] / Benjamin Weissman (1 min. 6 sec.) --
						["Museum Boy" continued] / Benjamin Weissman (31 min. 10 sec) --
						[Intermission] (0 min. 52 sec.) -- [Introduction] / Amy Gerstler (1 min. 20
						sec.) -- [Untitled] / Amy Gerstler (2 min. 19 sec.) -- [Untitled] / Amy
						Gerstler (1 min. 48 sec.) -- ["Saints"] / Amy Gerstler (1 min. 13 sec.) --
						["Marriage"] / Amy Gerstler (3 min. 40 sec.) -- ["Overcome"] / Amy Gerstler
						(1 min. 54 sec.) -- ["Lost in the Forest"] / Amy Gerstler (1 min. 22 sec.)
						-- ["Grocery Store"] / Amy Gerstler (12 min. 5 sec.) -- ["A father at his
						son's baptism"] / Amy Gerstler (2 min. 10 sec.) -- [Crowd] (0 min. 16
					sec.)</p>
				</scopecontent>
				<note>
					<p>Amy has performed her work nationally and is widely published. Benjamin
						coordinates the Beyond Baroque Poetry Series. [Links Hall Program Schedule,
						March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH4(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Lorrie Jackson, Sharon Mesmer, Brigid Murphy [sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.23</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 71 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 71 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 71 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Lorrie Jackson, speaker ; Sharon Mesmer, speaker ; Brigid Murphy, speaker</p>
					<p>Recorded live 1987.04.23, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction] (0 min. 30 sec.) -- [Untitled] / Sharon Mesmer (4
						min. 8 sec.) -- ["Nervous"] / Sharon Mesmer (3 min. 2 sec.) -- ["Chinese
						Restaurant"] / Sharon Mesmer (4 min. 15 sec.) -- ["Video Segment"] / Sharon
						Mesmer (4 min. 26 sec.) -- ["Creepy Song"] / Sharon Mesmer (4 min. 2 sec.)
						-- [Audience Participation] (5 min. 35 sec.) -- [Introduction] / Lorrie
						Jackson (2 min. 17 sec.) -- [Untitled] / Lorrie Jackson (2 min. 34 sec.) --
						[Untitled] / Lorrie Jackson (1 min. 24 sec.) -- [Untitled] / Lorrie Jackson
						(3 min. 17 sec.) -- ["I had a very important poem to write"] / Lorrie
						Jackson (1 min. 53 sec.) -- [Untitled] / Lorrie Jackson (3 min. 27 sec.) --
						[Untitled] / Lorrie Jackson (4 min. 24 sec.) -- ["The Acid Epic"] / Lorrie
						Jackson (3 min. 37 sec.) -- ["By the hair"] / Lorrie Jackson (2 min. 26
						sec.) -- ["Bad cup of coffee"] / Lorrie Jackson (3 min. 10 sec.) -- ["Love
						and speed"] / Lorrie Jackson (4 min. 10 sec.) -- [Intermission] (0 min. 33
						sec.) -- [Introduction] / Brigid Murphy (0 min. 33 sec.) -- ["As the banana
						peels"] / Brigid Murphy (9 min. 2 sec.) -- ["Chicken bones blocking kisses"]
						/ Brigid Murphy (6 min. 12 sec.) -- [Outro] (6 min. 12 sec.) </p>
				</scopecontent>
				<note>
					<p>Lorrie is one of Chicago's most forthright and charismatic young poets;
						Sharon utilizes music, monologues and comedy in her poetry performances;
						Brigid combines comedy and drama and an array of characters of both genders
						in her performances. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH4(d)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Alegbra Suicide, featuring: Don Hedeker, Lydia Tomkiw [sound
						recording]</unittitle>
					<unitdate type="inclusive">1987.05.01</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 100 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 100 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 100 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Don Hedeker, composer ; Lydia Tomkiw, performer</p>
					<p>Recorded live 1987.05.01, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction] (0 min. 25 sec.) -- [Untitled] (1 min. 0 sec.) --
						[Introduction #2] (1 min. 15 sec.) -- ["Manic Sway"] (4 min. 17 sec.) --
						["In bed with boys"] (2 min. 15 sec.) -- ["No War Bride"] (2 min. 13 sec.)
						-- ["After Charles"] (1 min. 41 sec.) -- ["Sombrose"] (3 min. 4 sec.) --
						["Proverbial..."] (2 min. 13 sec.) -- [Untitled] (7 min. 26 sec.) --
						["Tractor Pull"] (2 min. 37 sec.) -- [Untitled] (3 min. 0 sec.) -- ["Tales
						of Great Ullyses] (3 min. 6 sec.) -- ["Amusing one's self"] (3 min. 14 sec.)
						-- ["Little dead bodies"] (5 min. 26 sec.) -- [Crowd noise/introduction to
						part two] (1 min. 36 sec.) -- [Untitled] (3 min. 16 sec.) -- ["Tonight"] (3
						min. 35 sec.) -- ["Love's Trans Am"] (2 min. 31 sec.) -- [Untitled] (3 min.
						27 sec.) -- ["Father's by the door"] (5 min. 23 sec.) -- ["Delmar"] (3 min.
						1 sec.) -- [Untitled] (4 min. 2 sec.) -- [Untitled] (2 min. 34 sec.) --
						["Adgitation"] (3 min. 6 sec.) -- ["Tuesday tastes good"] (3 min. 47 sec.)
						-- ["Lethargy"] (2 min. 23 sec.) -- ["Dream vacation"] (4 min. 17 sec.) --
						[Untitled] (3 min. 7 sec.)</p>
				</scopecontent>
				<note>
					<p>Since its formation in 1982, Algebra Suicide has appeared on many new music
						compilations throughout the U.S. and Europe. Tomkiw's poetry and fiction has
						appeared internationally in over 40 publications. Hedeker is currently
						composing the soundtrack to the film "Art And Crisis." [Links Hall Program
						Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH4(e)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of poetry with: Kai El Zabar [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.07</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 68 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 68 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 68 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Kai El Zabar, speaker ; Kahil El Zabar, musical accompaniment</p>
					<p>Recorded live 1987.05.07, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction] (0 min. 50 sec.) -- ["Ten year run"] (3 min. 56
						sec.) -- ["Sunday, Feb. 1st"] (1 min. 29 sec.) -- ["Dear"] (3 min. 34. sec.)
						-- ["The Danakil"] (16 min. 4 sec.) -- ["Setup and any questions between
						things"] (1 min. 9 sec.) -- ["Scented Essence"] (43 min. 13 sec.)</p>
				</scopecontent>
				<note>
					<p>"2 X El Zabar = Kahil &amp;Kai = Els in Duet." Kai is the editor of
							<i>Alance</i>, and teaches at Roosevelt University and Northeastern
						University. She is also an Arts Administrator for FEPA—a key producer of the
						annual underground fest. Providing musical accompaniment to her reading will
						be Kahil El Zabar. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH5(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of improvisation by: Ladonna Smith, Davey Williams [sound
						recording]</unittitle>
					<unitdate type="inclusive">1987.04.11</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 94 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 94 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 94 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Ladonna Smith, violin, viola, guitar, toys ; Davey Williams, violin, viola,
						guitar, toys</p>
					<p>Recorded live 1987.04.11, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction/Untitled] (14 min. 36 sec.) -- [Vocal/String
						(violin)] (14 min. 3 sec.) -- [Vocal/String (violin), cont.] (8 min. 39
						sec.) -- [Cycle noises/love story (Ladonna)] (9 min. 7 sec.) --
						[Intermission] (2 min. 30 sec.) -- ["Object discussion"] (16 min. 9 sec.) --
						[Instrument/spoken word] (7 min. 31 sec.) -- [Violin/spoken word (Davey)]
						(16 min. 4 sec.) -- [Outro] (1 min. 5 sec.)</p>
				</scopecontent>
				<note>
					<p>The Dixie Surrealists are back with an evening of improvised solos and duets
						for violin, viola, guitar and toys. [Links Hall Program Schedule, March-June
						1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH5(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Links Hall and New American Writing present: An Evening of Poetry
						with Ed Sanders [sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.17</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 84 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 84 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 84 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Ed sanders, speaker</p>
					<p>Recorded live 1987.04.17, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction] (1 min. 12 sec.) ["Speaks"] (2 min. 44 sec.) --
						["Hudson River"] (8 min. 21 sec.) -- ["Poem-Diary"] (8 min. 35 sec.) --
						["Religion translated"] (6 min. 38 sec.) -- ["The Hook"] (12 min. 19 sec.)
						-- ["Instrument talk"] (5 min. 24 sec.) -- ["Political talk"] (6 min. 25
						sec.) -- ["Sampling"] (0 min. 40 sec.) -- ["Magazine"] (1 min. 33 sec.) --
						["War-Slums"] (18 min. 32 sec.) -- ["Love/Hate"] (4 min. 57 sec.) -- [Outro]
						(9 min. 0 sec.)</p>
				</scopecontent>
				<note>
					<p>Ed Sanders is a poet of the Beat Generation and a founding member of the
						legendary rock group THE FUGS. He is well-known for his outstanding poetry
						readings, including the use of a musical tie and other musical effects, as
						well as for his appearance in the Ron Mann movie "Poetry in Motion." [Links
						Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH5(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Links Hall and New Music Chicago present compositions by: Berlin,
						Doerfeild, Granner, Leibermen, Lipp, Marsh, Morehead [sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.18</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 91 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 91 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 91 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Yako [?] ; Barbara [?] ; Philip [?] ; Dixie [?]</p>
					<p>Recorded live 1987.04.18, Links Hall, 3435 N. Sheffield, Chicago, IL. 60657</p>
					<p>Contents: [Introduction] (2 min. 48 sec.) -- [Composer talks] (1 min. 10
						sec.) -- [Vocals/Strings] (20 min. 2 sec.) -- [Break #1] (1 min. 56 sec.) --
						[Wind instrument (flute)] (6 min. 5 sec.) -- [Break #2] (2 min. 36 sec.) --
						[Electronic sounds] (5 min. 40 sec.) -- [Break #3] (2 min. 24 sec.) --
						[Violin/Flute/Clarinet] (7 min. 6 sec.) -- [Intermission] (1 min. 33 sec.)
						-- [Percussion] (10 min. 1 sec.) -- [Break #4] (4 min. 32 sec.) --
						[Vibrations] (15 min. 1 sec.) -- [Break #5 and #6] (3 min. 34 sec.) --
						[Hey!/Acapella] (10 min. 14 sec.)</p>
				</scopecontent>
				<note>
					<p>In conjunction with the New Music Chicago Spring Festival, LHPS presents this
						evening of solo and ensemble pieces by composers chosen by New Music
						Chicago. Several fine local performers have been engaged to present this
						works. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH6(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Desperate Measures, featuring: Andre Caporaso, Steve Hunt, Larry
						Nordstron, Gwynne Winsberg [sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.24</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 97 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 97 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 97 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Andre Caporaso, performer ; Steve Hunt, performer ; Larry Nordstrom,
						performer ; Gwynne Winsberg, performer</p>
					<p>Recorded live 1987.03.21, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introducton] (1 min. 34 sec.) -- [Fading elements/instruments] (11
						min. 27 sec.) -- [Funk vibe/voice] (12 min. 38 sec.) -- [Heavy bass, "Urban
						Spaces"] (8 min. 3 sec.) -- [Country song] (6 min. 8 sec.) -- [Break] (2
						min. 30 sec.) -- [Various noises/brass instruments] (13 min. 17 sec.) --
						["Hopeless in New York"] (6 min. 2 sec. ) -- [Keyboard/Dance] (12 min. 27
						sec.) -- [Band talks] (2 min. 0 sec.) -- ["Without boundaries"] (9 min. 15
						sec.) -- ["Our next show..."] (2 min. 17 sec.) -- [Final improv] (14 min. 59
						sec.)</p>
				</scopecontent>
				<note>
					<p>Desperate Measures can be obtuse, witty, satirical or just good fun as they
						parody and transform heavy metal and punk songs into new art songs of lost
						loves, sex and politics. All four members are shameless improvisors from
						jazz backgrounds. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH6(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An Evening of solo percussion with: Thurman Barker [sound recording]</unittitle>
					<unitdate type="inclusive">1987.04.25</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 89 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 89 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 89 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Thurman Barker, percussion</p>
					<p>Recorded live 1987.03.21, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 17 sec.) -- ["The Hunt"] (11 min. 7 sec.) --
						[Untitled] (11 min. 19 sec.) -- [Untitled] (10 min. 42 sec.) -- ["Blue in
						green"] (12 min. 5 sec.) -- [Intermission] (2 min. 40 sec.) --
						["Kalingalinga"] (17 min. 1 sec.) -- ["Hocus Pocus"] (21 min. 15 sec.) --
						[Outro] (2 min. 19 sec.)</p>
				</scopecontent>
				<note>
					<p>Barker's recent activities include a trio with Joseph Jarman and Amina
						Claudine Meyers, and solo work on marimba, traps and xylophone. He has
						recorded with Muhal Richard Abrams, Sam Rivers, Anthony Braxton, Roscoe
						Mitchell, Billy Bang, John Lindberg and the World Bass Violin Ensemble, to
						name a few. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH6(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An Evening of solo percussion with: Samm Bennett [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.02</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 65 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 65 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 65 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Samm Bennett, percussion</p>
					<p>Recorded live 1987.05.02, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction/First Song] (7 min. 15 sec.) -- [Untitled] (6 min. 33
						sec.) -- [Untitled] (15 min. 2 sec.) -- [Untitled] (9 min. 28 sec.) --
						[Untitled] (12 min. 12 sec.) -- ["Thinking with the hands"] (16 min. 10
						sec.)</p>
				</scopecontent>
				<note>
					<p>Bennett performs with BOSHO, a rhythm based group with percussionists Yuval
						Gabay and Kumiko Kimoto and guitarist/violinist Hahn Rowe, also Elliott
						Sharp and Ned Rothenberg as SEMANTICS. In addition to solo work, Samm has
						performed with John Zorn, Shelly Hirsch, Tom Cora, George Cartwright, David
						van Tieghen and David Zambrano. [Links Hall Program Schedule, March-June
						1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH7(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Phil Cohran, with: Sister Maia, Aquilla Saddala [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.08</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 120 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 120 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 120 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Phil Cohran, trumpet ; Sister Maia, vocals, percussion ; Aquilla Saddala,
						vocals, percussion</p>
					<p>Recorded live 1987.05.08, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["Conjurer's Song/Alayo] (9 min. 1 sec.) -- ["Beautiful Africa"] (4
						min. 3 sec.) -- ["Black Orpheus"] (7 min. 6 sec.) -- [Untitled] (4 min. 20
						sec.) -- [Untitled] (3 min. 13 sec.) -- ["The eagle who thought he was a
						chicken"] (8 min. 17 sec.) -- ["Nature"] (5 min. 45 sec.) -- ["Black Music"]
						(9 min. 35 sec.) -- [Untitled] (3 min. 13 sec.) -- [Untitled] (4 min. 31
						sec.) -- [Intermission] (1 min. 30 sec.) -- ["Angela"] (9 min. 37 sec.) --
						[Untitled] (12 min. 48 sec.) -- [Untitled] (6 min. 11 sec.) -- ["Lean on
						me"] (3 min. 29 sec.) -- ["Hound dog"] (2 min. 6 sec.) -- ["African blues"]
						(8 min. 30 sec.) -- ["Jazz monlogue/'Round Midnight intro."] (6 min. 41
						sec.) -- ["'Round Midnight"] (5 min. 55 sec.) -- ["Mystic's Song"] (11 min.
						34 sec.)</p>
				</scopecontent>
				<note>
					<p>Co-founder of the AACM, Phil is a teacher, Trumpeter and composer living and
						working in Chicago. He will be joined by Sister Maia and Aquilla Saddala,
						vocalists who dance and play percussion. [Links Hall Program Schedule,
						March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH7(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An Evening of solo percussion with: Kahil El Zabar [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.15</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 125 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 125 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 125 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Kahil El Zabar, percussion</p>
					<p>Recorded live 1987.05.15, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 13 sec.) -- [Untitled] (3 min. 33 sec.) --
						[Untitled] (60 min. 43 sec.) -- [Introduction/Second Set] (1 min. 21 sec.)
						-- [Untitled] (42 min. 39 sec.) --</p>
				</scopecontent>
				<note>
					<p>"So Low -- But Never Alone" is the title of this solo concert by Kahil El
						Zabar. Known for his work with the ETHNIC HERITAGE ENSEMBLE, Kahil has
						recently released the album "The Ritual," featuring Lester Bowie and Malachi
						Favors. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH8(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Robert Klein Engler, M.J. Marchnight [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.14</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 54 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 54 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 54 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Robert Klein Engler, speaker ; M.H. Marchnight, speaker</p>
					<p>Recorded live 1987.05.14, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] / M.J. Marchnight-- (1 min. 30 sec.) -- [Talking] / M.J.
						Marchnight (1 min. 11 sec.) -- [Untitled] / M.J. Marchnight (2 min. 54 sec.)
						-- [Untitled] / M.J. Marchnight (2 min. 14 sec.) -- ["There is infinite hope
						butu not for us"] / M.J. Marchnight (5 min. 26 sec.) -- [Introduction] /
						Robert Klein Engler (0 min. 10 sec.) -- [Untitled] / Robert Klein Engler (0
						min. 25 sec.) -- ["A serenade for Elvis Presley"] / Robert Klein Engler (2
						min. 27 sec.) -- ["On the 10th anniversary of his marriage and the 1st of
						his enforced celebacy Part 1 and 2"] / Robert Klein Engler (6 min. 15 sec.)
						-- ["A lil Akbar"] / Robert Klein Engler (1 min. 1 sec.) -- ["Little elogy
						for a child who skips rope"] / Robert Klein Engler (1 min. 24 sec.) --
						["After great pain"] / Robert Klein Engler (1 min. 8 sec.) -- [Intermission]
						(1 min. 9 sec.) -- ["Hands"] / Robert Klein Engler (2 min. 10 sec.) --
						["Perfect flower of human time"] / Robert Klein Engler (3 min. 13 sec.) --
						["The rocking chair"] / Robert Klein Engler (1 min. 7 sec.) -- ["Trist"] /
						Robert Klein Engler (1 min. 38 sec.) -- [Untitled] / Robert Klein Engler (3
						min. 52 sec.) -- ["Jana"] / Robert Klein Engler (1 min. 23 sec.) -- ["Amazon
						at dawn"] / Robert Klein Engler (2 min. 23 sec.) -- [Untitled] / Robert
						Klein Engler (1 min. 15 sec.) -- ["Sea change"] / Robert Klein Engler (1
						min. 18 sec.) ["On the long march"] / Robert Klein Engler (1 min. 2 sec.) --
						["Flower from Africa"] / Robert Klein Engler (1 min. 1 sec.) -- ["I was Big
						Foot's sex slave"] / Robert Klein Engler (1 min. 7 sec.) -- ["Resurrection"]
						/ Robert Klein Engler (2 min. 22 sec.) -- ["Monday storm"] / Robert Klein
						Engler (1 min. 37 sec.) -- ["Before the last attack"] / Robert Klein Engler
						(1 min. 34 sec.) -- ["Safe"] / Robert Klein Engler (1 min. 27 sec.) --
						["Arab"] / Robert Klein Engler (1 min. 11 sec.) -- ["Rhythm methods"] /
						Robert Klein Engler (1 min. 29 sec.) -- [Untitled] / Roberet Klein Engler (2
						min. 25 sec.) -- ["Nicholas Lindsey returns home to Illinois"] / Robert
						Klein Engler (1 min. 9 sec.) -- [Untitled] / Robert Klein Engler (1 min. 13
						sec.)</p>
				</scopecontent>
				<note>
					<p>Engler teaches at Daley City College and administrates <i>AlphaBeta
						Press</i>. Marchnight is a member of the Axe Street Arena Collective. [Links
						Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH8(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Poetry and Ethnic Music from the Caribbean [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.21</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 85 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 85 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 85 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Alix PiQuion, speaker ; David Hernandez, speaker ; Alejandro Velasquez,
						percussion</p>
					<p>Recorded live 1987.05.21, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 40 sec.) -- ["A French story"] / Alix
						PiQuion (5 min. 15 sec.) -- ["Sunset story"] / Alix PiQuion (4 min. 25 sec.)
						-- ["Dream story"] / Alix PiQuion (2 min. 5 sec.) -- [Intermission] (0 min.
						19 sec.) -- [Warming Up] / Davis Hernandez with band (3 min. 1 sec.) --
						["Chi-town brown"] / David Hernandez with band (4 min. 20 sec.) -- ["Ode to
						my penis-celibacy"] / David Hernandez with band (2 min. 32 sec.) --
						["Worthless"] / David Hernandez with band (9 min. 13 sec.) -- ["I want to be
						a real poet"] / David Hernandez with band (3 min. 32 sec.) -- [Untitled] /
						David Hernandez with band (6 min. 11 sec.) -- ["A present and metaphysical
						question"] / David Hernandez with band (2 min. 35 sec.) -- ["...manhood..."]
						/ David Hernandez with band (3 min. 27 sec.) -- [Untitled] / David Hernandez
						with band (11 min. 12 sec.) -- ["Homies"] / David Hernandez with band (10
						min. 5 sec.) -- ["Goddess"] / David Hernandez with band (13 min. 27 sec.) --
						["Song for Chicago"] / David Hernandez with band (7 min. 20 sec.) --
						[Clapping] (0 min. 32 sec.)</p>
				</scopecontent>
				<note>
					<p>Each season the LHPS [Links Hall Performance Series] travels to a differentn
						part of the globe to find Traditional Folk Music to augment the otherwise
						experimental nature of the series. This season, we will feature the poetry
						and music of the CARIBBEAN, which will include a CONGA QUARTET, a HAITIAN
						FOLK MUSIC ENSEMBLE, a PUERTO RICAN STREET BAND, and CALYPSO MUSIC FROM
						TRINIDAD. Assisting us in this series is the Caribbean Arts Association of
						Chicago. [Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH8(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Tomorrow Magazine, featuring: Jeff Abell, Tim W. Brown, Joe Gastiger,
						John Jacob, Dan Ursini [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.28</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 105 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 105 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 105 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Jeff Abell, speaker ; Tim W. Brown, speaker ; Joe Gastiger, speaker ; John
						Jacob, speaker ; Dan Ursini, speaker ; Tim Brown, speaker ; Tomorrow
						Magazine, organizer</p>
					<p>Recorded live 1987.05.28, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Tim Brown (3 min. 36 sec.) -- [Introduction] / Dan
						Ursini (2 min. 17 sec.) -- ["Selections from novel"] / Dan Ursini (16 min.
						35 sec.) -- [Introduction] / Joe Gastiger (4 min. 39 sec.) -- ["Singing the
						messiah..."] / Joe Gastiger (2 min. 40 sec.) -- [Untitled] / Joe Gastiger (2
						min. 5 sec.) -- ["Winter highway night"] / Joe Gastiger (2 min. 46 sec.) --
						["The children of mechanics"] / Joe Gastiger (3 min. 0 sec.) -- ["Cinder
						path through the trees"] / Joe Gastiger (1 min. 36 sec.) -- ["Through the
						walls"] / Joe Gastiger (1 min. 46 sec.) -- ["Tear gas"] / Joe Gastiger (1
						min. 50 sec.) -- ["Clean slate"] / Joe Gastiger (2 min. 15 sec.) -- ["My
						thai, derby..."] / Joe Gastiger (3 min. 25 sec.) -- ["Great players"] / Joe
						Gastiger (3 min. 5 sec.) -- ["Angel"] / Joe Gastiger (1 min. 35 sec.) --
						["Heartbeat"] / Joe Gastiger (2 min. 27 sec.) -- [Introduction] / John Jacob
						(2 min. 31 sec.) -- ["Conjureville"] / John Jacob (3 min. 13 sec.) -- ["Low
						point"] / John Jacob (1 min. 23 sec.) -- ["Rutland"] / John Jacob (1 min. 16
						sec.) -- ["Emerald City"] / John Jacob (1 min. 30 sec.) -- ["96 tears"] /
						John Jacob (2 min. 26 sec.) -- ["I'm going down to the station"] / John
						Jacob (1 min. 36 sec.) -- ["Roll over"] / John Jacob (2 min. 1 sec.) --
						["Visual relationships"] / John Jacob (1 min. 22 sec.) -- ["From Chicago
						sequence"] / John Jacob (1 min. 10 sec.) -- ["Kent"] / John Jacob (1 min. 59
						sec.) -- [Untitled] / John Jacob (1 min. 45 sec.) -- ["Mies Van der Rohe
						Place"] / John Jacob (1 min. 54 sec.) -- ["Cry me a river"] / John Jacob (1
						min. 45 sec.) -- [Untitled] / John Jacob (1 min. 11 sec.) -- ["Shoot the
						piano player"] / John Jacob (2 min. 25 sec.) -- ["This is to say..."] / John
						Jacob (4 min. 27 sec.) -- [Introduction] / Jeff Abell (1 min. 29 sec.) --
						["Note to student"] / Jeff Abell (3 min. 23 sec.) -- ["Found poems-1"] /
						Jeff Abell (1 min. 6 sec.) -- ["Found poems-2"] / Jeff Abell (4 min. 3 sec.)
						-- ["Found Text-Grandma Music"] / Jeff Abell (3 min. 3 sec.) -- ["Found
						Text-Radio"] / Jeff Abell (3 min. 6 sec.) -- ["Found Text-Pianist"] / Jeff
						Abell (2 min. 16 sec.) -- ["System seven Chicago"] / Jeff Abell (3 min. 13
						sec.) -- ["3-voice"] / Jeff Abell (7 min. 1 sec.) -- [Outro] / Tim Brown (1
						min. 31 sec.)</p>
				</scopecontent>
				<note>
					<p>Editor Tim Brown will M.C. this evening of writers featured in Chicago's own
							<i>Tomorrow Magazine</i> [Links Hall Program Schedule, March-June
					1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH8(d)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>New American Writing presents: Alice Notley, Maureen Owen [sound
						recording]</unittitle>
					<unitdate type="inclusive">1987.06.04</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 70 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 70 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 70 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Alice Notley, speaker ; Maureen Owen, speaker</p>
					<p>Recorded live 1987.06.04, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction/New American Writing] (3 min. 38 sec.) --
						[Introduction] / Alice Notley (0 min. 16 sec.) -- ["Macho Daisy Duck"] /
						Alice Notley (5 min. 26 sec.) -- ["Love song"] / Alice Notley (1 min. 14
						sec.) -- ["Song after a dream"] / Alice Notley (1 min. 4 sec.) -- ["Fallen
						angel"] / Alice Notley (1 min. 29 sec.) -- ["Chair"] / Alice Notley (2 min.
						26 sec.) -- ["Horn/Candle/Paper Roses"] / Alice Notley (7 min. 37 sec.) --
						["I, the people"] / Alice Notley (2 min. 16 sec.) -- ["Three poems"] / Alice
						Notley (1 min. 8 sec.) -- ["Poem"] / Alice Notley (2 min. 54 sec.) --
						["Poem," cont.] / Alice Notley (1 min. 21 sec.) -- [Untitled] / Alice Notley
						(3 min. 6 sec.) -- ["At night the states"] / Alice Notley (7 min. 38 sec.)
						-- [Audience noise] (1 min. 58 sec.) -- [Introduction] / Maureen Owen (2
						min. 29 sec.) -- ["We can't find the traitor..."] / Maureen Owen (2 min. 11
						sec.) -- ["Syran wrap"] / Maureen Owen (0 min. 39 sec.) -- ["Stone letter in
						a pot"] / Maureen Owen (2 min. 2 sec.) -- ["African Sunday"] / Maureen Owen
						(1 min. 29 sec.) -- ["November for a straight life"] / Maureen Owen (2 min.
						21 sec.) -- [Untitled] / Maureen Owen (1 min. 27 sec.) -- [Untitled] /
						Maureen Owen (0 min. 34 sec.) -- [Untitled] / Maureen Owen (1 min. 34 sec.)
						-- ["Trash guys"] / Maureen Owen (1 min. 39 sec.) -- ["Chrome"] / Maureen
						Owen (1 min. 20 sec.) -- [Untitled] / Maureen Owen (1 min. 24 sec.) -- ["To
						love summer"] / Maureen Owen (1 min. 2 sec.) -- ["Internal damage"] /
						Maureen Owen (2 min. 25 sec.) -- ["Everyday"] / Maureen Owen (2 min. 19
						sec.) -- [Untitled] / Maureen Owen (1 min. 6 sec.) -- ["From gossip notes of
						court life"] / Maureen Owen (2 min. 3 sec.) -- [Untitled] / Maureen Owen (3
						min. 5 sec.) -- ["Imaginary income"] / Maureen Owen (0 min. 34 sec.) --
						[Untitled] / Maureen Owen (1 min. 53 sec.) -- [Untitled] / Maureen Owen (1
						min. 21 sec.) -- ["No one ever eats the end ofo the grapes"] / Maureen Owen
						(1 min. 14 sec.) -- ["Blue nice"] / Maureen Owen (1 min. 1 sec.) --
						[Untitled] / Maureen Owen (0 min. 41 sec.) -- ["Martha"] / Maureen Owen (1
						min. 14 sec.) -- ["Was the book full of birds"] / Maureen Owen (1 min. 8
						sec.) -- ["Tall white"] / Maureen Owen (1 min. 10 sec.) -- [Untitled] /
						Maureen Owen (0 min. 27 sec.) -- [Untitled] / Maureen Owen (1 min. 30
					sec.)</p>
				</scopecontent>
				<note>
					<p>Alice Notley is one of the finest poets of her generation and an important
						sustainer of the traditions of William Carlos Williams, Gertrude Stein, and
						Frank O'Hara. Maureen Owen is a former director of the Poetry Project at St.
						Mark's Church in the Bowery, and the author of several outstanding books of
						poetry. Her book <i>AE (Amelia Earhart)</i>, 1984, was the winner of a
						Before Columbus American Book Award, and in 1979 she won a National
						Endowment for the Arts fellowship in poetry. [Links Hall Program Schedule,
						March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH8(e)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>New American Writing presents: Clark Coolidge, Geoffrey Young [sound
						recording]</unittitle>
					<unitdate type="inclusive">1987.06.11</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 43 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 43 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 43 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Geoffrey Young, speaker ; [Note: Clark Coolidge is not represented on this
						recording]</p>
					<p>Recorded live 1987.06.11, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 10 sec.) -- [Introduction] / Geoffrey Young
						(5 min. 25 sec.) -- ["The French Impressionism of Walter Payton"] / Geoffrey
						Young (1 min. 22 sec.) -- [Untitled] / Geoffrey Young (7 min. 22 sec.) --
						[Untitled] / Geoffrey Young (2 min. 12 sec.) -- [Untitled] / Geoffrey Young
						(1 min. 35 sec.) -- [Untitled] / Geoffrey Young (4 min. 15 sec.) --
						["Sefarieatis"] / Geoffrey Young (2 min. 33 sec.) -- ["Drive it said"] /
						Geoffrey Young (17 min. 18 sec.) -- [Crowd noise and silence] (1 min. 23
						sec.)</p>
				</scopecontent>
				<note>
					<p>Clark Coolidge is one of the few poets to have affected the poetry of his
						time. Through the publication of his many books of poetry, he has been an
						important influence on the "language poets," a group that produced some of
						the most interesting and controversial work of the past ten years. Geoffrey
						Young lives in Massachusetts, where he edits <i>The Figures</i>, one of the
						outstanding avant-garde poetry publishers of the last decade. He was a
						Fulbright Scholar in France and has translated, with Michael Palmer, the
						Vicente Huidobro collection, <i>Relativity of Spring</i>. [Links Hall
						Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH9(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Solo concert by: Elliott Sharp [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.16</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 65 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 65 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 65 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Elliott Sharp, composer, solo instrumentalist</p>
					<p>Recorded live 1987.05.16, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 16 sec.) -- [Introduction, cont.] (0 min. 11
						sec.) -- [Untitled] (20 min. 31 sec.) -- [Untitled] (32 min. 35 sec.) --
						[Untitled] (2 min. 43 sec.) -- [Crowd noise] (0 min. 52 sec.) -- [Second
						set] (29 min. 29 sec.) -- [End] (0 min. 14 sec.)</p>
				</scopecontent>
				<note>
					<p/>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH9(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Ethnic music series, featuring: Caribbean Music [Conjunto Bembo]
						[sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.22</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 56 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 56 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 56 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Recorded live 1987.05.22, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 35 sec.) -- ["Solo rhythm"] (7 min. 30 sec.)
						-- ["Group rhythm"] (2 min. 20 sec.) -- ["Fast rhythm"] (5 min. 14 sec.) --
						["Stick and hand drums/Merengue"] (4 min. 56 sec.) -- ["Rhumba"] (5 min. 14
						sec.) -- ["Heavy rhythm"] (5 min. 36 sec.) -- ["Upbeat rhythm"] (4 min. 35
						sec.) -- ["Very fast rhythm"] (3 min. 3 sec.) -- [Untitled] (6 min. 23 sec.)
						-- ["Steady rhythm"] (7 min. 6 sec.) -- ["Jumpy rhythm"] (3 min. 55 sec.) --
						["Links Hall events"] (1 min. 33 sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH9(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Ethnic Music Series, featuring: Caribbean Music [Dos Tana] [sound
						recording]</unittitle>
					<unitdate type="inclusive">1987.05.23</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 120 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 120 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 120 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Recorded live 1987.05.23, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["Tuning up"] (1 min. 4 sec.) -- [Untitled] (10 min. 22 sec.) --
						[Untitled] (9 min. 19 sec.) -- [Untitled] (17 min. 11 sec.) -- ["Preparing
						to play"] (2 min. 40 sec.) -- [Untitled] (15 min. 29 sec.) -- [Untitled] (16
						min. 9 sec.) -- ["Tuning up"] (0 min. 37 sec.) -- [Untitled] (4 min. 58
						sec.) -- [Untitled] (15 min. 30 sec.) -- [Untitled] (10 min. 38 sec.) --
						[Untitled] (14 min. 12 sec.) -- ["Goodbye song"] (1 min. 52 sec.) -- [End]
						(0 min. 32 sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH10(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Ethnic Music Series, featuring: Caribbean Music [Cathy and Clyde]
						[Sound Recording]</unittitle>
					<unitdate type="inclusive">1987.05.29</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 80 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 80 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 80 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Cathy and Clyde, keyboard, drum machine, steel drum</p>
					<p>Recorded live 1987.05.29, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (5 min. 7 sec.) -- [Introduction] (1 min. 4 sec.) --
						[Untitled] (5 min. 37 sec.) -- [Untitled] (4 min. 40 sec.) -- ["I can see
						clearly now"] (7 min. 28 sec.) -- [Untitled] (5 min. 1 sec.) -- ["Watermelon
						man"] (4 min. 21 sec.) -- [Untitled] (4 min. 49 sec.) -- [Short break] (0
						min. 45 sec.) -- [Untitled] (9 min. 0 sec.) -- [Untitled] (8 min. 34 sec.)
						-- ["Girl from Ipanema"] (6 min. 37 sec.) -- [Untitled] (5 min. 16 sec.) --
						[6 min. 48 sec.) -- [Untitled] (6 min. 35 sec.) -- [Untitled] (1 min. 39
						sec.) -- ["Links Hall announcements"] (2 min. 6 sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH10(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Ethnic Music Series, featuring: Caribbean Music [Los Pleneros D Yuca
						YeQue] [sound recording]</unittitle>
					<unitdate type="inclusive">1987.05.30</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 61 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 61 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 61 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Recorded live 1987.05.30, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (5 min. 37 sec.) -- [Untitled] (5 min. 38 sec.) --
						[Untitled] (6 min. 27 sec.) -- [Untitled] (9 min. 24 sec.) -- ["Break/Tuning
						up"] (0 min. 39 sec.) -- ["if you don't love me, forget it"] (6 min. 28
						sec.) -- [Untitled] (7 min. 9 sec.) -- [Untitled] (8 min. 7 sec.) --
						[Untitled] (7 min. 4 sec.) -- [Untitled] ("La hija de Plena"] (6 min. 39
						sec.) -- [Untitled] (1 min. 24 sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH10(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Hal Russell and the NRG Ensemble [sound recording]</unittitle>
					<unitdate type="inclusive">LH10(c)</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 110 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 110 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 110 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Recorded live 1987.06.13, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["The Freedom Principle"] (35 min. 9 sec.) -- ["Sun Ra"] (19 min.
						35 sec.) -- [Untitled] (26 min. 14 sec.) -- [Untitled] (9 min. 32 sec.) --
						[Untitled] (4 min. 47 sec.) -- [Untitled] (3 min. 3 sec.) -- [Untitled] (6
						min. 33 sec.) -- [Untitled] (10 min. 7 sec.)</p>
				</scopecontent>
				<note>
					<p>HAL is back with a new surprise suite for a premiere at Links Hall. [Links
						Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH11(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An Evening with: Christian Marclay [sound recording]</unittitle>
					<unitdate type="inclusive">1987.06.06</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 67 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 67 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 67 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Christian Marclay, performer, phonographs</p>
					<p>Recorded live 1987.06.06, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Silence] (0 min. 26 sec.) -- [Introduction] (2 min. 24 sec.) --
						[Untitled] (4 min. 35 sec.) -- [Silence] (1 min. 14 sec.) -- [Untitled] (20
						min. 32 sec.) -- [Silence] (1 min. 7 sec.) -- [Untitled] (4 min. 35 sec.) --
						[Silence] (1 min. 57 sec.) -- [Untitled] (31 min. 54 sec.) -- ["Thank you"]
						(1 min. 14 sec.)</p>
				</scopecontent>
				<note>
					<p>Since 1979, Christian has been experimenting, composing and performing withi
						phonograph records. His interest in records, both as objects and as bearers
						of sound, is expressed through sculpture, performance, video and music.
						[Links Hall Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH11(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>New American Writing presents: Clark Coolidge, Geoffrey Young</unittitle>
					<unitdate type="inclusive">1987.06.11</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 41 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 41 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 41 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Clark Coolidge, speaker ; [Note: Geoffrey Young is not represented on this
						recording] </p>
					<p>Recorded live 1987.06.11, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction to Clark Coolidge] (1 min. 23 sec.) -- ["At Egypt"] /
						Clark Coolidge (38 min. 5 sec.) -- [Crowd noise] (1 min. 24 sec.) --
						[Silence] (0 min. 18 sec.) -- [Silence] (0 min. 3 sec.)</p>
				</scopecontent>
				<note>
					<p>Clark Coolidge is one of the few poets to have affected the poetry of his
						time. Through the publication of his many books of poetry, he has been an
						important influence on the "language poets," a group that produced some of
						the most interesting and controversial work of the past ten years. Geoffrey
						Young lives in Massachusetts, where he edits <i>The Figures</i>, one of the
						outstanding avant-garde poetry publishers of the last decade. He was a
						Fulbright Scholar in France and has translated, with Michael Palmer, the
						Vicente Huidobro collection, <i>Relativity of Spring</i>. [Links Hall
						Program Schedule, March-June 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH12(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Eugene Chadbourne [sound recording]</unittitle>
					<unitdate type="inclusive">1987.09.18</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 69 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 69 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 69 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Eugene Chadbourne, speaker, performer</p>
					<p>Recorded live 1987.09.18, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 40 sec.)0 -- [Untitled] (6 min. 15 sec.) --
						["Ollie's playhouse"] (1 min. 50 sec.) -- [Untitled] (4 min. 27 sec.) --
						["America stands tall"] (4 min. 8 sec.) -- ["Are you experienced"] (1 min.
						48 sec.) -- ["Communist harmonicas"] (2 min. 17 sec.) -- ["Hostage
						situation"] (0 min. 21 sec.) -- [Medley: "Philipino labor/Ring of fire/Flow
						river flow/Eight miles high"] (10 min. 6 sec.) -- ["Phone calls"] (1 min. 16
						sec.) -- [Untitled] (4 min. 26 sec.) -- ["Banter with the crows"] (1 min. 3
						sec.) -- ["Chopping down weeds"] (3 min. 32 sec.) -- ["Happy New Year"] (2
						min. 44 sec.) -- ["Ten most wanted list"] (4 min. 51 sec.) -- [Medley:
						"Roger Miller/Pop cultural impressions"] (5 min. 36 sec.) -- ["On the road
						again"] (5 min. 6 sec.) -- ["When I'm gone"] (2 min. 34 sec.) -- [Untitled]
						(3 min. 10 sec.) -- [Untitled] (3 min. 39 sec.) -- ["Somewhere over the
						rainbow"] (1 min. 19 sec.) -- ["Noise"] (2 min. 20 sec.) -- ["Stunt car
						driver"] (2 min. 19 sec.) -- ["Banjo solo/Breakin' the Law"] (4 min. 22
						sec.) -- ["We keep the KKK in line"] (5 min. 37 sec.) -- [Untitled] (6 min.
						25 sec.) -- ["Grainy noise"] (4 min. 29 sec.) -- [Untitled] (3 min. 20 sec.)
						-- ["This old smokey bar"] (9 min. 23 sec.) -- ["My brand new shirt/I'm a
						bully"] (5 min. 39 sec.) -- [Encore: "A time to sin/Be saved"] (7 min. 45
						sec.) -- [Untitled] (5 min. 4 sec.) -- [Untitled] (1 min. 3 sec.)</p>
				</scopecontent>
				<note>
					<p>To open our fall 1987 season, Mad Dr. Chad will present an evening of solo
						song, noice, humor, and hot licks. Chadbourne has extensively toured this
						country as well as Europe and Canada, performing solo or with a wide range
						of musicians includingn Jon Rose, David Moss, 2/3rds of the Violent Femmes
						and Shockabilly. He has produced several albums and hundreds of cassettes
						which will be available at this concert. [Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH12(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Derek Bailey</unittitle>
					<unitdate type="inclusive">1987.09.19</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 78 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 78 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 78 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Derek Bailey, guitar</p>
					<p>Recorded live 1987.09.19, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 24 sec.) -- [Untitled] (38 min. 26 sec.) --
						[Untitled] (7 min. 29 sec.) -- [Untitled] (11 min. 35 sec.) -- [Untitled]
						(18 min. 2 sec.) -- [End] (1 min. 32 sec.)</p>
				</scopecontent>
				<note>
					<p>This solo concert features onen of the pioneers of music improvisation for
						the guitar. During his long career, Bailey has recorded over 70 albums on
						different labels including INCUS, a British label of improvised music, owned
						and operated by musicians. INCUS RECORDS was founded in 1970 by Bailey, Evan
						Parker and Tony Oxley and was the first independant, musician owned record
						company in Britain. In 1976, Bailey formed COMPANY, a changing ensemble of
						improvising musiciansn from many backgrounds, featuring players from Europe,
						North and South America, Africa and Japan. He is the author of the book
							<i>Improvisation: Its Nature and Practice in Music</i>, published in
						1980. He was also nominated for a "Grammy" award in 1982 for the recording
						"View from 6 Windows." [Links Hall Program Schedule, September-November
						1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH13(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Eugene Chadbourne [sound recording]</unittitle>
					<unitdate type="inclusive">1987.09.18</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 69 min.) : analogue, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Eugene Chadbourne, speaker, performer</p>
					<p>Recorded live 1987.09.18, Links Hall, 3435 N. Sheffield, Chicago, IL
					60657</p>
				</scopecontent>
				<note>
					<p>This recording is a duplicate of LH12(a).</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH14(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>New American Writing presents: Chicago Fiction with Larry Heinemann,
						James McManus, and Maxine Chernoff [sound recording]</unittitle>
					<unitdate type="inclusive">1987.09.24</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 107 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 107 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 107 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Larry Heinemann, speaker ; James McManus, speaker ; Maxine Chernoff, speaker</p>
					<p>Recorded live 1987.09.24, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 10 sec.) -- [Introduction] / James McManus
						(1 min. 35 sec.) -- [First reading] / James McManus (6 min. 30 sec.) --
						["The Wedding"] / James McManus (14 min. 22 sec.) -- [Last reading] / James
						McManus (21 min. 39 sec.) -- [Introduction] / Maxine Chernoff (2 min. 11
						sec.) -- ["Jury duty"] / Maxine Chernoff (8 min. 26 sec.) -- ["Something to
						admire"] / Maxine Chernoff (21 min. 37 sec.) -- [Introduction] / Larry
						Heinemann (2 min. 1 sec.) -- [Untitled] / Larry Heinemann (4 min. 49 sec.)
						-- [Excerpt from "Paco's Story"] / Larry Heinemann (23 min. 30 sec.) --
						[End] (1 min. 11 sec.)</p>
				</scopecontent>
				<note>
					<p>Larry Heinemann is the award winning Vietnam novelist, author of <i>Close
							Quarters</i> and <i>Paco's Story</i>. He is now working on a non-fiction
						book about post Vietnam street syndrome. James McManus has published the
						novels <i>Out of the Blue</i> and <i>Chin Music</i>, recently reissued by
						Grove Press. Maxine Chernoff is the author of <i>Bop</i>, a short story
						collection published by Vintage.[Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH15(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Illusion of Safety [sound recording]</unittitle>
					<unitdate type="inclusive">1987.09.25</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 82 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 82 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 82 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Illusion of safety, performers</p>
					<p>Recorded live 1987.09.25, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 43 sec.) -- ["Agony looped"] (6 min. 59
						sec.) -- ["Humming and whistling"] (8 min. 6 sec.) -- ["Epic droning"] (6
						min. 32 sec.) -- ["Large room speaking"] (33 min. 9 sec.) -- ["Operatic"]
						(26 min. 20 sec.)</p>
				</scopecontent>
				<note>
					<p>Illusion of Safety produce sound fields of mental imagery reflecting inner
						psychological states. Their interest is in mirroring and exploring the
						deviation and bent values that the Human Condition necessitates. They work
						with both severe and pacifying sounds, intentionally juxtaposing many
						musical styles, and externalizing and anti-purism that rejects constraints
						placed on them by their peers, institutions, and themselves. [Links Hall
						Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH15(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Balkan Rhythm Band [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.09</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 110 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 110 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 110 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Balkan Rhythm Band, saxophone, clarinet, guitar, bass, drums, kaval,
						darabuka, ocarina</p>
					<p>Recorded live 1987.10.09, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (5 min. 6 sec.) -- [Untitled] (5 min. 30 sec.) -- ["Take
						5"] (3 min. 21 sec.) -- ["A few of my favorite things"] (3 min. 20 sec.) --
						[Untitled] (9 min. 2 sec.) -- [Untitled] (3 min. 10 sec.) -- ["Ode to
						myself"] (4 min. 25 sec.) -- [Untitled] (5 min. 22 sec.) -- [Untitled] (3
						min. 11 sec.) -- [Untitled] (5 min. 14 sec.) -- [Untitled] (7 min. 5 sec.)
						-- [Break] (1 min. 7 sec.) -- ["Nefertiti"] (4 min. 43 sec.) -- [Untitled]
						(6 min. 45 sec.) -- ["Another Brubeck tune"] (5 min. 46 sec.) -- ["Night in
						Tunisia"] (6 min. 59 sec.) -- [Untitled] (4 min. 34 sec.) -- [Untitled] (4
						min. 10 sec.) -- [Untitled] (4 min. 90 sec.) -- ["Shadow of Change"] (4 min.
						91 sec.) -- [Untitled] (4 min. 97 sec.) -- [Untitled] (6 min. 23 sec.) --
						[Encore] (5 min. 4 sec.) -- ["Upcoming shows"] (2 min. 8 sec.)</p>
				</scopecontent>
				<note>
					<p>By fusing jazz to Bulgarian and Yugoslavian musical concepts, the Balkan
						Rhythm Band creates a fresh and exciting sound. Their unique music is
						characterized by asymmetrical time signatures and diverse instrumentation.
						Saxoophones, clarinet, guitar, bass and drums are contrasted with the
						traditional Kaval (a Balkan flute), Darabuka (a drum) and Ocarina. The
						band's first album "The Jazziest Balkan Dance Band Around" is available on
						Flying Fish records. [Links Hall Program Schedule, September-November
					1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH16(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Vice Versa Magazine, featuring: Richard Huttel, Diane Raptosh, Diane
						Meyer, Lorri Jackson, and Edward J. Halbig III [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.01</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 97 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 97 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 97 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Richard Huttel, speaker ; Diane Raptosh, speaker ; Diane Meyer, speaker ;
						Lorri Jackson, speaker ; Edward J. Halbig III, speaker</p>
					<p>Recorded live 1987.10.01, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 40 sec.) -- [Untitled] / Richard Huttel (1
						min. 27 sec.) -- ["Rehearsal by Chernoff"] / Richard Huttel (2 min. 3 sec.)
						-- ["Modern Times"] / Richard Huttel (1 min. 5 sec.) -- [Untitled] / Richard
						Huttel (1 min. 8 sec.) -- [Untitled] / Richard Huttel (1 min. 12 sec.) --
						[Untitled] / Richard Huttel (1 min. 31 sec.) -- [Untitled] / Richard Huttel
						(1 min. 29 sec.) -- [Untitled] / Richard Huttel (2 min. 15 sec.) --
						[Untitled] / Richard Huttel (3 min. 32 sec.) -- [Untitled] / Richard Huttel
						(1 min. 31 sec.) -- [Untitled] / Richard Huttel (2 min. 19 sec.) --
						[Untitled] / Richard Huttel (2 min. 2 sec.) -- [Untitled] / Richard Huttel
						(2 min. 2 sec.) -- [Untitled] / Richard Huttel (1 min. 7 sec.) -- [Untitled]
						/ Richard Huttel (4 min. 9 sec.) -- [Untitled] / Edward J. Halbig III (1
						min. 15 sec.) -- ["Jordan] / Edward J. Halbig III (3 min. 29 sec.) -- ["St.
						Louis 1979"] / Edward J. Halbig III (8 min. 12 sec.) -- ["Dairy God slogan"]
						/ Edward J. Halbig III (12 min. 8 sec.) -- ["Dream story (Jenny's world)"] /
						Edward J. Halbig III (5 min. 5 sec.) -- [Intermission] (1 min. 17 sec.) --
						[Untitled] / [Diane Meyer or Diane Raptosh] (1 min. 38 sec.) --
						["Stuttering"] / [Diane Meyer or Diane Raptosh] (2 min. 7 sec.) --
						[Untitled] / [Diane Meyer or Diane Raptosh] (2 min. 42 sec.) -- [Untitled] /
						[Diane Meyer or Diane Raptosh] (1 min. 28 sec.) -- [Untitled] / [Diane Meyer
						or Diane Raptosh] (7 min. 3 sec.) -- [Untitled] / [Diane Meyer or Diane
						Raptosh] (2 min. 16 sec.) -- [Untitled] / [Diane Meyer or Diane Raptosh] (1
						min. 4 sec.) -- [Untitled] / [Diane Meyer or Diane Raptosh] (2 min. 8 sec.)
						-- [Untitled] / [Diane Meyer or Diane Raptosh] (1 min. 18 sec.) --
						[Untitled] / Lorri Jackson (1 min. 27 sec.) -- ["She wants a boyfriend"] /
						Lorri Jackson (2 min. 17 sec.) -- [Untitled] / Lorri Jackson (2 min. 37
						sec.) -- [Untitled] / Lorri Jackson (2 min. 1 sec.) -- ["Queen of hearts"] /
						Lorri Jackson (2 min. 31 sec.) -- [Untitled] / Lorri Jackson (3 min. 54
						sec.) -- [Untitled] / Lorri Jackson (2 min. 31 sec.) -- [Untitled] / Lorri
						Jackson (2 min. 51 sec.) -- [Untitled] / Lorri Jackson (4 min. 11 sec.) --
						[End] (1 min. 11 sec.)</p>
				</scopecontent>
				<note>
					<p>Links Hall presents a reading of poetry and fiction from the writers featured
						in <i>Vice Versa</i> magazine. Founded in 1985 by Gene Lyons, <i>Vice
						Versa</i> emphasizes dramatic monologues and action themes. [Links Hall
						Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH16(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Detroit Poets: M.L. Liebler, John Sinclair, Tyrone Williams and Bob
						Rudnick [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.08</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 147 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 147 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 147 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>M.L. Liebler, speaker ; John Sinclair, speaker ; Tyrone Williams, speaker ;
						Bob Rudnick, speaker</p>
					<p>Recorded live 1987.10.08, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 40 sec.) -- [Untitled] / Tyrone Williams (1
						min. 28 sec.) -- ["Death Drive"] / Tyrone Williams (1 min. 20 sec.) -- ["In
						my line of vision"] / Tyrone Williams (3 min. 20 sec.) -- ["Collage"] /
						Tyrone Williams (1 min. 21 sec.) -- ["Convalescence"] / Tyrone Williams (2
						min. 1 sec.) -- [Untitled] / Tyrone Williams (2 min. 30 sec.) -- [Untitled]
						/ Tyrone Williams (2 min. 34 sec.) -- [Untitled] / Tyrone Williams (2 min.
						11 sec.) -- [Untitled] / Tyrone Williams (4 min. 22 sec.) -- [Untitled] /
						Tyrone Williams (2 min. 34 sec.) -- [Untitled] / Tyrone Williams (3 min. 37
						sec.) -- [Untitled] / Tyrone Williams (1 min. 32 sec.) -- [Untitled] / M.L.
						Liebler (1 min. 33 sec.) -- [Untitled] / M.L. Liebler (2 min. 34 sec.) --
						[Untitled] / M.L. Liebler (3 min. 8 sec.) -- [Untitled] / M.L. Liebler (1
						min. 15 sec.) -- [Untitled] / M.L. Liebler (1 min. 35 sec.) -- ["My dad's a
						prick"] / M.L. Liebler (1 min. 43 sec.) -- [Untitled] / M.L. Liebler (2 min.
						54 sec.) -- ["I'm not worried anymore"] / M.L. Liebler (2 min. 38 sec.) --
						["Breaking the voodoo"] / M.L. Liebler (6 min. 38 sec.) -- [Introduction] /
						Bob Rudnick (1 min. 17 sec.) -- ["For the food/Fascists of the north"] / Bob
						Rudnick (2 min. 2 sec.) -- ["You can't take it in the ass..."] / Bob Rudnick
						(1 min. 38 sec.) -- ["Summer of '59"] / Bob Rudnick (1 min. 29 sec.) --
						[Untitled] / Bob Rudnick (1 min. 30 sec.) -- ["Politics in the key of "o"] /
						Bob Rudnick (2 min. 52 sec.) -- [Untitled] / Bob Rudnick (2 min. 5 sec.) --
						[Untitled] / Bob Rudnick (0 min. 44 sec.) -- [Untitled] / Bob Rudnick (1
						min. 49 sec.) -- [Untitled] / Bob Rudnick (1 min. 23 sec.) -- [Untitled] /
						Bob Rudnick (3 min. 28 sec.) -- [Untitled] / Bob Rudnick (1 min. 31 sec.) --
						[Untitled] / Bob Rudnick (1 min. 36 sec.) -- [Untitled] / Bob Rudnick (0
						min. 59 sec.) -- [Untitled] / Bob Rudnick (1 min. 5 sec.) -- [Untitled] /
						Bob Rudnick (0 min. 39 sec.) -- [Untitled] / Bob Rudnick (2 min. 35 sec.) --
						["The grand old lady"] / Bob Rudnick (3 min. 31 sec.) -- [Untitled] / Bob
						Rudnick (1 min. 12 sec.) -- ["Getting over on kitty"] / Bob Rudnick (1 min.
						59 sec.) -- [Untitled] / Bob Rudnick (2 min. 17 sec.) -- ["Pontiac's speech
						to the white man"] / Bob Rudnick (4 min. 5 sec.) -- [Short break] (3 min. 17
						sec.) -- [Untitled] / Bob Rudnick (1 min. 11 sec.) -- [Untitled] / Bob
						Rudnick (1 min. 24 sec.) -- [Untitled] / Bob Rudnick (3 min. 17 sec.) --
						[Untitled] / Bob Rudnick (4 min. 35 sec.) -- [Untitled] / Bob Rudnick (2
						min. 38 sec.) -- [Introduction] / John Sinclair (2 min. 48 sec.) --
						[Untitled] / John Sinclair (2 min. 28 sec.) -- [Untitled] / John Sinclair (1
						min. 28 sec.) -- [Untitled] / John Sinclair (2 min. 3 sec.) -- [Untitled] /
						John Sinclair (4 min. 11 sec.) -- [Untitled] / John Sinclair (2 min. 2 sec.)
						-- [Untitled] / John Sinclair (6 min. 32 sec.) -- [Untitled] / John Sinclair
						(2 min. 26 sec.) -- [Untitled] / John Sinclair (3 min. 36 sec.) --
						[Untitled] / John Sinclair (4 min. 45 sec.) -- [Untitled] / John Sinclair (2
						min. 23 sec.) -- [Untitled] / John Sinclair (5 min. 6 sec.) -- [Untitled] /
						John Sinclair (2 min. 45 sec.) -- [Untitled] / John Sinclair (2 min. 55
						sec.) -- [Untitled] / John Sinclair (3 min. 26 sec.) -- [End] (8 min. 28
						sec.)</p>
				</scopecontent>
				<note>
					<p>M.L. Liebler is the author of six small press books of poetry. He has also
						edited <i>Save the Frescoes that are Us: a Detroid Tribute to Jack
						Kerouac</i> with Frankie Parker-Kerouac. Liebler teaches writing at Wayne
						State University in Detroit. Tyrone Williams is the author of
							<i>Convalescences and Other Poems</i> (1987). He teaches literature and
						writing at Xavier University in Cincinnati. John Sinclair is the author of
							<i>Guitar Army</i> (1972). His first book of poetry, <i>Thelonius: A
							Book of Monk</i>, is forthcoming on Ridgeway Press. Bob Rudnick,
						originally from Detroit, is an active poet living and working in Chicago.
						[Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH16(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Carlos Cumpian, Carlos Cortez (Koyokyikatl) [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.15</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 92 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 92 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 92 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Carlos Cumpian, speaker ; Carlos Cortez, speaker</p>
					<p>Recorded live 1987.10.15, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Welcome] (2 min. 15 sec.) -- ["Introduction to Cortez"] / Carlos
						Cumpian (2 min. 30 sec.) -- [Introduction] / Carlos Cortez (2 min. 43 sec.)
						-- [Untitled] / Carlos Cortez (2 min. 24 sec.) -- ["This is the land"] /
						Carlos Cortez (4 min. 30 sec.) -- ["Requiem cahnt for a half breed warrior"]
						/ Carlos Cortez (5 min. 7 sec.) -- ["Three spirits"] / Carlos Cortez (6 min.
						32 sec.) -- ["Introduction to Cumpian"] / Carlos Cortez (1 min. 27 sec.) --
						[Untitled] / Carlos Cumpian (1 min. 23 sec.) -- ["First poem/Invitation"] /
						Carlos Cumpian (6 min. 17 sec.) -- ["Second poem"] / Carlos Cumpian (3 min.
						5 sec.) -- ["Coyote rides the bus"] / Carlos Cumpian (2 min. 15 sec.) --
						["Veterano"] / Carlos Cumpian (4 min. 30 sec.) -- ["Cinco de Mayo"] / Carlos
						Cumpian (2 min. 0 sec.) -- [Untitled] / Carlos Cumpian (5 min. 45 sec.) --
						["Next year in Jerusalem"] / Carlos Cumpian (2 min. 28 sec.) -- ["News
						item"] / Carlos Cumpian (5 min. 3 sec.) -- ["Two December songs, 1982"] /
						Carlos Cumpian (4 min. 15 sec.) -- [Untitled] / Carlos Cumpian (2 min. 32
						sec.) -- ["Dia de la raza"] / Carlos Cumpian (6 min. 19 sec.) -- [Untitled]
						/ Carlos Cumpian (3 min. 37 sec.) -- ["Interview: us and them"] / Carlos
						Cumpian (8 min. 6 sec.) -- ["Understanding my feet all day"] / Carlos
						Cumpian (1 min. 38 sec.) -- ["Driving between Jimmy Dean and Bob Evans"] /
						Carlos Cumpian (2 min. 5 sec.) -- ["Pin-up"] / Carlos Cumpian (2 min. 7
						sec.) -- ["Incantation"] / Carlos Cumpian (1 min. 21 sec.) -- ["Kilotons and
						then some"] / Carlos Cumpian (3 min. 29 sec.) -- [Untitled] / Carlos Cortez
						(2 min. 30 sec.) -- [End] (0 min. 54 sec.)</p>
				</scopecontent>
				<note>
					<p>Carlos Cumpian is a poet, editor and promoter and is active with "El
						Moveimento Artistico Chicano" (March) and Abrazo Press. He has been
						published in <i>Sppon River Quarterly</i>, <i>Nit and Wit</i>, and
							<i>Notebook, a Little Magazine</i>. He will read from his recent book
							<i>Coyote Sun</i>. Carlos Cortez (Koyokyokatl) has literary credits that
						span four decades. He has been published in <i>Canto al Pueblo</i>,
						<i>Ecos</i> and many other small press journals. He will be reading from his
						recent book <i>De Kansas a Califas-and back to Chicago.</i> [Links Hall
						Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH17(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Steve Nelson Raney and Phantom Ranch String Quartet [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.10</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 99 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 99 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 99 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Steve Nelson Raney, saxophone ; Kent Kessler, conductor ; Katherine Hughes,
						violin ; Daniel Scanlan, violin ; Erik Neumann, cello</p>
					<p>Recorded live 1987.10.10, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 50 sec.) -- [Untitled] / Steve Nelson Raney
						(9 min. 54 sec.) -- ["December 15th, Kayak capsizes for first time"] / Steve
						Nelson Raney (12 min. 8 sec.) -- ["Inuit Piece, number one"] / Steve Nelson
						Raney (4 min. 11 sec.) -- [Untitled] / Steve Nelson Raney (9 min. 36 sec.)
						-- ["Songs/series clairvoyant"] / Steve Nelson Raney (6 min. 17 sec.) --
						["Inuit piece, number three"] / Steve Nelson Raney (6 min. 5 sec.) --
						[Untitled] / Steve Nelson Raney (8 min. 10 sec.) -- ["Solitarity plug"] /
						Steve Nelson Raney (2 min. 2 sec.) -- [Untitled] / Phantom Ranch String
						Quartet (5 min. 30 sec.) -- [Untitled] / Phantom Ranch String Quartet (4
						min. 45 sec.) -- [Untitled] / Phantom Ranch String Quartet (4 min. 37 sec.)
						-- ["Totally lost"] / Phantom Ranch String Quartet (5 min. 6 sec.) --
						[Untitled] / Phantom Ranch String Quartet (3 min. 58 sec.) -- [Untitled] /
						Phantom Ranch String Quartet (4 min. 31 sec.) -- [Untitled] / Phantom Ranch
						String Quartet (4 min. 11 sec.) -- [Untitled] / Phantom Ranch String Quartet
						(8 min. 24 sec.) -- [Untitled] / Phantom Ranch String Quartet (3 min. 10
						sec.) -- [End] (0 min. 53 sec.)</p>
				</scopecontent>
				<note>
					<p>Links Hall presents a special double-bill. From Milwaukee, Steve Nelson Raney
						will perform a solo set of improvisations for the saxophone. In 1975, Nelson
						Raney founded Cornfields, a distribution cooperative for new art, music and
						poetry from the Midwest. In 1979 he released a self-produced album of piano
						imporvisations and founded Cody Records/Books. His compositions have been
						performed in the United States and Europe. The Phantom Ranch String Quartet,
						under the direction of Kent Kessler, is a Chicago based group that explores
						the sonic range of the string family through structured and non-structured
						improvisations. Members of the Quartet include violinists Katherine Hughes,
						Daniel Scanlan, and cellist Erik Neumann. [Links Hall Program Schedule,
						September-November 1987] </p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH17(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Jack Wright [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.16</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 80 min.) : analogue, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Jack Wright, saxophone</p>
					<p>Recorded live 1987.10.16, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] / Jack Wright (30 min. 32 sec.) -- [Untitled] / Jack
						Wright (14 min. 3 sec.) -- [Untitled] / Jack Wright (5 min. 0 sec.) --
						[Untitled] / Jack Wright (6 min. 35 sec.) -- [Untitled] / Jack Wright (4
						min. 0 sec.) -- [Untitled] / Jack Wright (7 min. 35 sec.) -- [Untitled] /
						Jack Wright (6 min. 16 sec.) -- [Untitled] / Jack Wright (4 min. 14
					sec.)</p>
				</scopecontent>
				<note>
					<p>Philadelphia Saxophonist Jack Wright is one of the most staunch advocates on
						improvised music in America today. He travels across the country and abroad
						meeting and performing with other improvisers, performance artists, dancers
						and poets in an ever-changing number of circumstances. He has produced
						several albums and cassettes as a documentation of his travels. He has also
						written articles that have appeared in the <i>Improvisor</i>, <i>Sound
							Choice</i>, and other periodicals. [Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH17(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Santez Quartet [First set] [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.23</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 57 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 57 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 57 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Santez, tenor saxophone ; Josef Ben Israel, bass ; Hamid Drake, percussion ;
						Marvin Sewell, guitar</p>
					<p>Recorded live 1987.10.23, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Note: Master does not have introduction or beginning of
						performance] [Untitled] (22 min. 17 sec.) -- ["Giant steps"] (20 min. 35
						sec.) -- [Third piece] (13 min. 26 sec.)</p>
				</scopecontent>
				<note>
					<p>Composer, saxophonist, Santex will lead this ensemble which includes bassist
						Josef Ben Israel, percussionist Hamid Drake and guitarist Marvin Sewell in
						an evening of original compositions. Santez has performed extensively in
						festivals across Europe and the United States. He has recorded with the
						likes of the X-Citers, Johnny Twist, Chaka Khan, Lock and Chain, The
						Impressions and Streetdancer to name a few. [Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH18(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Santez Quartet [Second set] [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.23</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 76 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 76 min.) : digital, stereo </physdesc>
				</did>
				<scopecontent>
					<p>Santez, tenor saxophone ; Josef Ben Israel, bass ; Hamid Drake, percussion ;
						Marvin Sewell, guitar</p>
					<p>Recorded live 1987.10.23, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [First piece] (12 min. 45 sec.) -- [Second piece] (13 min. 8 sec.)
						-- [Third piece] (18 min. 11 sec.) -- [Fourth piece] (15 min. 28 sec.) --
						[Fifth piece] (18 min. 9 sec.)</p>
				</scopecontent>
				<note>
					<p>Composer, saxophonist, Santex will lead this ensemble which includes bassist
						Josef Ben Israel, percussionist Hamid Drake and guitarist Marvin Sewell in
						an evening of original compositions. Santez has performed extensively in
						festivals across Europe and the United States. He has recorded with the
						likes of the X-Citers, Johnny Twist, Chaka Khan, Lock and Chain, The
						Impressions and Streetdancer to name a few. [Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH18(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Art "Turk" Burton's 18-Piece Big Band [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.24</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 105 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 105 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 105 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Recorded live 1987.10.24, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction and first piece] (24 min. 33 sec.) -- [Second piece]
						(15 min. 14 sec.) -- [Third piece] (17 min. 25 sec.) -- ["Band
						presentation"] (1 min. 22 sec.) -- ["My one and only love"] (13 min. 29
						sec.) -- ["Deep jungle"] (17 min. 10 sec.) -- ["Freedom live"] (15 min. 4
						sec.) -- [Outro an dband presentation] (1 min. 33 sec.)</p>
				</scopecontent>
				<note>
					<p>This is the premiere of Chicago's newest Big Band. Lead by Chicago
						percussionist, Art "Turk" Burton, new arrangements of old standards as well
						as new innovative work will be presented in the intimate confines of Links
						Hall. [Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH19(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Mark Roth, Deborah Pintonelli, Paul McComas [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.17</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 72 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 72 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 72 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Mark Roth, performer ; Deborah Pintonelli, performer ; Paul McComas,
						performer</p>
					<p>Recorded live 1987.10.17, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Deborah Pintonelli (4 min. 55 sec.) -- [Untitled]
						/ Deborah Pintonelli (3 min. 23 sec.) -- ["H.O.D."] / Deborah Pintonelli (4
						min. 0 sec.) -- [Untitled] / Mark Roth (25 min. 47 sec.) -- [Interlude] (10
						min. 2 sec.) -- [Untitled] / Paul McComas (6 min. 31 sec.) -- [Untitled] /
						Paul McComas (13 min. 36 sec.) -- [Outro] / Paul McComas (4 min. 35
					sec.)</p>
				</scopecontent>
				<note>
					<p>These three "Talking Performance Artists" represent the first in a series of
						three performance art events at Link's Hall this season. Mark Roth is the
						master of walking, talking stream of consciousness monologues. Deborah
						Pintonelli will present character studies that are contained in her new book
							<i>Meat and Memory</i> and Paul McComas will present excerpts from the
						full-length performance work "Pieces." [Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH19(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Benefit for New American Writing [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.22</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 94 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 94 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 94 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Connie Deanovich, speaker ; Lydia Tomkiw, speaker ; Jeffrey Brown, speaker ;
						Ed Moore, speaker ; Jacqui Disler, speaker ; Barry Silesky, speaker ; Diane
						Williams, speaker ; Karen Murai, speaker ; Art Lange, speaker ; Jane Joritz,
						speaker ; San Juanita Garza, speaker ; Sharon Solwitz, speaker</p>
					<p>Recorded live 1987.10.22, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (7 min. 46 sec.) -- [Introduction] / Lydia Tomkiw (6
						min. 54 sec.) -- [Untitled] / Lydia Tomkiw (2 min. 30 sec.) -- [Untitled] /
						Connie Deanovich (7 min. 30 sec.) -- [Untitled] / Connie Deanovich (1 min.
						37 sec.) -- [Untitled] / Karen Murai (5 min. 45 sec.) -- [Untitled] / Karen
						Murai (1 min. 39 sec.) -- [Untitled] / Jacqui Disler (5 min. 45 sec.) --
						[Untitled] / Jacqui Disler (1 min. 18 sec.) -- [Untitled] / San Juanita
						Garza (8 min. 30 sec.) -- [Untitled] / San Juanita Garza (2 min. 17 sec.) --
						[Untitled] / Ed Moore (5 min. 27 sec.) -- [Untitled] / Ed Moore (1 min. 18
						sec.) -- [Untitled] / Sharon Solwitz (12 min. 7 sec.) -- [Untitled] / Sharon
						Solwitz (1 min. 54 sec.) -- [Untitled] / Barry Silesky (7 min. 28 sec.) --
						[Untitled] / Barry Silesky (1 min. 22 sec.) -- [Untitled] / Diane Williams
						(5 min. 13 sec.) -- [Untitled] / Diane Williams (1 min. 19 sec.) --
						[Untitled] / Jane Joritz (6 min. 37 sec.) -- [Outro] (4 min. 6 sec.)</p>
				</scopecontent>
				<note>
					<p>12 Chicago poets and fiction writers featuring: Connie Deanovich, Lydia
						Tomkiw, Jeffrey Brown, Ed Moore, Jacqui Disler, Barry Silesky, Diane
						Williams, Karen Murai, Art Lange, Jane Joritz, San Juanita Garza and Sharon
						Solwitz. [Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH19(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Tony Fitzpatrick, Margaret Sullivan, Carl Watson [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.29</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 54 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 54 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 54 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Tony Fitzpatrick, speaker ; Margaret Sullivan, speaker ; Carl Watson, speaker</p>
					<p>Recorded live 1987.10.29, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 5 sec) -- ["...of my life"] / Tony
						Fitzpatrick (1 min. 11 sec.) -- ["Wrigley Field"] / Tony Fitzpatrick (1 min.
						22 sec.) -- ["Elvis song"] / Tony Fitzpatrick (1 min. 28 sec.) -- [Untitled]
						/ Tony Fitzpatrick (2 min. 5 sec.) -- [Untitled] / Tony Fitzpatrick (1 min.
						20 sec.) -- ["Boys hunting"] / Tony Fitzpatrick (0 min. 32 sec.) -- ["Green
						boy"] / Tony Fitzpatrick (2 min. 3 sec.) -- [Untitled] / Tony Fitzpatrick (2
						min. 28 sec.) -- [Introduction] / Margaret Sullivan (0 min. 31 sec.) --
						[Untitled] / Margaret Sullivan (1 min. 8 sec.) -- [Untitled] / Margaret
						Sullivan (1 min. 24 sec.) -- ["You're nothing but a sperm and an egg"] /
						Margaret Sullivan (2 min. 8 sec.) -- ["The mmon is a building"] / Margaret
						Sullivan (3 min. 38 sec.) -- [Untitled] / Margaret Sullivan (1 min. 25 sec.)
						-- ["There was a ... in the tunnel"] / Margaret Sullivan (0 min. 51 sec.) --
						[Untitled] / Margaret Sullivan (1 min. 16 sec.) -- ["The girl that
						wanted/unprotected"] / Margaret Sullivan (3 min. 13 sec.) -- [Untitled] /
						Margaret Sullivan (3 min. 1 sec.) -- ["Dear Consuelo"] / Margaret Sullivan
						(1 min. 37 sec.) -- [Introduction] / Carl Watson (1 min. 30 sec.) --
						[Untitled] / Carl Watson (3 min. 33 sec.) -- [Untitled] / Carl Watson (2
						min. 31 sec.) -- [Untitled] / Carl Watson (13 min. 40 sec.) -- [Untitled] /
						Carl Watson (2 min. 25 sec.) -- [Untitled] / Carl Watson (2 min. 27
					sec.)</p>
				</scopecontent>
				<note>
					<p>Three of Chicago's most intriguing poets will read their works. Fitzpatrick
						will read from his recent collection entitled <i>The Neighborhood</i>.
						Sullivan has been a teacher at Columbia College for the past four years
						where she teaches Propaganda Theory. She was recently published in
							<i>DeRailed</i>. Watson is the author of the book <i>Anarcadium Pan</i>
						but will probably read something else. [Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH19(d)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Book Party for &lt;i&gt;The Trip&gt;/i7&lt; by Jerome Sala</unittitle>
					<unitdate type="inclusive"/>
					<physdesc>1 sound videocasette (VHS, ca. 59 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 59 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 59 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Elaine Equi, speaker ; Jerome Sala, speaker</p>
					<p>Recorded live 1987.11.05, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Elaine Equi (3 min. 10 sec.) -- ["Approaching
						orgasm"] / Elaine Equi (2 min. 13 sec.) -- ["Lesbian corn"] / Elaine Equi (1
						min. 14 sec.) -- ["Crowley slept here"] / Elaine Equi (2 min. 3 sec.) --
						["The monster dances"] / Elaine Equi (0 min. 10 sec.) -- ["Relieved I
						left..."] / Elaine Equi (2 min. 29 sec.) -- ["Telephones"] / Elaine Equi (1
						min. 20 sec.) -- [Untitled] / Elaine Equi (0 min. 46 sec.) -- ["After a
						promising..."] / Elaine Equi (1 min. 18 sec.) -- ["Cannibals in space"] /
						Elaine Equi (1 min. 16 sec.) -- ["The dancer (Martha Graham), part one"] /
						Elaine Equi (1 min. 0 sec.) -- ["The dancer (Martha Graham), part two"] /
						Elaine Equi (0 min. 30 sec.) -- ["Canaries sing..."] / Elaine Equi (1 min.
						10 sec.) -- ["Things to do in the Bible"] / Elaine Equi (2 min. 0 sec.) --
						["Devout to my head"] / Elaine Equi (1 min. 21 sec.) -- ["...of objects"] /
						Elaine Equi (1 min. 35 sec.) -- [Interlude] / Elaine Equi (2 min. 24 sec.)
						-- [Introduction] / Jerome Sala (4 min. 11 sec.) -- ["Clone"] / Jerome Sala
						(1 min. 24 sec.) -- ["First vacation on Mars"] / Jerome Sala (1 min. 31
						sec.) -- [Untitled] / Jerome Sala (1 min. 3 sec.) -- [Untitled] / Jerome
						Sala (1 min. 16 sec.) -- ["Hercules against the tigers of Babylon"] / Jerome
						Sala (2 min. 55 sec.) -- ["The great"] / Jerome Sala (1 min. 59 sec.) --
						["The new cola"] / Jerome Sala (2 min. 26 sec.) -- ["Plastic coke"] / Jerome
						Sala (1 min. 13 sec.) -- ["Cherry coke"] / Jerome Sala (1 min. 50 sec.) --
						["The '60s"] / Jerome Sala (1 min. 25 sec.) -- ["John Lennon"] / Jerome Sala
						(2 min. 17 sec.) -- ["The Hobbit"] / Jerome Sala (2 min. 38 sec.) --
						["Museum of Jacqui"] / Jerome Sala (3 min. 0 sec.) -- [Untitled] / Jerome
						Sala (5 min. 29 sec.) -- ["Applauses"] / Jerome Sala (1 min. 38 sec.) --
						["The trip"] / Jerome Sala (2 min. 16 sec.) -- [Outro] / Jerome Sala (3 min.
						8 sec.)</p>
				</scopecontent>
				<note>
					<p>highlander Press will celebrate the release of Chicago Poet Jerome Sala's
						long awaited 3rd collection, with readings by Jerome, Elaine Equi and other
						entertainers. Previewing this new book Gerald Nicosia writes: "Sala's
						minimalist portraits of modern lost souls are as clean and precise as if one
						had fed Goya into a new-music synthesizer; and his ability to divine the
						enduring and profound in the ephemerae of daily life is uncanny, canny, and
						happily corny as a can of Coca-Cola--take your choice." [Links Hall Program
						Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH20(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Perry Venson [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.30</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 67 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 67 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 67 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Perry Venson, piano, performer ; Jack Wright, saxophone ; Eric Leonardson,
						performer ; Lou Mallozzi, performer</p>
					<p>Recorded live 1987.10.30, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 7 sec.) -- [Untitled] (22 min. 33 sec.) --
						[Untitled] (10 min. 45 sec.) -- [Intermission] (1 min. 35 sec.) --
						[Untitled] (26 min. 2 sec.) -- [Outro] (7 min. 2 sec.)</p>
				</scopecontent>
				<note>
					<p>Perry Venson is a sound artist, performer, composer and founding member of
						The Experimental Sound Studio (ESS), a public access studio in Chicago.
							<i>Culture with Shadows</i> is a live sound piece for scratch
						turntables. Utilizing extended techniques the Scratch Orchestra will tear
						into many found sounds reconstructing a "Sonic Barrage" of orchestral
						proportions. Included in the scratch masters line-up is Eric Leonardson,
						drummer for the band "Hand to Mouth" and founding member of ESS. <i>Sonorism
							for Artaud</i> is a live electronic piece for digital samplers and
						instruments. Using sampled sounds of guitars and basses, along with live
						guitar and bass, the piece explores extremes of density, intensity and
						space. Another ESS founder, Lou Mallozzi will participate in this piece.
						[Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH20(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>House Party featuring, Kahil El Zabar's "The Beat" [sound recording]</unittitle>
					<unitdate type="inclusive">1987.10.31</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 162 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 162 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 162 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Kahil El Zabar, performer</p>
					<p>Recorded live 1987.10.31, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (47 min. 34 sec.) -- [Band presentation] (3 min. 17
						sec.) -- [Untitled] (24 min. 11 sec.) -- [Untitled] (24 min. 2 sec.) --
						[Band presentation/Outro] (46 min. 17 sec.) -- [Party] (23 min. 21 sec.)</p>
				</scopecontent>
				<note>
					<p>To celebrate our second anniversary, come and dance to the progressive funky
						sounds of "The Beat" lead by Chicago percussionist/composer Kahil El Zabar.
						El Zabar performs with the Ethnic Heritage Ensemble, and the Orchestra
						Infinity to name a few. This evening's house party coincides with that most
						important holiday -- Halloween, so dress accordingly. There will also be a
						few surprise guests so don't miss it! [Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH21(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>World Music Series: Music of Arabia [sound recording]</unittitle>
					<unitdate type="inclusive">1987.11.06</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 65 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 65 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 65 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Adwar Hana, performer ; George el-Masery, performer ; Siyad Raffa, performer
						; Ashid Astinay, performer</p>
					<p>Recorded live 1987.11.06, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 2 sec.) -- [Introduction] (2 min. 13 sec.)
						-- [Untitled] (6 min. 31 sec.) -- [Untitled] (3 min. 10 sec.) -- [Untitled]
						(3 min. 6 sec.) -- [Untitled] (8 min. 47 sec.) -- [Untitled] (5 min. 1 sec.)
						-- [Untitled] (6 min. 14 sec.) -- [Untitled] (3 min. 35 sec.) -- [Untitled]
						(8 min. 23 sec.) -- [Untitled] (4 min. 16 sec.) -- [Untitled] (2 min. 21
						sec.) -- [Untitled] (2 min. 5 sec.) -- [Untitled] (2 min. 37 sec.) --
						[Untitled] (5 min. 6 sec.) -- [Outro] (1 min. 33 sec.)</p>
				</scopecontent>
				<note>
					<p>Each season Links Hall Performance Series conducts a mini-series featuring
						world music existing in authentic form and npractised by Chicago residents.
						This season we venture to the Middle-East and find local practitioners, some
						of which have been here since the fifties, to display, perform and speak
						about these ancient art forms. Representatives from all over Arabia will
						display their virtuosity on such instruments as the Kanoon, Darabuka, Oud,
						Saz and Ney. Once again Linnks Hall links the very, very old with the very,
						very new. [Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH21(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>World Music Series: Music of Arabia</unittitle>
					<unitdate type="inclusive">1987.11.07</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 49 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 49 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 49 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Saif Terazi, performer ; Walid Habbib, performer ; George el-Masery,
						performer ; Adel Fadel, performer ; Adwar Hana, performer</p>
					<p>Recorded live 1987.11.07, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 10 sec.) -- [Untitled] (9 min. 25 sec.) --
						[Untitled] (9 min. 9 sec.) -- [Untitled] (6 min. 15 sec.) -- [Untitled] (12
						min. 28 sec.) -- [Untitled] (8 min. 7 sec.) -- [Untitled] (2 min. 28
					sec.)</p>
				</scopecontent>
				<note>
					<p>Each season Links Hall Performance Series conducts a mini-series featuring
						world music existing in authentic form and npractised by Chicago residents.
						This season we venture to the Middle-East and find local practitioners, some
						of which have been here since the fifties, to display, perform and speak
						about these ancient art forms. Representatives from all over Arabia will
						display their virtuosity on such instruments as the Kanoon, Darabuka, Oud,
						Saz and Ney. Once again Linnks Hall links the very, very old with the very,
						very new. [Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH21(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>World Music Series: Music of Arabia [The Soloists] [sound recording]</unittitle>
					<unitdate type="inclusive">1987.11.13</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 55 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 55 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 55 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Saif Terazi, kanoon ; Walid Habbib, oud</p>
					<p>Recorded live 1987.11.13, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] / Saif Terazi (28 min. 48 sec.) -- [Untitled] / Walid
						Habbib (24 min. 20 sec.) -- [Untitled] / Saif Terazi and Walid Habbib (2
						min. 13 sec.)</p>
				</scopecontent>
				<note>
					<p>Each season Links Hall Performance Series conducts a mini-series featuring
						world music existing in authentic form and npractised by Chicago residents.
						This season we venture to the Middle-East and find local practitioners, some
						of which have been here since the fifties, to display, perform and speak
						about these ancient art forms. Representatives from all over Arabia will
						display their virtuosity on such instruments as the Kanoon, Darabuka, Oud,
						Saz and Ney. Once again Linnks Hall links the very, very old with the very,
						very new. [Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH21(d)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>World Music Series: Music of Arabia [The Voice] [sound recording]</unittitle>
					<unitdate type="inclusive">1987.11.14</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 46 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 46 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 46 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Saif Terazi, kanoon ; Adwar Hana, darabuka ; Walid Habbib, oud ; Majid
						Sanaty, vocals</p>
					<p>Recorded live 1987.11.14, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 19 sec.) -- [Instrumental] (4 min. 34 sec.)
						-- [Instrumental] (7 min. 22 sec.) -- [Instrumental with vocals] (4 min. 38
						sec.) -- [Instrumental with vocals] (8 min. 17 sec.) -- [Instrumental with
						vocals] (7 min. 15 sec.) -- [Instrumental with vocals] (5 min. 39 sec.) --
						[Instrumental with vocals] (4 min. 4 sec.) -- [Outro] (1 min. 33 sec.)</p>
				</scopecontent>
				<note>
					<p>Each season Links Hall Performance Series conducts a mini-series featuring
						world music existing in authentic form and npractised by Chicago residents.
						This season we venture to the Middle-East and find local practitioners, some
						of which have been here since the fifties, to display, perform and speak
						about these ancient art forms. Representatives from all over Arabia will
						display their virtuosity on such instruments as the Kanoon, Darabuka, Oud,
						Saz and Ney. Once again Linnks Hall links the very, very old with the very,
						very new. [Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH22(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Clothesline Review [sound recording]</unittitle>
					<unitdate type="inclusive">1987.11.12</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 102 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 102 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 102 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p/>
					<p/>
					<p/>
				</scopecontent>
				<note>
					<p/>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH22(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An Evening of Fiction with: Gerald Nicosia, John Jacob [sound
						recording]</unittitle>
					<unitdate type="inclusive">1987.11.19</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 93 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 93 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 93 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Gerald Nicosia, speaker ; John Jacob, speaker</p>
					<p>Recorded live 1987.11.19, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 16 sec.) -- [Untitled] / John Jacob (1 min.
						23 sec.) -- ["Long ride back"] / John Jacob (29 min. 11 min.) -- [Untitled]
						/ John Jacob (0 min. 25 sec.) -- [Introduction] / Gerald Nicosia (3 min. 14
						sec.) -- [Untitled] / Gerald Nicosia (29 min. 6 sec.) -- [Introduction] /
						John Jacob (1 min. 27 sec.) -- ["Split screen"] / John Jacob (13 min. 0
						sec.) -- ["Said so..."] / John Jacob (1 min. 22 sec.) -- [Untitled] / John
						Jacob (2 min. 23 sec.) -- [Untitled] (1 min. 9 sec.) -- [Introduction] /
						Gerald Nicosia (0 min. 38 sec.) -- [Untitled] / Gerald Nicosia (10 min. 10
						sec.)</p>
				</scopecontent>
				<note>
					<p>Gerald Nicosia is a published poet, fiction writer, playwright and critic. In
						1983 his award winning biography of Jack Kerouac, <i>Memory Babe</i>, was
						published by Grove Press. He wrote and narrated the Public Television
						documentary <i>West Coast; Beat and Beyond</i>, and this fall the American
						Blues Theatre will stage a reading of his play about Kerouac, <i>Jack in
							Ghost Town</i>. He will be reading from his latest unpublished novel
							<i>The Spiritual Athlete</i>. John Jacob will read from his novel
						tentatively titled <i>Cut Menu</i>. Sections of the book have won two
						Illinois Arts Council Literary Awards. He will also read other short
						fiction, parts of an unpublished novella and short stories. [Links Hall
						Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH23(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Jeff Abell [sound recording]</unittitle>
					<unitdate type="inclusive">1987.11.20</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 67 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 67 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 67 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Jeff Abell, speaker ; Phil Pilcher, saxophone ; Chris Hyatt, keyboards, ;
						Damon Short, percussion</p>
					<p>Recorded live 1987.11.20, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 26 sec.) -- ["Misreadings"] / Jeff Abell (17
						min. 17 sec.) -- ["Mr. Berryman's Dream Songs, Part One"] / Jeff Abell (17
						min. 60 sec.) -- ["Mr. Berryman's Dream Songs, Part Two"] / Jeff Abell (30
						min. 12 sec.) -- [Outro] (1 min. 32 sec.)</p>
				</scopecontent>
				<note>
					<p>Abell will present two works -- <i>Misreadings</i>, a short monologue and
							<i>Mr. Berryman's Dream Songs</i>, and hour long performance featuring
						the jazz trio Phil Pilcher on sax, Chris Hyatt, keyboards, and Damon Short,
						percussion. <i>Mr. Berryman's Dream Songs</i> is a recreation of a piece
						Abell wrote seven years ago. [Links Hall Program Schedule,
						September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH23(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Sandra Binion [sound recording]</unittitle>
					<unitdate type="inclusive">1987.11.21</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 50 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 50 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 50 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Sandra Binion, performer, accordion ; Laurence D. (Butch) Morris, coronet</p>
					<p>Recorded live 1987.11.21, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Accordion solo] / Sandra Binion (13 min. 8 sec.) -- [Introduction]
						/ Sandra Binion (7 min. 46 sec.) -- [Coronet solo/whispering voices] /
						Sandra Binion and Lawerence Morris (24 min. 17 sec.) -- [Outro] / Sandra
						Binion (0 min. 5 sec.) -- [End] (3 min. 1 sec.)</p>
				</scopecontent>
				<note>
					<p>Performance artist Sandra Binion will present two new works. <i>Could Have
							Just Thrown the Ball...</i> is a triptych using two and three
						dimensional elements in the form of film, silhouette and live musicians.
						This piece will be a world premiere. <i>The Result of the Search of
							Something Simple and Uncomplicated</i> is an action piece for four
						characters incorporating film and performance. The piece features Lawrence
						D. (Butch) Morris on coronet, and was premiered in Berlin in 1986. Since
						1978 Binion has performed in festivals and galleries across Europe and North
						America. [Links Hall Program Schedule, September-November 1987]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH24(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Poetry and Music: Ron Allen and Inka Alasade [sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.07</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 102 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 102 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 102 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Ron Allen, speaker ; Inka Alasade [Teri Davis], speaker ; James Cornolo, bass
						; Winston Damen, percussion, trombone, guitar, recorders</p>
					<p>Recorded live 1988.04.07, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 23 sec.) -- ["Trilogy of a Black Woman: I
						hate me lovin' you"] / Ron Allen (4 min. 37 sec.) -- ["The culinary images
						of you"] / Ron Allen (3 min. 4 sec.) -- ["Number thirteen"] / Ron Allen (3
						min. 32 sec.) -- ["I want my body back"] / Ron Allen (3 min. 2 sec.) --
						["The lucky"] / Ron Allen (2 min. 38 sec.) -- ["Bobby sang the silent ear"]
						/ Ron Allen (2 min. 27 sec.) -- ["You!"] / Ron Allen (2 min. 23 sec.) --
						["South Africa plays the music"] / Ron Allen (5 min. 8 sec.) --
						[Introduction] / Inka Alasade (1 min. 12 sec.) -- [Untitled] / Inka Alasade
						(5 min. 9 sec.) -- [Untitled] / Inka Alasade (5 min. 19 sec.) -- ["Lovely
						balls"] / Inka Alasade (3 min. 6 sec.) -- [Untitled] / Inka Alasade (5 min.
						12 sec.) -- ["Horizontal"] / Inka Alasade (2 min. 15 sec.) -- ["Sick
						society"] / Inka Alasade (8 min 33 sec.) -- ["Introducing the band"] / Inka
						Alasade (0 min. 27 sec.) -- [Untitled] / Inka Alasade (1 min. 38 sec.) --
						[Untitled] / Inka Alasade (9 min. 37 sec.) -- [Untitled] / Inka Alasade (9
						min. 52 sec.) -- ["Personal problem/drum solo"] / Inka Alasade and Winston
						Damen (5 min. 36 sec.) -- ["The township regime"] / Inka Alasade (4 min. 8
						sec.) -- ["Intro poem"] / Inka Alasade (2 min. 31 sec.) -- ["Harbor shark
						come down Somalia way"] / Inka Alasade (10 min. 56 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Ron Allen (Detroit), poet and essayist, believes "Performance poetry and
							poetry are one compelling act through the expression of all mediums."
							Ron is the Director of Horizons in Poetry (HIP) reading series in
							Detroit. He has been published in <i>City Arts Quarterly</i>, <i>The
							Rag</i>, <i>L'Auteur</i>, <i>Solid Ground</i>, <i>The Damu</i> and is
							currently working on a play. He will be performing with two local
							musicians.</p>
						<p>Inka Alasade (Chicago) is part of a new generation of poets who wield the
							spoken word in an exploration of contemporary themes. Accompanied by
							bassist James Cornolo and drummer Winston Damen, Alasade employs diverse
							means to express her personal/political vision. AKA Teri Davis, she has
							gained notoriety as the six-time Champion of the Green Mill Poetry Slam.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH24(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Three Chicago Poets: Jacqui Disler, Marie Grudzien, Jane Joritz
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.14</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 49 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 49 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 49 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Jacqui Disler, speaker ; Jane Joritz, speaker ; [Note: Marie Grudzien is not
						represented in the sound recording]</p>
					<p>Recorded live 1988.04.14, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Jane Joritz (2 min. 36 sec.) -- ["Problems in
						science"] / Jane Joritz (1 min. 20 sec.) -- ["Valentine's Day"] / Jane
						Joritz (1 min. 31 sec.) -- ["Military confession"] / Jane Joritz (1 min. 20
						sec.) -- ["Relevant pose"] / Jane Joritz (1 min. 25 sec.) -- ["Actions we
						recommend"] / Jane Joritz (1 min. 33 sec.) -- ["Steps regurgitated"] / Jane
						Joritz (2 min. 1 sec.) -- ["A history of olfaction"] / Jane Joritz (3 min.
						12 sec.) -- [Untitled] / Jane Joritz (1 min. 27 sec.) -- ["Marginal poem"] /
						Jane Joritz (1 min. 23 sec.) -- ["Eigh reasons why"] / Jane Joritz (1 min.
						36 sec.) -- [Untitled] / Jane Joritz (1 min. 35 sec.) -- [Untitled] / Jane
						Joritz (2 min. 39 sec.) -- ["Waiting for"] / Jane Joritz (1 min. 4 sec.) --
						["Silly poem"] / Jane Joritz (1 min. 38 sec.) -- ["St. Patrick's day"] /
						Jane Joritz (1 min. 21 sec.) -- [Introduction] / Jacqui Disler (3 min. 6
						sec.) -- ["Abstraction"] / Jacqui Disler (2 min. 50 sec.) -- ["Apolitical"]
						/ Jacqui Disler (1 min. 49 sec.) -- ["Stay of execution"] / Jacqui Disler (1
						min. 4 sec.) -- ["Somersault"] / Jacqui Disler (0 min. 13 sec.) --
						["Gestalt"] / Jacqui Disler (1 min. 1 sec.) -- ["The birth of tragedy"] /
						Jacqui Disler (0 min. 28 sec.) -- ["A fragment"] / Jacqui Disler (0 min. 56
						sec.) -- ["Middle pages"] / Jacqui Disler (0 min. 34 sec.) -- ["Blue TV idol
						or bad compnany"] / Jacqui Disler (1 min. 6 sec.) -- ["Masi ritual notees on
						'The Unending'"] / Jacqui Disler (0 min. 56 sec.) -- ["Music lesson"] /
						Jacqui Disler (0 min. 56 sec.) -- ["Church was in a bar"] / Jacqui Disler (0
						min. 53 sec.) -- ["Home will come"] / Jacqui Disler (0 min. 52 sec.) -- ["Ax
						for Jim Carroll"] / Jacqui Disler (1 min. 16 sec.) -- ["Dream"] / Jacqui
						Disler (1 min. 27 sec.) -- ["A lament"] / Jacqui Disler (0 min. 49 sec.) --
						["Network"] / Jacqui Disler (0 min. 41 sec.) -- ["Epilogue"] / Jacqui Disler
						(0 minn. 58 sec.) -- ["Global destruction"] / Jacqui Disler (0 min. 37 sec.)
						-- ["Trappist"] / Jacqui Disler (1 min. 50 sec.) -- ["Grade of an opening
						jar"] / Jacqui Disler (0 min. 45 sec.) -- ["Head storms"] / Jacqui Disler (1
						min. 25 sec.) -- ["Escape routes"] / Jacqui Disler (0 min. 42 sec.) -- ["A
						Chicago poem"] / Jacqui Disler (0 min. 51 sec.) -- ["An American love poem"]
						/ Jacqui Disler (1 min. 56 sec.) </p>
				</scopecontent>
				<note>
					<p>
						<p>Jacqui Disler, with jaded incredulity, internalizes the errogenous zones
							of our sexual, industrial and political landscapes, calling them Hot
							Flesh Buildings in the electronic cool. Wacked out personae contact each
							other across lunch counters, in bars, in memory and in mirrors, where
							the old gods still sometimes float to the surface and get shot. Hers is
							a post-modern lament. Many people call her just to see if she is still
							alive. Come and hear her before she gets it.</p>
						<p>Marie Grudzien has a background in painting, writing and street theatre.
							She started using voice and sound and has worked on mini street pieces
							as well as large scale theatrical works. She has been doing neo-cabaret
							one-woman opera style songs/stories/wailings/screamings with piano, and
							often accompanied by other noice apparatus.</p>
						<p>Jane Joritz-Age-<i>Old Enough</i>; Health- <i>Can bench press 75 lbs</i>;
							Occupation- <i>Pedant ?</i>; Student at- <i>UIC: BA from-Columbia
								College, Writing Dept.</i>; Sexual Hangups- <i>None</i>; Biggest
								Fear-<i>Dying while still in Graduate School</i>; Major Goal in
							Life- <i>Looking Attractive</i>; Recently Published Poetry in-<i>New
								American Writing</i> and <i>B-City</i>.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH24(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of New Jazz, featuring from Detroit: The Infinity Art
						Ensemble [sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.15</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 103 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 103 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 103 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Jon Worrell, reeds ; Irene Robbins, voal, piano ; Marion Hayden, bass ;
						Lawrence Williams, percussion ; </p>
					<p>Recorded live 1988.04.15, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 23 sec.) -- [Untitled] (12 min. 17 sec.) --
						[Untitled] (0 min. 51 sec.) -- [Untitled] (13 min. 3 sec.) -- [Untitled] (8
						min. 14 sec.) -- [Untitled] (17 min. 20 sec.) -- [Presentation of band
						members] (2 min. 35 sec.) -- ["Samba azul"] (8 min. 35 sec.) -- ["Lonely
						moment"] (2 min. 12 sec.) -- [Untitled] (10 min. 40 sec.) -- [Untitled] (7
						min. 13 sec.) -- ["Cutting free"] (10 min. 7 sec.) -- [Outro] (2 min. 28
						sec.)</p>
				</scopecontent>
				<note>
					<p>Detroit's exciting new music group was formed in 1986 when co-leaders Jon
						Worrell (reeds) and Irene Robbins (piano/voice) met and discovered their
						shared fascination with exploring jazz's frontiers; united with Marion
						Hayden (bass), Lawrence Williams (drums) and Marcus Belgrave (trumpet) to
						further the revolution which began nearly thirty years ago with the new
						ideas of John Coltrane, Miles Davis andn Sun Ra. All native of Detroit, each
						is a known composer/performer in his/her own right, bringing together a wide
						range of ideas, sounds and experiences. [Links Hall "Performance Series"
						Program Schedule, Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH24(d)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Three Poets: Kent Mueller, Leslie Reese, Cindy Salach [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.04.21</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 73 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 73 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 73 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Kent Mueller, speaker ; Leslie Reese, speaker ; Cindy Salach, speaker</p>
					<p>Recorded live 1988.04.21, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Leslie Reese (5 min. 5 sec.) -- ["Portnoy"] /
						Leslie Reese (9 min. 51 sec.) -- ["Five percent of my brain"] / Leslie Reese
						(1 min. 47 sec.) -- [Introduction: "Silly untitled poems"] / Leslie Reese (0
						min. 44 sec.) -- ["Silly untitled poem" (1)] / Leslie Reese (1 min. 3 sec.)
						-- ["Silly untitled poem" (2)] / Leslie Reese (2 min. 1 sec.) -- ["Silly
						untitled poem" (3)] / Leslie Reese (4 min. 12 sec.) -- ["Silly untitled
						poem" (4)] / Leslie Reese (1 min. 36 sec.) -- ["Silly untitled poem" (5)] /
						Leslie Reese (2 min. 1 sec.) -- ["The hypnotically changing song"] / Leslie
						Reese (3 min. 23 sec.) -- [Introduction] / Kent Mueller (1 min. 38 sec.) --
						["Chicago cutlet"] / Kent Mueller (0 min. 56 sec.) -- ["From five to zero"]
						/ Kent Mueller (2 min. 36 sec.) -- ["Five unnecessary thoughts on the eve of
						marriage"] / Kent Mueller (2 min. 19 sec.) -- ["That Catholic bastard"] /
						Kent Mueller ( 2 min. 16 sec.) -- ["Culture at the university in April"] /
						Kent Mueller (1 min. 42 sec.) -- ["Running poem for Joe Gould"] / Kent
						Mueller (3 min. 10 sec.) -- ["Lucky you"] / Kent Mueller (3 min. 29 sec.) --
						["A match"] / Kent Mueller (1 min. 15 sec.) -- ["Circus studies/Six things
						that happen to the ground"] / Kent Mueller (2 min. 36 sec.) -- [Untitled] /
						Kent Mueller (3 min. 21 sec.) -- [Introduction] / Cindy Salach (1 min. 37
						sec.) -- ["Just missed"] / Cindy Salach (2 min. 24 sec.) -- [Untitled] /
						Cindy Salach (1 min. 34 sec.) -- ["Taking advantage"] / Cindy Salach (1 min.
						59 sec.) -- [Untitled] / Cindy Salach (2 min. 36 sec.) -- [Untitled] / Cindy
						Salach (2 min. 34 sec.) -- ["Russian things"] / Cindy Salach (1 min. 18
						sec.) -- ["My hair's on fire"] / Cindy Salach (2 min. 2 sec.) -- ["Workman's
						comp"] / Cindy Salach (2 min. 11 sec.) -- ["Enter the 'Loofah Method'"] /
						Cindy Salach (1 min. 14 sec.) -- ["The subway song"] / Cindy Salach (3 min.
						6 sec.) -- ["A live birth"] / Cindy Salach (2 min. 27 sec.) -- [Outro] (2
						min. 13 sec.) </p>
				</scopecontent>
				<note>
					<p>
						<p>Kent Mueller (Milwaukee) is a member of the Goal Zero poetry collective
							in Milwaukee. He has performed with the collective across the Midwest.
							Kent also operates the Metropolitan Gallery.</p>
						<p>Leslie Reese (Detroit) is one of the up-and-coming poets on the Detroit
							scene. She has been featured in the Horizons in Poetry series in Detroit
							and is expecting the release of her first collection of poetry.</p>
						<p>Cindy Salach (Chicago) is a poet, lunatic and lover...not necessarily in
							that order. She is a recent graduate of the Green Mill School of "Poetry
							Slamming." She also performs with the "Loofah Method" a combination of
							poetry, music, film, etc. ..., annd "Janxz," a newly formed poetry
							ensemble.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH25(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Three Poets: Christopherh McNamara, The Talent Family, Ray Waller
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.12</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 75 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 75 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 75 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>The Talent Family, performers ; David Sedaris, performer ; Amy Sedaris,
						performer ; Paul Sedaris, performer ; Ray Waller, speaker [Note: Christopher
						McNamara is not represented in this event]</p>
					<p>Recorded live 1988.05.12, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Ray Waller (1 min. 22 sec.) -- ["Like John Lennon
						said"] / Ray Waller (3 min. 1 sec.) -- ["Abstract blues, Captain Kangaroo"]
						/ Ray Waller (3 min. 2 sec.) -- ["Tolstoy was here"] / Ray Waller (1 min. 27
						sec.) -- [Untitled] / Ray Waller (1 min. 20 sec.) -- ["The nigger who fell
						to earth"] / Ray Waller (1 min. 0 sec.) -- ["Hegemony is a board game"] /
						Ray Waller (2 min. 17 sec.) -- ["Astronomy"] / Ray Waller (2 min. 56 sec.)
						-- [Untitled] / Ray Waller (1 min. 25 sec.) -- ["Thinking about Frank
						O'Hare"] / Ray Waller (2 min. 15 sec.) -- ["Death, death"] / Ray Waller (4
						min. 17 sec.) -- ["Kaufman tell me"] / Ray Waller (3 min. 18 sec.) -- ["Big
						brother"] / Ray Waller (4 min. 19 sec.) -- ["Like this here, or like this,
						here"] / Ray Waller (3 min. 3 sec.) -- [Introduction] / The Talent Family
						[David, Amy, and Paul Sedaris] (0 min. 32 sec.) -- [Untitled] / The Talent
						Family [David, Amy, and Paul Sedaris] (43 min. 17 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Christopher McNamara (Windsor) edits <i>Generations</i>, an annual
							literary publication of the University of Windsor. He has organized
							several poetry readings in Detroit and Windsor. McNamara is also a
							photographer who has exhibited his works in many galleries. He has
							recently received awards for his documentary film <i>Tattoo</i>.</p>
						<p>The Talent Family (Chicago), David, Amy and Paul Sedaris, have read and
							performed in North Carolina and Chicago. David has published stories in
								<i>The Gentle Woman of California</i>, <i>Farm</i>, <i>White
							Walls</i>, and <i>The Journal</i>. Amy, a graduate of the Wigfield
							Academy, has written extensively and performed most recently in <i>On
								The Farm</i> and <i>My Perfect Boyfriend</i>. Paul is the acting
							Director of the Haveloch Arts Center in Raleigh, N.C.</p>
						<p>Ray Waller (Detroit) is one of the bright stars on the Detroit literary
							scene. He has won 11 Tompkins Awards for fiction, poetry, essay and
							drama and 5 Brueton Awards in the same media; second prize in the Black
							Reading Month competition, 1986 The Judith Siegal Pearson Award for
							fiction in 1986. He has been featured in a number of public readings and
							published in several small presses and magazines.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH25(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Damon Short celebrates the release of <i>Penguin Shuffle</i> on the
						Blue Room label [sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.29</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 24 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 24 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 24 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Damon Short, percussion ; Jeff Newell, reeds ; Chuck Burdelik, reeds ; Chris
						Hyatt, keyboard, percussion ; Gary Nordstrom, bass</p>
					<p>Recorded live 1988.04.29, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (10 min. 32 sec.) -- [Untitled] (13 min. 20 sec.)</p>
				</scopecontent>
				<note>
					<p><i>Penguin Shuffle</i> is the debut album of drummer/composer Damon Short.
						Recorded in 1986, the album is a combination of two separate recording
						sessions, featuring some of the best known modern musicians in New Orleans
						and several of the leading jazz and new music figures from the Chicago area.
						The New Orleans sessions feature Gramavision recording artist Tony Dagradi
						(reeds) and guitarist Steve Masakowski. The Chicago recordings feature Chuck
						Burdelik (reeds), Andre Caporaso (guitar) and Joe Pinzarrone (piano). Damon
						Short currently performs in a variety of jazz and new music situations in
						Chicago and leads his own group. [Links Hall "Performance Series" Program
						Schedule, Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH25(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Algebra Suide celebrates the release of <i>The Secret Like Crazy</i>
						on the RRR/Dom Labels [sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.09</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 53 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 53 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 53 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Lydia Tomkiw, performer, speaker ; Don Hedeker, performer</p>
					<p>Recorded live 1988.04.09, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: Introduction (1 min. 5 sec.) -- ["Somewhat Blaker Street"] (3 min.
						21 sec.) -- [Untitled] (2 min. 22 sec.) -- ["Cerebral dance"] (2 min. 25
						sec.) -- ["Delmore"] (3 min. 34 sec.) -- [Untitled] (2 min. 26 sec.) --
						[Untitled] (3 min. 22 sec.) -- [Untitled] (2 min. 3 sec.) -- ["Sinister"] (4
						min. 15 sec.) -- ["Talking"] (1 min. 3 sec.) -- ["All the young dudes"] (3
						min. 32 sec.) -- ["Agitation"] (3 min. 52 sec.) -- ["Tonight"] (3 min. 1
						sec.) -- ["Tuesday tastes good"] (2 min. 57 sec.) -- [Untitled] (4 min. 18
						sec.) -- [Break] (13 min. 3 sec.) </p>
				</scopecontent>
				<note>
					<p>
						<p><i>The Secret Like Crazy</i>, Algebra Suicide's fifth release, includes
							20 selections and is a comprehensive collection of the group's material,
							including rare compilation contributions, selections from their previous
							records which are currently out of print and many never-before-released
							songs. The record is a joint release by RRRecords of Massachusetts, and
							the DOM label of West Germany.</p>
						<p>Algebra Suicide was formed in 1982 by poet Lydia Tomkiw and musician Don
							Hedeker. Blending minimalistic music and spoken word, the group has
							gained a world-wide reputation and critical acclaim for their unique
							sound, integration of text and music, and their visually elaborate live
							performances.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH25(d)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of solo cello featuring: Tom Cora [sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.08</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 58 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 58 min.) : digital, stereo </physdesc>
				</did>
				<scopecontent>
					<p>Tom Cora, cello</p>
					<p>Recorded live 1988.04.08, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>contents: [Introduction] (0 min. 29 sec.) -- [Untitled] (10 min. 31 sec.) --
						[Untitled] (7 min. 23 sec.) -- [Untitled] (14 min. 35 sec.) -- [Untitled]
						(16 min. 24 sec.) -- [Applause] (1 min. 0 sec.) -- [Tuning] (2 min. 0 sec.)
						-- [Untitled] (6 min. 18 sec.) -- [Untitled] (1 min. 12 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Tom Cora was born in 1953 in the rural town of Yancey Mills, Virginia.
							After a brief career as a jazz guitarist in Washington D.C., Cora
							dropped guitar, took up the cello and studied with Casals' student Louis
							Garcia Renart. He went on to explore non-idiomatic improvising and
							Turkish and European folk music, as well as constructing instruments and
							playing with theh Moose Skowron Memorial Tuned Metal Ensemble.</p>
						<p>In the late '70s Tom moved to Hurley, New York to work at the Creative
							Music Foundation as Director of admissions. There he met Eugene
							Chadbourne and began a long working relationship, collaborating on the
								<i>There'll Be No Tears</i> album. Tom also toured Europe with Karl
							Berger's band, which included Oliver Lake, George Lewis and Leroy
							Jenkins.</p>
						<p>Moving to New York City in 1980 led Cora to his improvised work John
							Zorn, David Moss, Derek Bailey, Tristan Honsinger, Bob Ostertag, George
							Cartwright, Bill Laswell and many others. In 1982 Tom and Fred Frith
							formed Skeleton Crew and were joined in 1985 by Zeena Parkins.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH26(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of improvised music, featuring: Bill Frisell, Ikue Mori,
						Jim Staley [sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.23</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 89 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 89 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 89 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Bill Frisell, guitar ; Ikue Mori, percussion ; Jim Staley, trombone</p>
					<p>Recorded live 1988.04.23, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 23 sec.) -- [Untitled] (10 min. 6 sec.) --
						[Untitled] (10 min. 0 sec.) -- [Untitled] (4 min. 12 sec.) -- [Untitled] (10
						min. 1 sec.) -- [Untitled] (9 min. 9 sec.) -- [Set break] (3 min. 16 sec.)
						-- [Untitled] (6 min. 26 sec.) -- [Untitled] (12 min. 15 sec.) -- [Untitled]
						(9 min. 44 sec.) -- [Untitled] (7 min. 38 sec.) -- [6 min. 40 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Bill Frissell, guitarist, has performed in the U.S. and throughout Europe
							with the Paul Motain Band, Jan Garbarek Group, Charlie Haden's
							Liberation Music Orchestra, Carla Bley, The Cologne Radio Orchestra,
							Julius Hemphill's Jah Band, Bass Desires and others. Bill has performed
							solo concerts and has recently formed his own band with Joey Brown,
							Kermit Driscoll and Hank Roberts.</p>
						<p>Ikue Mori, drummer/composer, moved to N.Y.C in 1977 and, along with Arto
							Lyndsay and Robin Crutchfield, formed DNA, which was one of the earliest
							and most influential avant-garde art/rock bands. In 1983, she began
							extensive work with improvisation.</p>
						<p>Jim Staley, trombonist/composer, moved to N.Y.C in 1978 and has worked
							with many of the musicians and dancers associated with New York's
							avant-garde. At the same time, Jim, along with David Weinstein began
							ROULETTE, a performance space that presents over sixty
							experimental/avant-garde music and intermedia events a year. Staley has
							recently released MUMBO JUMBO (Rift 12), a double recording of different
							trio combinations with Wayne Horvitz &amp; Elliot Sharp, Shelley
							Hirsch &amp; Samm Bennett, Ikue Mori &amp; Bill Frisell, and
							Fred Frith &amp; John Zorn.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH26(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Damon Short celebrates the release of <i>Penguin Shuffle</i> on the
						Blue Room label [sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.29</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 79 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 79 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 79 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Damon Short, percussion ; Jeff Newell, reeds ; Chuck Burdelik, reeds ; Chris
						Hyatt, keyboard, percussion ; Gary Nordstrom, bass</p>
					<p>Recorded live 1988.04.29, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 16 sec.) -- [Untitled] (11 min. 24 sec.) --
						[Band introductions] (2 min. 3 sec.) -- ["S.O.L."] (15 min. 32 sec.) --
						[Song introduction] (1 min. 21 sec.) -- ["Melting crystals"] (17 min. 31
						sec.) -- [Song introduction] (1 min. 35 sec.) -- ["Monkey slippers"] (13
						min. 1 sec.) -- [Set break] (2 minn. 14 sec.) -- ["Window of vulnerability"]
						(5 min. 33 sec)</p>
				</scopecontent>
				<note>
					<p><i>Penguin Shuffle</i> is the debut album of drummer/composer Damon Short.
						Recorded in 1986, the album is a combination of two separate recording
						sessions, featuring some of the best known modern musicians in New Orleans
						and several of the leading jazz and new music figures from the Chicago area.
						The New Orleans sessions feature Gramavision recording artist Tony Dagradi
						(reeds) and guitarist Steve Masakowski. The Chicago recordings feature Chuck
						Burdelik (reeds), Andre Caporaso (guitar) and Joe Pinzarrone (piano). Damon
						Short currently performs in a variety of jazz and new music situations in
						Chicago and leads his own group. [Links Hall "Performance Series" Program
						Schedule, Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH27(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of solos and duets featuring: Joseph Celli with Kent
						Kessler, Don Meckley and Daniel Scanlan [sound recording]</unittitle>
					<unitdate type="inclusive">1988.04.16</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 88 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 88 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 88 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Joseph Celli, oboe ; Kent Kessler, bass ; Daniel Scanlan, violin ; Don
						Meckley, performer/shortwave radio</p>
					<p>Recorded live 1988.04.16, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 47 sec.) -- [Untitled] (12 min. 9 sec.) --
						[Introduction] (1 min. 19 sec.) -- [Untitled] (3 min. 15 sec.) -- [Untitled]
						(8 min. 0 sec.) -- [Untitled] (13 min. 1 sec.) -- [Set break] (1 min. 32
						sec.) -- [Untitled] (10 min. 9 sec.) -- [Untitled] (11 min. 2 sec.) --
						[Untitled] (17 min. 24 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Composer/oboist Joseph Celli has for the past decade committed his time
							to theh premiering of over 35 works written for him by various composers
							as well as his own compositions. After studies with Ray Still and Grover
							Schiltz of the Chicago Symphony and Albert Goltzer of the N.Y.
							Philharmonic, he began to commission and collaborate with composers to
							create an extensive new body of work for the oboe and English horn.</p>
						<p>Mr. Celli is virtually the only American oboist specializing in the
							performance of new and experimental music in all media and is
							internationally recognized for developing totally new sonic
							possibilities for the instrument. Mr. Celli was also the co-founder and
							Director of Real Art Ways, a New England Regional Center for new and
							experimental art, and is currently the Executive Director for New Music
							America '88 to be held in Miami, Florida.</p>
						<p>This evening Mr. Celli will perform solo oboe as well as duets with three
							Chicago artists: bassist Kent Kessler, violinst Daniel Scanlan and
							shortwave radio artist Don Meckley.</p>
						<P>[Links Hall "Performance Series" Program Schedule, Spring 1988]</P>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH27(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of improvised music, featuring: The Elvis Messiahs [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.04.22</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 72 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 72 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 72 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Jim O'Rourke, guitar ; Jeff Kowalkowski, performer ; Jim Slattery, performer
						; Timi Mulveyna, performer ; Perry Venson, performer ; Steve Moletor,
						performer</p>
					<p>Recorded live 1988.04.22, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 50 sec.) -- [Untitled] (23 min. 18 sec.) --
						[Untitled] (14 min. 8 sec.) -- [Untitled] (9 min. 16 sec.) -- ["Concerto for
						director"] (24 min. 36 sec.) -- [Untitled] (1 min. 28 sec.)</p>
				</scopecontent>
				<note>
					<p>These wild improvisors, led by guitarist/electronicist Jim O'Rourke, include
						Jeff Kowalkowski, Jim Slattery, Timi Mulveyna, Perry Venson, and Steve
						Moletor. They incorporate a wide variety of electronic and acoustic
						instruments in a unique blend of rhythmic and textural exposition. [Links
						Hall "Performance Series" Program Schedule, Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH27(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Three Poets: Achy Obejas, Susan Firer, Yolanda Martinez [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.04.28</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 85 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 85 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 85 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Achy Obejas, speaker ; Susan Firer, speaker ; Yolanda Martinez, speaker</p>
					<p>Recorded live 1988.04.28, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Yolanda Martinez (2 min. 40 sec.) -- [Untitled] /
						Yolanda Martinez (1 min. 37 sec.) -- ["Lunch with Saint Theodora"] / Yolanda
						Martinez (4 min. 3 sec.) -- ["I am"] / Yolanda Martinez (2 min. 23 sec.) --
						["Spanish proud"] / Yolanda Martinez (1 min. 15 sec.) -- ["Grandfather"] /
						Yolanda Martinez (3 min. 11 sec.) -- ["August heat night"] / Yolanda
						Martinez (3 min. 1 sec.) -- ["Streets of desire"] / Yolanda Martinez (3 min.
						18 sec.) -- ["Anundas jumping"] / Yolanda Martinez (4 min. 14 sec.) --
						[Untitled] / Yolanda Martinez (1 min. 33 sec.) -- ["Soon to be a major
						motion picture"] / Yolanda Martinez (4 min. 16 sec.) -- [Introduction] /
						Achy Obejas (1 min. 40 sec.) -- [Untitled] / Achy Obejas (2 min. 36 sec.) --
						["Come to the fox"] / Achy Obejas (2 min. 2 sec.) -- ["A public place"] /
						Achy Obejas (2 min. 55 sec.) -- ["Paging love at the airport"] / Achy Obejas
						(1 min. 21 sec.) -- ["Berlin"] / Achy Obejas (4 min. 3 sec.) -- ["Sleeping
						apart"] / Achy Obejas (1 min. 31 sec.) -- ["Sunday"] / Achy Obejas (3 min.
						18 sec.) -- [Untitled] / Achy Obejas (4 min. 21 sec.) -- ["Technicalities"]
						/ Achy Obejas (2 min. 8 sec.) -- ["Being released"] / Achy Obejas (3 min. 38
						sec.) -- ["Kimberly"] / Achy Obejas (1 min. 26 sec.) -- [Untitled] / Achy
						Obejas (2 min. 59 sec.) -- [Introduction] / Susan Firer (2 min. 33 sec.) --
						["Cheryl's mad about plaid"] / Susan Firer (2 min. 9 sec.) -- ["Pink
						February"] / Susan Firer (1 min. 20 sec.) -- ["Saxoophone Julie"] / Susan
						Firer (2 min. 19 sec.) -- ["A night game in Menominee Park"] / Susan Firer
						(2 min. 39 sec.) -- ["Nineteen fifty-six (1956)"] / Susan Firer (5 min. 54
						sec.) -- ["The wild life of death true"] / Susan Firer (0 min 20 sec.) --
						["Breath and bone at the Milwaukee County Zoo"] / Susan Firer (2 min. 26
						sec.) -- ["The woman from Matoon"] / Susan Firer (3 min. 5 sec.) --
						["Violent Femmes"] / Susan Firer (2 min. 9 sec.) -- ["Esterburgh Park"] /
						Susan Firer (3 min. 11 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Achy Obejas (Chicago) is a Cuban-American writer. A regular contributor
							to the Reader, she has also published in a variety of literary
							publications, including <i>The Beloit Review </i>, <i>Journal</i>,
								<i>The Antigonish Review</i>, <i>Ikon</i>, <i>Abraxas</i>, <i>Third
								Woman</i>, <i>Revista</i>, <i>Chicano Requena</i>, <i>Sinister
								Wisdom</i>, <i>Helicon Nine</i> and many others. In 1986, she
							received a Creative Writing Fellowship from the National Endowment for
							the Arts. in 1987, she served as a media strategist for the Committee to
							Re-Elect Mayor Washington.</p>
						<p>Susan Firer's (Milwaukee) work has been published in nearly 40
							publications and several anthologies. Her book, <i>My Life with the Tsar
								and Other Poems</i> was published by New River Press in 1979. She
							has received honorable mention in the Hiram Poetry Review National Henry
							Dumas Poetry Awards in 1971, Academy of American Poets Prize in 1977,
							Wisconsin Arts Board Fellowship in 1979 and was a finalist in the
							Minnesota Voices project in 1985.</p>
						<p>Yolanda Martinez (Milwaukee) is a member of Goal Zero, a poetry
							collective in Milwaukee. She has made frequent appearances with the
							collective across Wisconsin and the Midwest.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH28(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>From San Francisco, Neeli Cherkovski [sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.05</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 65 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 65 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 65 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Nelli Cherkovski, performer</p>
					<p>Recorded live 1988.00.00, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (3 min. 57 sec.) -- ["Gilgamesh"] (1 min. 25 sec.)
						-- ["Neruda"] (0 min. 58 sec.) -- [Untitled] (0 min. 59 sec.) -- [Untitled]
						(3 min. 19 sec.) -- ["The deluded voice of your face"] (1 min. 26 sec.) --
						["Emily pt. 5"] (5 min. 38 sec.) -- ["Gertrude Stein in America"] (3 min. 55
						sec.) -- ["Death is welcome here"] (1 min. 29 sec.) -- ["Really, it isn't
						ego"] (0 min. 22 sec.) -- ["Animal"] (2 min. 9 sec.) -- ["Shadows fill
						light"] (2 min. 26 sec.) -- ["My friends go down to Nicaragu"] (1 min. 25
						sec.) -- ["After visiting the AIDS ward"] (6 min. 5 sec.) -- ["Inside your
						body"] (1 min. 30 sec.) -- ["A job"] (2 min. 1 sec.) -- [Excerpts from
							<i>Whitman's Wild Children</i>, Bukowski chapter] (9 min. 4 sec.) --
						[Excerpt from <i>Whitman's Wild Children</i>, Harold Norse chapter] (6 min.
						2 sec.) -- [Excerpt from <i>Whitman's Wild Children</i>, Ferlinghetti
						chapter] (8 min. 36 sec.) -- ["I woke up at Four a.m.," excerpt] (10 min. 24
						sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Neeli Cherkovski's most recent book, <i>Whitman's Wild Children</i>, was
							published by the Lapis Press of L.A. and S.F. in 1987. The book is a
							rare combination of anecdote and literary criticism focused on Charles
							Bukowski, Allen Ginsberg, Lawrence Ferlinghetti, John Wieners, William
							Everson and many others.</p>
						<p><i>Animal and Other Poems</i> is scheduled for publication by
							Pennywhistle Press in late 1988. <p>In 1983, Avant Books published
									<i>Clear Wind</i>, which received widespread critical acclaim.</p>
							<p>Together with Raymond Foye, Cherkovski edited the 20th anniversary
								issue of <i>Beatitude</i>, the San Francisco literary journal
								founded in 1959 by Bob Kaufman and Allen Ginsberg. In the late
								1960s, Cherkovski edited <i>Laugh Literary and Man the Humping
								Guns</i> with poet/novelist Charles Bukowski, and Bukowski and Paul
								Vangelisti, edited <i>An Anthology of L.A. Poetry</i>. Cherkovski
								has authored several books and gives lectures on California
								literature and is known as an exciting reader of his own prose and
								poetry. [Links Hall "Performance Series" Program Schedule, Spring
								1988]</p>
						</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH28(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Low-tech Electronic Extravaganza, featuring: Don Meckley [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.05.06</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 61 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 61 min.) : digital, stereo </physdesc>
				</did>
				<scopecontent>
					<p>Don Meckkley, performer, shortwave radio</p>
					<p>Recorded live 1988.05.06, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (11 min. 0 sec.) -- [Untitled] (4 min. 31 sec.) --
						["Heavy sounding movie music"] (2 min. 6 sec.) -- [Introduction and music]
						(9 min. 15 sec.) -- [Water sculptures/percussion piece] (4 min. 2 sec.) --
						["Water sculptures/percussion piece, continued] (5 min. 45 sec.) -- [Set
						break] (1 min. 47 sec.) -- [Set break/John Cage] (1 min. 35 sec.) -- [Radio
						piece] (7 min. 10 sec.) -- [Radio piece, continued] (3 min. 31 sec.) --
						[Radio piece, continued] (11 min. 6 sec.) -- [End] (1 min. 24 sec.)</p>
				</scopecontent>
				<note>
					<p>Arguably one of the "Best damned Shortwave Radio players in the United
						States" (Daniel Scanlan), Don Meckley created unsurpassed sonic landscapes
						through the use of multiple shortwave radios, water-dripping inventions
						(called hydro-kalimbas), tapes and other low-tech devices. He has worked as
						a soloist, as well as with various music groups including Liof Munimula,
						Musica Menta, Project Clamdance, Pappas New Instrument Ensemble, and
						Cococello Club. He has also worked with performance artists, choreographers,
						in theater, film, and video, including with Kaja Overstreet, Jean Parisi,
						Auste, Christine Tamblyn and many others. [Links Hall "Performance Series"
						Program Schedule, Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">Lh28(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of Composition and Improvisation: Katherine Hughes and
						Gene Coleman [sound recording]</unittitle>
					<unitdate type="inclusive">1988.06.03</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 41 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 41 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Katherine Hughes, violin, bass clarinet; Gene Coleman, performer</p>
					<p>Recorded live 1988.06.03, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (13 min. 1 sec.) -- [Tuning] (2 min. 13 sec.) --
						[Untitled] (3 min. 43 sec.) -- [Untitled] (12 min. 58 sec.) -- [Second
						movement] (2 min. 24 sec.) -- [Third movement/solo violin] (7 min. 19
					sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Katherine Hughes (violinist) has brought a strong orientation in
							classical music to a wide variety of improvising ensembles--from rock
							and jazz bands to new music groups such as Musica Menta. She has also
							written music for films and has produced two rock videos.</p>
						<p>Gene Coleman is a composer, visual artist and musician. He is the founder
							of Plethora, an interdisciplinary ensemble, and Rx, a concert space for
							contemporary music. </p>
						<p>Their work employs improvisation in the context of compositional
							structure. Highlighting the evening will be a concerto for violin, bass
							clarinet and chamber ensemble. [Links Hall "Performance Series" Program
							Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH29(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>The Ethnic Heritage Ensemble [sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.07</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 115 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 115 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 115 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Kahil El'Zabar, percussion ; Joseph Bowie, trombone ; Edward Wilkerson, Jr.,
						saxophone, keyboards, vocals</p>
					<p>Recorded live 1988.05.07, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 47 sec.) -- ["Getting situated"] (1 min. 53
						sec.) -- [Untitled] (22 min. 17 sec.) -- [Untitled] (21 min. 41 sec.) --
						[Untitled] (13 min. 49 sec.) -- [Set break] (0 min. 27 sec.) --
						[Introduction] (1 min. 25 sec.) -- [Untitled] (13 min. 13 sec.) --
						[Untitled] (16 min. 26 sec.) -- [Untitled] (12 min. 21 sec.) -- ["Morning
						song"] (13 min. 7 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Kahil El'Zabar, the group's founder, is a multi-percussionist, vocalist,
							dramatist, dancer, poet, and composer. El' Zabar has the ability to
							transmit alluring melodies through complex rhythmic foundations. He has
							performed with Lester Bowie, David Murray, Cannonball Adderly, Stevie
							Wonder and Dizzy Gillespie, to name a few.</p>
						<p>Joseph Bowie is an internationally renowned funkmaster, best known for
							his 21st century band Defunkt. One of the boldest trombonists in the
							world, Mr. Bowie rivets you with his range of colors and spell binding
							passion. He has worked with Lester Bowie, Cecil Taylor, Anthony Braxton,
							Oliver Lake, Henry Threadgill and many more.</p>
						<p>Edward Wilkerson, Jr. is a musician who projects brilliance in all of his
							musical endeavors. His music instills an indepth understanding of
							concept, technique and history, while still conveying a strong sense of
							self.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH30(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>The Music of China featuring soloist: Kerry Leung [sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.13</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 58 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 58 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 58 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Kerry Leung, p'ai hsiao (bamboo flute), p'ip'a (Chinese guitar)</p>
					<p>Recorded live 1988.05.13, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (3 min. 15 sec.) -- [Untitled] (4 min. 22 sec.) --
						[Untitled] (5 min. 5 sec.) -- [Untitled] (1 min. 12 sec.) -- ["Memories of
						my hometown"] (5 min. 0 sec.) -- [Talk] (0 min. 43 sec.) -- [Untitled] (4
						min. 1 sec.) -- [Talk] (1 min. 17 sec.) -- [Untitled] (7 min. 29 sec.) --
						[Set break/introduction to p'ip'a] (2 min. 9 sec.) -- [Untitled p'ip'a
						composition] (2 min. 35 sec.) -- [Untitled] (3 min. 11 sec.) -- [Untitled]
						(5 min. 12 sec.) -- [Untitled] (3 min. 13 sec.) -- [Untitled] (6 min. 15
						sec.) -- [Outro] (1 min. 15 sec.)</p>
				</scopecontent>
				<note>
					<p>Kerry Leung performs traditional folk music of the Chinese countryside. On
						Friday, May 13, Mr. leung will display his virtuosity on the <i>P'ai
						Hsiao</i> (bamboo flute) and the <i>P'ip'a</i> (Chinese guitar). [Links Hall
						"Performance Series" Program Schedule, Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH30(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>The Music of China featuring soloist: Fan Wei-Tsu [sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.14</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 70 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 70 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 70 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Fan Wei-Tsu, zheng (Chinese zither)</p>
					<p>Recorded live 1988.05.14, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 51 sec.) -- ["Variations on a folk tune"] (7
						min. 12 sec.) -- [Tuning] (2 min. 38 sec.) -- ["Meditation"] (4 min. 30
						sec.) -- [Talk] (3 min. 14 sec.) -- ["Four pieces for storytellers"] (4 min.
						13 sec.) -- [Tuning] (3 min. 28 sec.) -- ["Lantera festival music"] (9 min.
						19 sec.) -- [Introduction to next piece] (2 min. 10 sec.) -- ["Suite: Spring
						harmonies by moonlight river"] (12 min. 18 sec.) -- ["Toccata: Falcon and
						Swan"] (9 min. 31 sec.) -- ["Eroica"] (7 min. 13 sec.) -- ["Little piece
						based on folk song"] (4 min. 22 sec.)</p>
				</scopecontent>
				<note>
					<p>Fan Wei-Tsu began studying Zheng (Chinese zither) in his early teens. In
						1977, as the youngest contestant in the adult division, he won the National
						Music Competition in Taiwan. In 1981, he won second place in the prestigious
						Golden Lion Music Competition. Since then, he has made frequent appearances
						in concerts and radio programs. Performing on May 14, Mr. Fan will present
						Chinese Classical Music. [Links Hall "Performance Series" Program Schedule,
						Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH30(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Talking Performance Artists: Sheila Donohue, Janice Finney, Julius
						Klein [sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.19</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 61 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 61 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 61 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Sheila Donohue, performer ; Janice Finney, performer ; Julius Klein,
						performer</p>
					<p>Recorded live 1988.05.19, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Janice Finney (1 min. 0 sec.) -- ["Tarzan
						movies/Morning mist on the mountains"] / Janice Finney (10 min. 17 sec.) --
						["On the other side of the planet"] / Janice Finney (9 min. 33 sec.) --
						["When getting seasick isn't the worst that can happen"] / Janice Finney (3
						min. 30 sec.) -- [Introduction] / Sheila Donohue (0 min. 23 sec.) --
						[Untitled] / Sheila Donohue (3 min. 14 sec.) -- ["Henry is a carp I know"] /
						Sheila Donohue (3 min. 22 sec.) -- ["Play the game with me?"] / Sheila
						Donohue (1 min. 12 sec.) -- ["The avalance expert (in parts)"] / Sheila
						Donohue (10 min. 13 sec.) -- ["She lived her life like a number three
						pencil"] / Sheila Donohue (2 min. 12 sec.) -- [Untitled] / Sheila Donohue (2
						min. 30 sec.) -- [Untitled] / Sheila Donohue (3 min. 11 sec.) -- ["I saw
						you"] / Sheila Donohue (2 min. 25 sec.) -- [Intermission] (5 min. 26 sec.)
						-- [Untitled] / Julius Klein (6 min. 8 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Sheila Donohue (Chicago) performs solo and ensemble works regularly at
							the Green Mill, Adolfs, Weeds, and at scheduled college campus events.
							Her work appears in <i>Naming the Daytime Moon, Stories and Poems by
								Chicago Woman</i>.</p>
						<p>Janice Finney (Chicago), poet and playwright, has worked in Chicago's
							Off-Loop Theater since 1979. Janice has been featured several times at
							the Green Mill Poetry Slam and on Dial-A-Poem Chicago. Co-author of
							"That Apple Sure Don't Shine" produced last season by the Chicago
							Theater Company, Janice's Plays have been produced by Victory Gardens
							Theater and Black Bird Theater.</p>
						<p>Julius Klein (New York) formerly of Chicago, is known for work in many
							disciplines including music, film, live performance and large scale
							installations. Everything he does is a part of a bigger picture. He has
							shown his works in galleries and clubs in N.Y. and Chicago.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH31(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Special Benefit concert for Improvisor Magazine [sound recording]</unittitle>
					<unitdate type="inclusive">1988.06.04</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 110 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 110 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 110 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Recorded live 1988.06.04, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (58 min. 36 sec.) -- [Untitled] (21 min. 22 sec.) --
						[Untitled] (31 min. 16 sec.)</p>
				</scopecontent>
				<note>
					<p>"The Magazine Journal of Free Improvisation," the Improvisor is an English
						speaking journal of writings and documentation concerning free
						improvisation. This journal circulates world wide to improvising musicians
						and is an invaluable guide to the state of the art. This benefit coincides
						with other benefits in Birmingham, Chattanooga, Philadelphia, New York and
						Santa Cruz. It will feature several Chicago Improvisation Artists and will
						be organized by Perry Venson. [Links Hall "Performance Series" Program
						Schedule, Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH32(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Frank Melcori presents: The Cuban Missile Crisis [sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.21</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 50 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 50 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 50 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Frank Melcori, performer ; Bob Friedman, percussion</p>
					<p>Recorded live 1988.05.21, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Drum solo] (10 min. 6 sec.) -- [Introduction/Captain/Singing] (7
						min. 8 sec.) -- [Foley/daydream] (10 min. 24 sec.) -- [Letter] (8 min. 1
						sec.) -- [Man overboard] (7 min. 24 sec.) -- [Untitled] (6 min. 16 sec.) --
						[Outro] (2 min. 1 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Frank Melcori has been acting and writing in Chicago for the past ten
							years. He is a member of the Pros Arts Studio and is a co-founder of the
							Italian American Theater.</p>
						<p>"The Cuban Missile Crisis" describes a young sailors voyage home from
							Cuba in the fall of 1962, and the crisis heh undergoes on his own ship.
							Like all sea tales, the performance is a romance-undercut, nonetheless,
							with the grim reality of military life and the racism it fosters.</p>
						<p>In this performance, Frank will be accompanied on drums and percussion by
							Bob Friedman.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH32(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Three New York Poets: Mitch Hegfill, Kimberly Lyons, Lorna Smedman
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.06.02</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 74 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 74 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 74 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Mitch Hegfill, speaker ; Kimberly Lyons, speaker ; Lornda Smedman, speaker</p>
					<p>Recorded live 1988.06.02, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Lorna Smedman (1 min. 24 sec.) -- ["Little in the
						Bronx"] / Lorna Smedman (3 min. 26 sec.) -- ["Figurehead"] / Lorna Smedman
						(3 min. 28 sec.) -- ["Collage"] / Lorna Smedman (2 min. 1 sec.) --
						[Untitled] / Lorna Smedman (3 min. 23 sec.) -- ["Double Play," I] / Lorna
						Smedman (2 min. 27 sec.) -- ["Double Play," II] / Lorna Smedman (1 min. 3
						sec.) -- ["Double Play," III] / Lorna Smedman (2 min. 35 sec.) -- ["Ax"] /
						Lorna Smedman (1 min. 12 sec.) -- ["Drive"] / Lorna Smedman (1 min. 45 sec.)
						-- ["Twenty thirty"] / Lorna Smedman (2 min. 24 sec.) -- ["Dangers of
						reading"] / Lorna Smedman (1 min. 5 sec.) -- ["Twelfth street stories"] /
						Lorna Smedman (3 min. 38 sec.) -- [Introduction] / Mitch Hegfill (1 min. 10
						sec.) -- ["Pitch-buy stuff"] / Mitch Hegfill (1 min. 38 sec.) --
						["Description abandoned"] / Mitch Hegfill (1 min. 23 sec.) -- ["A
						President's Polp"] / Mitch Hegfill (2 min. 29 sec.) -- ["Country comforts"]
						/ Mitch Hegfill (1 min. 36 sec.) -- ["Blue"] / Mitch Hegfill (2 min. 8 sec.)
						-- ["Proposition"] / Mitch Hegfill (1 min. 9 sec.) -- [Untitled] / Mitch
						Hegfill (1 min. 20 sec.) -- [Untitled] / Mitch Hegfill (1 min. 24 sec.) --
						[Untitled] / Mitch Hegfill (3 min. 38 sec.) -- [Untitled] / Mitch Hegfill (3
						min. 18 sec.) -- ["Guns that surround us; killer in the rain"] / Mitch
						Hegfill (1 min. 8 sec.) -- ["When people act obsequious"] / Mitch Hegfill (1
						min. 31 sec.) -- ["Poem"] / Mitch Hegfill (1 min. 0 sec.) -- ["There are
						seven big pieces of land"] / Mitch Hegfill (1 min. 38 sec.) -- ["The buzzer
						goes off upstairs"] / Mitch Hegfill (2 min. 25 sec.) -- ["Thirtieth Song of
						Petrarch (homeophonic translation)"] / Mitch Hegfill (4 min. 21 sec.) --
						["May Day"] / Mitch Hegfill (2 min. 12 sec.) -- [Introduction] / Kimberly
						Lyons (2 min. 37 sec.) -- ["Thai coffee"] / Kimberly Lyons (1 min. 2 sec.)
						-- ["Why do I have to wait"] / Kimberly Lyons (1 min. 28 sec.) -- ["In
						Padua"] / Kimberly Lyons (10 min. 15 sec.) -- ["Freaky diary"] / Kimberly
						Lyons (2 min. 22 sec.) -- ["Afra"] / Kimberly Lyons (2 min. 39 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Mitch Hegfill is the author of <i>No Precautions</i> (Next Century
							Press). His poems have been published in <i>Gallery Works</i> and
								<i>Giants Play Well in the Drizzle</i>. He is the co-editor of
							Prospect Books and has organized reading series in N.Y.C. at the Ear Inn
							and other places.</p>
						<p>Kimberly Lyons is the author of <i>Strategies</i>, (Prospect Books) and
								<i>Six Poems</i> (Lines). Her poems have appeared in <i>Sulfur</i>,
								<i>Giants Play Well in the Drizzle</i>, and <i>Red Weather</i>. She
							is a native of Chicago and currently the Program Coordinator for The
							Poetry Project at St. Marks Church in N.Y.C.</p>
						<p>Lorna Smedman is the author of <i>Dangers of Reading</i> (Prospect
							Books). She has published poems in <i>Transfer</i>, <i>Bombay Gin</i>
							and other magazines. She has been a cook for Barbara Streisand (three
							days), a gardener and editor of the St. Marks Poetry Project Newsletter.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH33(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Music and Poetry featuring: Frank Farrell with Ben Masterson [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.09.22</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 50 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 50 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 50 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Frank Farrell, performer ; Ben Masterson, performer</p>
					<p>Recorded live 1988.09.22, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 16 sec.) -- ["And when it comes right down
						to it"] (2 min. 2 sec.) -- ["Shakespeare Sonnet"] (2 min. 29 sec.) -- ["A
						song about myself, when I have fears"] (6 min. 27 sec.) -- ["My heart
						aches..."] (6 min. 6 sec.) -- ["Suicide note/fantastic story"] (20 min. 17
						sec.) -- ["Just keep driving"] (11 min. 2 sec.) -- [Outro] (0 min. 51
					sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p><i>When I have fears</i> is a concert of music and poetry by Frank
							Farrell and musician Ben Masterson featuring works by William
							Shakespeare, John Keats, H.P. Lovecraft, Kurt Weill, Melanie and others.</p>
						<p>Frank Farrell has been at such theaters as the Goodman, Body Politic,
							Court, Organic, Second City and Steppenwolf. This past spring he
							traveled to Cleveland to perform with the Great Lakes Theater Festival
							in their production of Shakespeare's <i>Love's Labour's Lost</i> and
							this past summer played Al Shean in <i>Minnie's Boys</i> with the
							National Jewish Theater and Dogberry in Equity Library Theater's <i>Much
								Ado About Nothing</i>.</p>
						<p>He was the founder of the Free Shakespeare Company and the Temporary
							Theater Company. As Rap Master Johnnie Keats, Mr. Farrell has appeared
							at the Green Mill, Morning, Second City and as part of the Theater
							Project Company's Performer's Festival '87 in St. Louis winning "Best of
							the Evening." Frank is a graduate of the Drama Studio/London and has
							received four Joseph Jefferson Recommendations for his acting in
							Chicago.</p>
						<p>He has taught at Columbia College, Ringling Brothers and Barnum &amp;
							Bailey's Clown College and currently teaches Shakespeare at the Training
							Center for the Working Actor.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH33(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>The Chicago Poetry Ensemble [sound recording]</unittitle>
					<unitdate type="inclusive">1988.09.24</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 49 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 49 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 49 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Joyce Caskey, speaker ; Karen Nystrom, speaker ; John Sheehan, speaker ; Dave
						Cooper, speaker ; Mike Barrett, speaker ; Rob Van Tuyle, speaker</p>
					<p>Recorded live 1988.00.00, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction/"A good urban assault weapon"] (3 min. 27 sec.) --
						["Terror"] (32 min. 0 sec.) -- ["Tattoo"] / Marc Smith (13 min. 39 sec.)
						[Note: Last track is the first of inventory number LH33(c)]</p>
				</scopecontent>
				<note>
					<p>
						<p>The Chicago Poetry Ensemble, Joyce Caskey, Karen Nystrom, John Sheehan,
							Dave Cooper, Mike Barrett and Rob Van Tuyle was collected from the GET
							ME HIGH jazz club's open mike and pounded into shape presenting dozens
							of shows at the Green Mill Lounge during 1986-87.</p>
						<p>In the last two years the group has hosted a weekly gig at Scenes book
							shop, performed at Cabaret Voltaire, Berlin, Wings, Links Hall and
							various colleges including the 1988 University of Chicago Festival of
							the Arts.</p>
						<p>The ensemble was featured in cable TV production of the <i>Spoon River
								Anthology</i> and has appeared on Evanston's cable access <i>Friday
								Club</i>.</p>
						<p>In the June of 1988 the ensemble, in collaboration with Jean Howard,
							caused a sensation with <i>Psychopoetica: What Are You Afraid Of?</i>
							Full length original works include <i>Animal Songs</i> which will be
							aired on the Skokie Public access station in September 1988.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH33(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Performance Poetry: Marc Smith [sound recording]</unittitle>
					<unitdate type="inclusive">1988.09.29</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 66 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 66 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 66 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Marc Smith, performer</p>
					<p>Recorded live 1988.09.29, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["Tattoo"] (38 min. 5 sec.) [Note: First track is the last of
						inventory number LH33(b)] -- ["Thanks"] (1 min. 34 sec.) -- [Untitled] (2
						min. 2 sec.) -- ["Poem about a kid"] (3 min. 23 sec.) -- ["It don't matter
						to me"] (4 min. 35 sec.) -- [Untitled] (2 min. 19 sec.) -- ["Bluesy love
						poem"] (3 min. 25 sec.) -- ["Cindy Salach/The day they ran out of things to
						say"] (2 min. 21 sec.) -- ["I said hey you"] (6 min. 30 sec.) -- ["I wanted
						to do so many things"] (4 min. 8 sec.) -- [Outro] (1 min. 15 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Poet, performer, director, and promoter Marc Smith has brought national
							attention to Chicago's poetry community with the establishment of the
								<i>Uptown Poetry Slam</i>--the nation's most popular weekly poetry
							exhibition.</p>
						<p>His open view of what poetry should be and should do (often criticized by
							the "knowing" institutions) "has cracked the eggheads on the edge of
							their teflon pans and fried their sheltered egos into an omelette of
							'has been.'"</p>
						<p>With the creation of the Chicago Poetry Ensemble and the Bob Shakespeare
							Poetry Band, Smith has inspired a great (and growing) number of
							Chicago's most talented and artistically courageous poets to shake off
							the incestuous notion that poetry belongs to a high-minded few; and has
							prompted them to give poetry back to the people, who not only need it,
							but want it more than the elite (who can't seem to catch anyone's
							attention except their own) care to admit.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH33(d)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Two Chicago Poets: Dan Pearson and Lorri Jackson [sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.06</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 95 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 95 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 95 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Dan Pearson, speaker ; Lorri Jackson, speaker</p>
					<p>Recorded live 1988.10.06, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Dan Pearson (1 min. 10 sec.) -- ["Upholsterers"] /
						Dan Pearson (1 min. 22 sec.) -- ["Tacos in darkness"] / Dan Pearson (3 min.
						30 sec.) -- ["March fifth ends forever"] / Dan Pearson (1 min. 19 sec.) --
						["Show in August"] / Dan Pearson (1 min. 34 sec.) -- ["Vague
						disappearances"] / Dan Pearson (1 min. 7 sec.) -- ["Professional secrets"] /
						Dan Pearson (1 min. 8 sec.) -- ["Only in America"] / Dan Pearson (0 min. 29
						sec.) -- ["Newsmaker"] / Dan Pearson (3 min. 23 sec.) -- ["The intellectual]
						/ Dan Pearson (2 min. 22 sec.) -- ["Cadmium"] / Dan Pearson (0 min. 52 sec.)
						-- ["Zulus in Norway"] / Dan Pearson (2 min. 17 sec.) -- ["At the
						supermarket"] / Dan Pearson (1 min. 37 sec.) -- ["Confessions of an
						unprepared poet"] / Dan Pearson (1 min. 37 sec.) -- ["Beyond strange"] / Dan
						Pearson (1 min. 26 sec.) -- ["Karma Calling"] / Dan Pearson (1 min. 30 sec.)
						-- ["Deja now"] / Dan Pearson (0 min. 55 sec.) -- ["And now a few words from
						the future of our country overheard in a Wendy's Restaurant"] / Dan Pearson
						(2 min. 0 sec.) -- ["Conundrum: the Bug or the Bus Pass"] / Dan Pearson (3
						min. 39 sec.) -- ["Spring cleaning"] / Dan Pearson (0 min. 40 sec.) --
						["Just for fun"] / Dan Pearson (2 min. 0 sec.) -- ["Beyond help"] / Dan
						Pearson (2 min. 29 sec.) -- ["Monkey business"] / Dan Pearson (1 min. 37
						sec.) -- ["The masculine agreement"] / Dan Pearson (1 min. 0 sec.) -- ["Mad
						about Marilyn"] / Dan Pearson (1 min. 30 sec.) -- ["Owl service"] / Dan
						Pearson (1 min. 9 sec.) -- ["APB Reykjavic"] / Dan Pearson (1 min. 16 sec.)
						-- ["Borderline psychotic cafe"] / Dan Pearson (3 min. 49 sec.) -- ["Lettuce
						on the move"] / Dan Pearson (2 min. 33 sec.) -- ["A bad day"] / Dan Pearson
						(0 min. 42 sec.) -- ["A matter of record"] / Dan Pearson (1 min. 1 sec.) --
						["Taking advantage of good nature"] / Dan Pearson (1 min. 6 sec.) -- ["Furor
						and chagrin"] / Dan Pearson (1 min. 52 sec.) -- ["Tonight is the night"] /
						Dan Pearson (0 min. 57 sec.) -- ["Autumn leaves"] / Dan Pearson (1 min. 43
						sec.) -- ["Flight of plastic grocery bag"] / Dan Pearson (1 min. 15 sec.) --
						["Urban mystery number 12"] / Dan Pearson (2 min. 31 sec.) -- ["Advice from
						a stranger"] / Dan Pearson (1 min. 23 sec.) -- [Introduction] / Lorri
						Jackson (4 min. 9 sec.) -- [Untitled] / Lorri Jackson (3 min. 3 sec.) --
						["Idle conversation"] / Lorri Jackson (1 min. 45 sec.) -- ["I move a naive
						poem"] / Lorri Jackson (3 min. 0 sec.) -- ["Talking"] / Lorri Jackson (3
						min. 31 sec.) -- ["John at the bar"] / Lorri Jackson (3 min. 4 sec.) --
						[Untitled] / Lorri Jackson (1 min. 16 sec.) -- ["Here's my contribution"] /
						Lorri Jackson (1 min. 26 sec.) -- [Untitled] / Lorri Jackson (2 min. 5 sec.)
						-- ["Letters to Dawn"] / Lorri Jackson (4 min. 28 sec.) -- [Untitled] /
						Lorri Jackson (2 min. 26 sec.) -- [Untitled] / Lorri Jackson (1 min. 16
						sec.) -- ["Play chicken"] / Lorri Jackson (2 min. 22 sec.) -- ["New Jersey
						poem"] / Lorri Jackson (3 min. 22 sec.) -- ["For Sadie Mae"] / Lorri Jackson
						(1 min. 28 sec.) -- ["Letter to Sadie"] / Lorri Jackson (4 min. 26 sec.) --
						["Love is a traffic violation"] / Lorri Jackson (1 min. 24 sec.) -- ["I have
						no excuse"] / Lorri Jackson (2 min. 22 sec.) -- ["We is a trap"] / Lorri
						Jackson (1 min. 25 sec.) -- ["Dream as I was snorting"] / Lorri Jackson (1
						min. 23 sec.) -- [End] / Lorri Jackson (2 min. 14 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Dan Pearson is a Chicago native who in addition to his interest in poetry
							has written plays, movie reviews and a lot of phone messages. His work
							has appeared in <i>Overtures</i>, Dial-a-Poem Chicago, <i>Uni-Verse</i>,
							and periodicals of the Salvation Army and the Chicago Public Library.
							His movie reviews can be seen in <i>The Southtown Economist</i> and
							heard on WBEZ. He has read at the Green Mill, Northeastern Illinois
							University and the lounge car of an Amtrak train heading east on New
							Year's Eve. He enjoys cheeseburgers, world travel and the love of a good
							woman with beach front property.</p>
						<p>Lorri Jackson is just a poet. Someone has recently published a collection
							of her work. The book is called <i>New Logic for Old Sores</i>. The
							press is called Static Image. She swears she's through bugging people
							with the things that bother her, but we know she's lying. "When I fall
							off a horse, I don't get back on. I send it to the glue factory."</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH34(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>The Potato Engineers: The Hostile Takeover of Claudine Longet
						&amp; Nasa [sound recording]</unittitle>
					<unitdate type="inclusive">1988.09.30</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 98 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 98 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 98 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>David Ayer, performer ; Harry Castle, performer ; Phil Pilcher, performer ;
						Joseph Pinzarrone, performer ; Eugene X. Rator, performer ; Damon Short,
						performer ; Larry Soderquist, performer</p>
					<p>Recorded live 1988.09.30, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Electronics/percussion] (17 min. 39 sec.) --
						[Electronics/percussions/vocals] (24 min. 19 sec.) -- [Break] (1 min. 0
						sec.) -- [Untitled] (10 min. 40 sec.) -- [Saxophone solo] (8 min. 0 sec.) --
						[Voices] (19 min. 37 sec.) -- [End] (18 min. 24 sec.)</p>
				</scopecontent>
				<note>
					<p>The world of experimental art is no exception to the mood and greed of the
						Reagen Era. In 1984, the ideological lethargy among members of the radical
						music group Bee Cubed created the climate for a dramatic takeover of Henley
						Enterprises (creators of the blue-collar projection 3-D and techno-folk
						art). Henley, free from the psychic consequences of popular music, absorbed
						Bee Cubed without a struggle. A new tax shelter was formed and a corporate
						entity was born, The Potato Engineers, with Eastern block connections and a
						high technology background. Recent engineer acquisitions/mergers include Enk
						and Enkidu. The Potato Engineers will present hostile takeovers in
						multi-megalomedia performance style throughout the current fiscal year as a
						part of their "Art of Business" cycle (abstract parallels to Real Life that
						imply true business relationships between artist-persons living and dead).
						The engineers are David Ayer, Harry Castle, Phil Pilcher, Joseph Pinzarrone,
						Eugene X. Rator, Damon Short and Larry Soderquist. <p>[Links Hall
							"Performance Series" Program Schedule, Fall 1988]</p></p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH34(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Chief Master Drummer and Dancer from Ghana, West Africa: Midawo
						Gideon Foli Alorwoyie and the African-American Unity Ensemble [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.10.01</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 86 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 86 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 86 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Midawo Gideon Foli Alorwoyie, performer ; African-American Unity Ensemble,
						performers</p>
					<p>Recorded live 1988.10.01, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 58 sec.) -- ["Adogo from Daho"] (9 min. 39
						sec.) -- [Untitled] (3 min. 49 sec.) -- ["Tour/What a drum says"] (3 min. 33
						sec.) -- ["Naningo/Keep your promises"] (3 min. 8 sec.) -- ["Love one
						another"] (2 min. 38 sec.) -- [Untitled] (2 min. 5 sec.) -- [Untitled] (2
						min. 58 sec.) -- ["Be nice to people"] (2 min. 22 sec.) -- [Introduction:
						"Puberty Dance"] (2 min. 22 sec.) -- ["Puberty dance"] (9 min. 33 sec.) --
						[Intermission/Introduction: "War dance"] (2 min. 28 sec.) -- ["War dance"]
						(14 min. 20 sec.) -- ["Drum display"] (8 min. 51 sec.) -- [Untitled] (1 min.
						17 sec.) -- [Finale] (13 min. 35 sec.) -- [Encore] (5 min. 26 sec.) --
						[Outro] (1 min. 1 sec.)</p>
				</scopecontent>
				<note>
					<p>Midawo Gideon Foil Alorwoyie is recognized as one of the most talented
						professional African musician's and dancer's in the world today. Presently a
						teacher of African music and dance at the American Conservatory of Music in
						Chicago, he is also the founder and artistic director of the
						African-American Unity Ensemble. From 1964-1984, he was associated with the
						National Dance Company of Ghana. In the dance company, Gideon served as
						teacher and chief Master Drummer. He founded the Foli's Concert Troupe,
						Accra Ghana in 1972, receiving in 1977 the Martin Luther King Award from the
						State University of New York at Buffalo. He has toured extensively
						throughout France, Yugoslavia, the U.S.S.R., Germany, the Caribbean and the
						United Kingdom.<p>[Links Hall "Performance Series" Program Schedule, Fall
							1988]</p></p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH34(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle><i>over blood mangled conversation... my laughter is haunted... i am
							the last bit o'soul america has left...touch me where sun don't
						shine...</i> Poetry in Motion [sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.20</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 63 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 63 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 63 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Tamara Madison, performer ; Sharese Locke, performer</p>
					<p>Recorded live 1988.10.20, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 55 sec.) -- ["Wade in the water..."] (21
						min. 14 sec.) -- ["There are our children"] (4 min. 24 sec.) -- [Untitled]
						(3 min. 33 sec.) -- ["Slam song"] (4 min. 12 sec.) -- ["Extra extra read all
						about it/DooWop ass"] (9 min. 24 sec.) -- [Intermission] (1 min. 30 sec.) --
						["I have not forgotten"] (2 min. 36 sec.) -- ["Honey, what a love poem"] (1
						min. 16 sec.) -- ["Swings my soul"] (4 min. 36 sec.) -- [Untitled] (7 min.
						11 sec.) -- ["Touch me where sun don't shine"] (1 min. 21 sec.) --
						["Softness"] (2 min. 8 sec.) -- ["Intimate piece"] (2 min. 38 sec.) --
						["Fine flowing breeze"] (1 min. 57 sec.)</p>
				</scopecontent>
				<note>
					<p>Addressing some of the most crucial social issues of contemporary men and
						women, Poetry in Motion is a dynamic presentation of original poetry by
						Chicago poets Tamara Madison and Sharese Locke. Rather than a poetry
						reading, Poetry in Motion presents characters themselves who have inspired
						the poets: an old woman with centuries in her eyes, a Chicago Loop newspaper
						man/suicide witness, a young mother struggling in the bosom of America's
						plenty, youth in love with love...With song and dance and spirit tongues
						Poetry in Motion wraps itself around the joys and pains of this world,
						seeking a path of understanding graced with love undaunted.</p>
					<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH35(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>A Musical Performance featuring: John Bussa with James Gillespie
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.14</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 55 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound disc (CD, ca. 55 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>John Bussa, performer ; James Gillespie, guitar</p>
					<p>Recorded live 1988.10.14, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["West with the night"] (3 min. 48 sec.) -- [Untitled] (9 min. 5
						sec.) -- ["Our kumbaya song"] (3 min. 13 sec.) -- ["Bitch song"] (3 min. 22
						sec.) -- [Untitled] (7 min. 32 sec.) -- [Set break] (6 min. 13 sec.) --
						["Dedicated to Donald Trump"] (6 min. 49 sec.) -- [Untitled] (4 min. 18
						sec.) -- ["Dedicated to the girls that walk the North Ave. bridge"] (5 min.
						28 sec.) -- ["Song inspired by explorer dude"] (7 min. 32 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>From Braunt to Brecht to Brel to Bowie, singer-songwriter John Bussa will
							perform a concert of new music written with guitarist James Gillespie.
							Between 1982 and 1985 Bussa wrote, produced and performed six original
							performance works including the musical vaudeville: <i>Songs From the
								City of Dead Umbrellas</i> (1985) and one recording: <i>Vampire
								Birds</i> (1986). Of Bussa's work, the late Richard Pollack critic
							for <i>Chicago Magazine</i> and <i>New Art Examiner</i> has
							written:..."visually intricate and intriguing...music, media and madness
							come together in the work of John Bussa. A winning performer, a strong,
							yound talent." This is John's first solo performance in Chicago in over
							two years.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH35(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>The annual appearance of, Eugene Chadbourne [sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.15</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 136 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 136 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 136 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Eugene Chadbourne, performer</p>
					<p>Recorded live 1988.10.15, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["Are you experienced?" (Hendrix)] (12 min. 48 sec.) -- ["I don't
						live today/I don't mind/If you loved me/etc."/Medley] (5 min. 16 sec.) --
						["America stands tall/Why must my country/When the Fuehrer says"] (9 min. 30
						sec.) -- ["The times are a changin'"] (4 min. 22 sec.) -- [Untitled] (12
						min. 35 sec.) -- [Untitled] (4 min. 27 sec.) -- [Untitled] (7 min. 58 sec.)
						-- [Intermission] (1 min. 29 sec.) -- ["Jesus something/Ollie's playhouse"]
						(7 min. 24 sec.) -- ["Takes longer sayin' yes than sayin' no"] (15 min. 29
						sec.) -- ["Blues number"] (8 min. 21 sec.) -- ["Taking requests"] (2 min. 16
						sec.) -- ["Purple haze"] (10 min. 30 sec.) -- ["Goodbye blues"] (5 min. 19
						sec.) -- [Encore/Laughter] (7 min. 58 sec.) -- [Outro/Encore] (15 min. 42
						sec.) -- [Encore: "Sittin' on the dock of the bay"] (6 min. 7 sec.) --
						[Outro] (0 min. 21 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>For the fourth year in a row, Eugene Chadbourne will disgrace the stage
							of the Links Hall Performance Series with a new set of songs/noises from
							his ever widening array of country flavored protest songs, '60s revival
							mutations, and politically astute observations (along with a few hot and
							strange guitar licks). Since his last Links Hall appearance, Chadbourne
							has been working with Camper Van Chadbourne-an off shoot of Camper Van
							Beethoven. He has also toured extensively across the United States and
							Europe. He has several albums that are waiting release as well as a huge
							quantity of live cassettes that are available by mail order or at this
							Links Hall event.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH36(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Performance Art with Andy Soma [sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.08</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 46 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 46 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 46 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Andy Soma, performer</p>
					<p>Recorded live 1988.10.08, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contetns: [Introduction] (2 min. 37 sec.) -- [Introduction, continued] (2
						min. 35 sec.) -- ["In the chapel"] (3 min. 25 sec.) -- ["A film by Jim
						Morrison"] (2 min. 20 sec.) -- ["Biography of Jim Morrison"] (2 min. 9 sec.)
						-- [Untitled] (0 min. 48 sec.) -- ["Supernatural poetry/The shadow people"]
						(2 min. 46 sec.) -- [Untitled] (3 min. 16 sec.) -- [Untitled] (4 min. 15
						sec.) -- ["Communion/Island"] (9 min. 30 sec.) -- ["Passing a joint"] (2
						min. 7 sec.) -- ["The Doors/The End"] (13 min. 29 sec.) -- [Outro] (0 min.
						43 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p><i>Pretend It's The End</i> was first performed in May of 1988 at the
							Ohio Theater in New York as part of the Tweed Ensemble's New Works
							Festival. It is a ritual lip-sync using film, props and music to create
							a celebratory commemorative event in the tradition of the Catholic Mass,
							more specifically, celebrating the traditions of bacchanalian ecstatic
							transport of celebrants which have codified and whose residue is evident
							in rituals such as the catholic mass.</p>
						<p>The lip sync as an act of total possession.</p>
						<p>Rock's psychedelic period as a religious manifestation</p>
						<p>The "lead singer" as shamanic high priest</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH36(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Two Chicago Poets: Lisa Buscani and Patricia Smith [sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.13</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 82 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 82 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 82 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Lisa Buscani, speaker ; Patricia Smith, speaker</p>
					<p>Recorded live 1988.10.13, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Patricia Smith (1 min. 12 sec.) -- ["Boy sneezes,
						head explodes"] / Patricia Smith (2 min. 24 sec.) -- ["Your man"] / Patricia
						Smith (2 min. 39 sec.) -- ["March 19, 1980"] / Patricia Smith (3 min. 19
						sec.) -- ["After Dirk"] / Patricia Smith (1 min. 15 sec.) -- ["Single in the
						eighties, or how I learned to love being a statistic"] / Patricia Smith (4
						min. 28 sec.) -- ["As far as blood goes"] / Patricia Smith (1 min. 31 sec.)
						-- ["Fifty singles"] / Patricia Smith (3 min. 4 sec.) -- ["Shadow boxing"] /
						Patricia Smith (4 min. 33 sec.) -- ["Marquette Park, 1986"] / Patricia Smith
						(2 min. 22 sec.) -- ["I think it's dead"] / Patricia Smith (2 min. 15 sec.)
						-- ["Whatever happened to Lola Falana"] / Patricia Smith (3 min. 21 sec.) --
						["The infant was in critical condition..."] / Patricia Smith (3 min. 27
						sec.) -- ["Break heart"] / Patricia Smith (2 min. 34 sec.) -- ["Judgement"]
						/ Patricia Smith (3 min. 10 sec.) -- ["You could almost say..."] / Patricia
						Smith (4 min. 38 sec.) -- [Introduction] / Lisa Buscani (1 min. 32 sec.) --
						["Because of The Blues Men"] / Lisa Buscani (3 min. 24 sec.) -- ["Home"] /
						Lisa Buscani (2 min. 0 sec.) -- ["Korea"] / Lisa Buscani (3 min. 37 sec.) --
						["I am the fourth Supreme"] / Lisa Buscani (1 min. 20 sec.) -- ["Militants"]
						/ Lisa Buscani (4 min. 24 sec.) -- ["Hose poem"] / Lisa Buscani (3 min. 26
						sec.) -- ["Sirens at the Mill"] / Lisa Buscani (4 min. 31 sec.) -- ["Anatomy
						of grief"] / Lisa Buscani (1 min. 42 sec.) -- ["Electrical workers Union
						Hall 1987"] / Lisa Buscani (3 min. 3 sec.) -- ["Whole lotta"] / Lisa Buscani
						(2 min. 34 sec.) -- ["The barber"] / Lisa Buscani (3 min. 37 sec.) -- ["The
						confession"] / Lisa Buscani (2 min. 15 sec.) -- ["Box"] / Lisa Buscani (2
						min. 2 sec.) -- ["Zeal"] / Lisa Buscani (4 min. 36 sec.) -- ["Mother God
						Damn"] / Lisa Buscani (3 min. 58 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Lisa Buscani started writing poetry because of an insatiable desire for
							attention, and because she finally had something worthwhile to say.
							While completing her journalism degree at Bowling Green State
							University, she received theater and competitive oral interpretation
							scholarships. She has also won numerous nationally recognized public
							speaking awards. She started reading at the Green Mill Lounge and is
							currently Poetry Slam Champion.</p>
						<p>Patricia Smith has worked for the <i>Chicago Sun-Times</i> for 11 years,
							where's she's currently a lifestyle and entertainment reporter. Her
							first poem, written in a state of delirious, pre-pubescent lust at the
							tender age of 7 years, actually contains the words "June" andn "Moon."
							She's now working on a series of poems inspired by sleazy tabloid
							headlines--the inaugural poem in the series is entitled "Boy Sneezes,
							Head Explodes." Patricia's a regular reader at the Green Mill where she
							reached the finals in the summer Poetry Slam Championship. She's also
							read at Lower Links, Columbia College and Daley Center, and has
							published in <i>Kaleidoscope</i> an anthology of writing by minority
							women.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH36(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Experiments in Music: Bill Barnes and A Thousand Excuses [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.10.07</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 90 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 90 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 90 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Bill Barnes, performer ; A Thousand Excuses, performers</p>
					<p>Recorded live 1988.10.07, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Act I] (21 min. 27 sec.) -- [Act I, continued] (24 min. 28 sec.)
						-- [Act II] (10 min. 37 sec.) -- [Act II, continued] (24 min. 46 sec.) --
						[Act II, continued] (10 min. 1 sec.) -- [Outro] (0 min. 32 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Called "One of the most subversive to ever embrace commercialism," Bill
							Barnes' musical background includes the diversity that spans studies
							with John Cage and Herbert Brun to playing funk horns live with Maceo
							Parker. Bill Barnes is a poet in pursuit of the unnerving side of
							crypto-prosaic street talk. Using his trombone as a weapon, his
							improvisation rubs salt in the self-inflicted wounds of a perjured
							instrument. As a composer, he constructs a palindrome of disorder,
							proving that dyslexia is the philosopher's stone.</p>
						<p>Returning to hometown Chicago, Bill Barnes brings along his traveling
							ensemble A Thousand Excuses. Just as hisi first gainful employment was
							with Ringling Bros., Bill Barnes' task on Oct.7 will be to provide a
							three-ring arena that dazzles with seething indictments of the status
							quo. An evening not to be missed or forgotten.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH37(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Music of the World Retrospective: Chinese Soloist, Kerry Leung [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.10.21</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 55 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 55 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 55 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Kerry Leung, performer</p>
					<p>Recorded live 1988.10.21, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: Introduction (0 min. 22 sec.) -- [Untitled] (1 min. 32 sec.) --
						[Untitled] (4 min. 13 sec.) -- [Untitled] (4 min. 39 sec.) -- [Untitled] (5
						min. 36 sec.) -- ["Mountains ring"] (4 min. 0 sec.) -- ["Autumn moon over
						pond face"] (3 min. 8 sec.) -- [Untitled] (6 min. 20 sec.) -- [Untitled] (3
						min. 58 sec.) -- [Untitled] (3 min. 40 sec.) -- [Untitled] (7 min. 10 sec.)
						-- [Untitled] (6 min. 31 sec.) -- [Untitled] (2 min. 18 sec.) -- ["Cantonese
						music"] (5 min. 32 sec.)</p>
				</scopecontent>
				<note>
					<p>Each year since 1985, the Links Hall Performance Series has sought out local
						practitioners of traditional folk music from other lands. Chicago, being
						rich with such ethnic mixtures, has yielded some of the finest musicians
						anywhere and has made for a poignant series of traditional folk music. This
						retrospective is a highlight of past series that featured music from
						Southeast Asia, the Caribbean, the Middle East and China. <p>[Links Hall
							"Performance Series" Program Schedule, Fall 1988]</p></p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH37(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Toma Cora/Hans Reichel [sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.22</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 103 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 103 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 103 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Toma Cora, performer ; Hans Reichel, performer</p>
					<p>Recorded live 1988.10.22, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (12 min. 5 sec.) -- [Untitled] (15 min. 43 sec.) --
						[Untitled] (11 min. 6 sec.) -- [Untitled] (12 min. 36 sec.) -- [Untitled]
						(18 min. 7 sec.) -- [Untitled] (32 min. 9 sec.) -- [Outro] (1 min. 6
					sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH37(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Writers from New York &amp; Chicago: Sal Salasin and Art Lange
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.27</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 53 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 53 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 53 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Sal Salasin, speaker [Note: Art Lange's performance is cataloged as LH38(a)]</p>
					<p>Recorded live 1988.10.27, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Sal Salasin (1 min. 6 sec.) -- [Untitled] / Sal
						Salasin (3 min. 37 sec.) -- [Untitled] / Sal Salasin (0 min. 49 sec.) --
						[Untitled] / Sal Salasin (2 min. 34 sec.) -- [Untitled] / Sal Salasin (1
						min. 34 sec.) -- [Untitled] / Sal Salasin (1 min. 14 sec.) -- [Untitled] /
						Sal Salasin (2 min. 25 sec.) -- [Untitled] / Sal Salasin (2 min. 11 sec.) --
						[Untitled] / Sal Salasin (0 min. 44 sec.) -- [Untitled] / Sal Salasin (2
						min. 12 sec.) -- [Untitled] / Sal Salasin (1 min. 3 sec.) -- [Untitled] /
						Sal Salasin (1 min. 0 sec.) -- [Untitled] / Sal Salasin (1 min. 22 sec.) --
						[Untitled] / Sal Salasin (2 min. 35 sec.) -- [Untitled] / Sal Salasin (1
						min. 34 sec.) -- [Untitled] / Sal Salasin (1 min. 14 sec.) -- [Untitled] /
						Sal Salasin (1 min. 13 sec.) -- [Untitled] / Sal Salasin (2 min. 38 sec.) --
						[Untitled] / Sal Salasin (3 min. 30 sec.) -- [Untitled] / Sal Salasin (1
						min. 22 sec.) -- [Untitled] / Sal Salasin (0 min. 20 sec.) -- [Untitled] /
						Sal Salasin (1 min. 15 sec.) -- [Untitled] / Sal Salasin (1 min. 55 sec.) --
						[Untitled] / Sal Salasin (2 min. 16 sec.) -- [Untitled] / Sal Salasin (1
						min. 21 sec.) -- [Untitled] / Sal Salasin (1 min. 22 sec.) -- [Untitled] /
						Sal Salasin (2 min. 12 sec.) -- [Untitled] / Sal Salasin (2 min. 11 sec.) --
						[Untitled] / Sal Salasin (2 min. 17 sec.) -- [Untitled] / Sal Salasin (2
						min. 7 sec.) -- [Untitled] / Sal Salasin (1 min. 3 sec.) -- [Untitled] Sal
						Salasin (1 min. 22 sec.) -- [Untitled] / Sal Salasin (3 min. 4 sec.) --
						["Dearly deported"] / Sal Salasin (1 min. 0 sec.) -- ["The nation is full of
						slime"] / Sal Salasin (1 min. 37 sec.) -- ["The ghost of Count Basie"] / Sal
						Salasin (1 min. 27 sec.) -- [Outro] / Sal Salasin (1 min. 1 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p><i>Stepping Out of the Plane Under the Protection of the Army</i> is the
							soon to be released book by New Yorker Sal Salasin on Another Chicago
							Press (Chicago, IL 1988).</p>
						<p>Locally, Salasin has been published in <i>B-City</i>, <i>Another Chicago
								Magazine</i>, <i>Oink!</i>, <i>The Chicago Review</i> and <i>New
								American Writing</i>. He also has been published in over 30 other
							reviews and publications. Salasin created and ran the ABC No Rio Poetry
							Reading Series from 1984-1986 in New York as well as a poetry of the
							Tokyo English Literature Society in Tokyo Japan. He currently organizes
							a reading series at the Ear Inn in New York City. In 1986, he was
							nominated for the GE Foundation Award.</p>
						<p>Art Lange has released several books including <i>Needles at Midnight</i>
							(Z Press), <i>Evidence</i> (Yellow Press) and <i>Monk Poems</i>
							(Frontward Press). He has been published in <i>The Partisan Review</i>,
								<i>New American Writing</i>, <i>Link</i>, <i>B-City</i>, and
								<i>Washington Review</i>.</p>
						<p>Lange is the ex-editor of <i>Downbeat Magazine</i> as well as a widely
							published music critic. He also was the publisher of <i>Brilliant
								Corners</i> from 1975-1978 and in 1980 received a grant from the NEA</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH38(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Writers from New York &amp; Chicago: Sal Salasin and Art Lange
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.27</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 30 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 30 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 30 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Art Lange, speaker [Note: Sal Salasin's performance is cataloged as LH37(c)]</p>
					<p>Recorded live 1988.10.27, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Art Lange (0 min. 34 sec.) --
						["Rage/banter/literature"] / Art Lange (4 min. 8 sec.) -- ["Two poems for
						Ted Berry"] / Art Lange (2 min. 2 sec.) -- [Untitled] / Art Lange (2 min. 59
						sec.) -- [Untitled] / Art Lange (1 min. 19 sec.) -- [Untitled] / Art Lange
						(2 min. 19 sec.) -- ["A fine line"] / Art Lange (4 min. 39 sec.) -- ["Duo"]
						/ Art Lange (1 min. 17 sec.) -- ["Needles at midnight"] / Art Lange (2 min.
						8 sec.) -- ["China light"] / Art Lange (2 min. 33 sec.) -- ["Iron"] / Art
						Lange (1 min. 20 sec.) -- ["The scream"] / Art Lange (5 min. 12 sec.) --
						["In error"] / Art Lange (2 min. 9 sec.) -- [Outro] / Art Lange (0 min. 51
						sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p><i>Stepping Out of the Plane Under the Protection of the Army</i> is the
							soon to be released book by New Yorker Sal Salasin on Another Chicago
							Press (Chicago, IL 1988).</p>
						<p>Locally, Salasin has been published in <i>B-City</i>, <i>Another Chicago
								Magazine</i>, <i>Oink!</i>, <i>The Chicago Review</i> and <i>New
								American Writing</i>. He also has been published in over 30 other
							reviews and publications. Salasin created and ran the ABC No Rio Poetry
							Reading Series from 1984-1986 in New York as well as a poetry of the
							Tokyo English Literature Society in Tokyo Japan. He currently organizes
							a reading series at the Ear Inn in New York City. In 1986, he was
							nominated for the GE Foundation Award.</p>
						<p>Art Lange has released several books including <i>Needles at Midnight</i>
							(Z Press), <i>Evidence</i> (Yellow Press) and <i>Monk Poems</i>
							(Frontward Press). He has been published in <i>The Partisan Review</i>,
								<i>New American Writing</i>, <i>Link</i>, <i>B-City</i>, and
								<i>Washington Review</i>.</p>
						<p>Lange is the ex-editor of <i>Downbeat Magazine</i> as well as a widely
							published music critic. He also was the publisher of <i>Brilliant
								Corners</i> from 1975-1978 and in 1980 received a grant from the NEA</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH38(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Music of the World Retrospective: Cambodian Folk Music Ensemble
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.10.28</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 61 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 61 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 61 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Cambodian Folk Music Ensemble, performers</p>
					<p>Recorded live 1988.10.28, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 37 sec.) -- [Untitled] (7 min. 9 sec.) --
						[Untitled] (6 min. 4 sec.) -- [Untitled] (7 min. 13 sec.) -- [Untitled] (6
						min. 23 sec.) -- [Untitled] (2 min. 33 sec.) -- [Untitled] (5 min. 14 sec.)
						-- [Untitled] (2 min. 41 sec.) -- [Untitled] (6 min. 3 sec.) -- [Untitled]
						(5 min. 27 sec.) -- [Untitled] (2 min. 38 sec.) -- [Untitled] (4 min. 25
						sec.) -- [Untitled] (4 min. 17 sec.) -- [Untitled] (2 min. 49 sec.) --
						[Outro] (2 min. 28 sec.)</p>
				</scopecontent>
				<note>
					<p>Each year since 1985, the Links Hall Performance Series has sought out local
						practitioners of traditional folk music from other lands. Chicago, being
						rich with such ethnic mixtures, has yielded some of the finest musicians
						anywhere and has made for a poignant series of traditional folk music. This
						retrospective is a highlight of past series that featured music from
						Southeast Asia, The Caribbean, The Middle East and China. [Links Hall
						"Performance Series" Program Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH38(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Music of the World Retrospective: Chicago Samba Ensemble [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.10.29</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 118 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 118 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 118 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Chicago Samba Ensemble, performers</p>
					<p>Recorded live 1988.10.29, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 22 sec.) -- [Untitled] (2 min. 22 sec.) --
						["Felicidad"] (2 min. 38 sec.) -- [Untitled] (13 min. 17 sec.) -- ["Byanna"]
						(11 min. 31 sec.) -- [Untitled] (7 min. 28 sec.) -- [Untitled] (9 min. 6
						sec.) -- [Untitled] (13 min. 12 sec.) -- [Untitled] (10 min. 10 sec.) --
						[Untitled] (3 min. 26 sec.) -- ["Capoeira"] (11 min. 4 sec.) --
						["Traditional Samba"] (17 min. 36 sec.) -- [Untitled] (9 min. 3 sec.) --
						[Outro] (10 min. 24 sec.)</p>
				</scopecontent>
				<note>
					<p>Each year since 1985, the Links Hall Performance Series has sought out local
						practitioners of traditional folk music from other lands. Chicago, being
						rich with such ethnic mixtures, has yielded some of the finest musicians
						anywhere and has made for a poignant series of traditional folk music. This
						retrospective is a highlight of past series that featured music from
						Southeast Asia, The Caribbean, The Middle East and China. [Links Hall
						"Performance Series" Program Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH39(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Two Chicago Writers CXV: Paul Hoover and James McManus [sound
						recording]</unittitle>
					<unitdate type="inclusive">1988.11.03</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 61 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 61 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 61 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Paul Hoover, speaker ; James McManus, speaker</p>
					<p>Recorded live 1988.11.03, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / James McManus (0 min. 31 sec.) -- ["Ghost Waves
						(excerpt)"] / James McManus (29 min. 31 sec.) -- [Introduction] / Paul
						Hoover (1 min. 5 sec.) -- ["Saigon, Illinois (excerpts" including: "A
						Hospital Story" and "Crazed Hippies at Home"] / Paul Hoover (30 min. 23
						sec.) -- [Outro] (0 min. 27 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Paul Hoover's first novel <i>Saigon, Illinois</i>, was recently published
							by Vintage Contemporaries. A chapter of the book, which deals with a
							conscientious objector working in a Chicago hospital during the Vietnam
							War, was first published in <i>The New Yorker</i>. <i>Idea</i>, Hoover's
							fourth book of poetry, won the 1987 Carl Sandburg Award. He teaches
							poetry writing at Columbia College in Chicago and has read his work
							widely, including such places as The Poetry Project, St Mark's Church in
							the Bowery, The Detroit Institute of Arts, Chicago's Museum of
							Contemporary Art, New Langton Street Gallery in San Francisco, and the
							Poetry Center at San Francisco State University. With Maxine Chernoff,
							he edits <i>New American Writing</i>, a leading Literary Magazine.</p>
						<p>James McManus is the author of the story collection ,<i>Antonio Salazar
								is Dead</i> and <i>Curtains</i>, and the novels <i>Out of the
							Blue</i>, <i>Chin Music</i>, and <i>Ghost Waves</i>. <i>The Wall Street
								Journal</i> called <i>Out of the Blue</i> "marvelously literate. It
							is about the kidnapping of a young girl, but that is like calling
							Hemingway's <i>A Clean Well Lighted Place</i> the story of an aging
							bisboy." <i>Chin Music</i> has recently been translated into French as
								<i>Fugue</i>. <i>The Baltimore Sun</i> called the novel "riveting
							and viceral. Mr. McManus is brilliant in his use of language as
							metaphor." <i>The Los Angeles Times Book Review</i> called him "the most
							exuberant, indecipherable, imaginative, poetic, (undisciplined?) writer
							since Joyce." <i>Review of Contemporary Fiction</i>: "<i>Chin Music</i>
							has done for Chicago what <i>Apocalypse Now</i> did for Viet Nam. A
							magnificent elegy for the Magnificent Mile in its death Throes." <i>Fort
								Worth Star</i>; "Crossbreed's rock-and-roll's gut immediacy with the
							cool articulation of a Bach Fugue....The closest prose comes to burning
							your blood like cold powdered glass." <i>Newsday</i>: "McManus has
							written a poet's novel. In the actions of its protagonists we witness
							the power of human courage and love in the most desperate and depressing
							of circumstancesl." McManus has received prizes and fellowships from the
							NEA (for both fiction and poetry), the Shifting Foundation, Chicago
							Artists Abroad, and the Illinois Arts Council. He teaches at The School
							of the Art Institute.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH39(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Live interactive performance for computers, synthesizers, keyboards
						and electronic wind instruments featuring: Shawn Decker with Jim Gaileretto
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.11.04</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 75 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 75 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 75 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Shawn Decker, performer ; Jim Gaileretto, performer</p>
					<p>Recorded live 1988.11.04, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["Sri Lanka"] / Shawn Decker with Jim Gaileretto (5 min. 12 sec.)
						-- [Untitled] / Shawn Decker with Jim Gaileretto (13 min. 42 sec.) --
						[Untitled] / Shawn Decker with Jim Gaileretto (8 min. 29 sec.) -- [Untitled]
						/ Shawn Decker with Jim Gaileretto (8 min. 15 sec.) -- [Untitled] / Shawn
						Decker with Jim Gaileretto (11 min. 10 sec.) -- ["Edge"] / Shawn Decker with
						Jim Gaileretto (8 min. 15 sec.) -- [Soprano saxophone solo] / Shawn Decker
						with Jim Gaileretto (5 min. 14 sec.) -- [Untitled] / Shawn Decker with Jim
						Gaileretto (16 min. 43 sec.) -- [Outro] / Shawn Decker with Jim Gaileretto
						(1 min. 0 sec.)</p>
				</scopecontent>
				<note>
					<p>Shawn Decker composes and produces music for both liver performance and for
						electronic tape, as well as for film and video soundtracks. His work has
						been performed in a variety of settings ranging from small galleries to
						large convention centers, and has been heard on National Public Radio, the
						European Broadcast System, and the Learning Channel. Recent commissions
						include a sound installation for the lobby of the One Financial Place
						building in Chicago, and a score for the music/light show "Wet Grass" for
						the Cernan Space Center. Recent soundtrack credits include sound design for
						the Tom Finerty film <i>Trust Me</i>, and a soundtrack for the Museum of
						Science and Industry's video on Superconductivity. Mr. Decker also composes
						and performs with the acclaimed new music ensemble Kapture. In addition to
						writing and producing music, Mr. Decker teaches in the sound department at
						the School of the Art Institute of Chicago, and is an instructor in computer
						music at Northwestern University. [Links Hall "Performance Series" Program
						Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH39(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Chicago Beau and his House Rockers [sound recording]</unittitle>
					<unitdate type="inclusive">1988.11.05</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 109 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 109 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 109 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Chicago Beau, performer ; George Freeman, guitar ; Ajaramu, percussion ;
						Cecille Savage, bass</p>
					<p>Recorded live 1988.11.05, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (10 min. 54 sec.) -- [Untitled] (4 min. 13 sec.) --
						[Untitled] (8 min. 18 sec.) -- [Untitled] (4 min. 4 sec.) -- ["Stormy
						monday"] (7 min. 5 sec.) -- [Untitled] (7 min. 26 sec.) -- ["Hoochie coochie
						man"] (7 min. 22 sec.) -- [Untitled] (4 min. 16 sec.) -- [Untitled] (2 min.
						37 sec.) -- [Untitled] (12 min. 28 sec.) -- [Untitled] (3 min. 28 sec.) --
						[Untitled] (10 min. 42 sec.) -- [Untitled] (5 min. 18 sec.) -- [Untitled] (8
						min. 21 sec.) -- [Untitled] (9 min. 4 sec.) -- [Untitled] (3 min. 4 sec.) --
						[Untitled] (5 min. 10 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Chicago Beau has recorded with the likes of Archie Shepp, Philly Joe
							Jones, The Art Ensemble of Chicago, Cal Massey, Julio Finn and Memphis
							Slim to name a few. He is currently the co-publisher and founding editor
							of <i>Literati Chicago</i>, a quarterly literary review; and
							co-publisher/editor of <i>The Chicago Blues Players Biographical and
								Club Directory</i>. Aside from music and literature, Chicago Beau
							has been involved with theater, film, radio, and television. In the past
							two years he has performed in Los Angeles, Paris, Dakar, Nairobi, London
							and Chicago as bluesman/poet/lecturer. The band for the evening will
							consist of:</p>
						<p>George Freeman-guitar. George has played with the late Charlie Parker,
							Jimmy Smith, Jimmy McGriff, the late Gene Ammons, his brother Von
							Freeman and countless others.</p>
						<p>Ajaramu-Drums. A.A.C.M. member is a drummer for all music. From his early
							days playing with the late Sonny Boy Williamson to his avant garde work,
							Ajaramu's career has been one of root expression and excitment.</p>
						<p>Cecille Savage-bass. Savage is one of the hardest working musicians in
							Chicago. She is in constant demand by all elements of the music
							community. She is also a vocalist and a poet. Among her recordings is an
							album with Sugar Blue. <p>[Links Hall "Performance Series" Program
								Schedule, Fall 1988]</p></p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH40(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Sandra Binion "Letters" [sound recording]</unittitle>
					<unitdate type="inclusive">1988.11.09</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 56 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 56 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 56 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Sandra Binion, performer</p>
					<p>Recorded live 1988.11.09, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction/Italian] (14 min. 14 sec.) -- [Opera] (3 min. 35
						sec.) -- [Cello] (4 min. 21 sec.) -- ["Second letter"] (2 min. 9 sec.) --
						[Untitled] (3 min. 29 sec.) -- [Untitled] (1 min. 8 sec.) -- [Untitled] (2
						min. 14 sec.) -- [Untitled] (2 min. 16 sec.) -- [Untitled] (2 min. 0 sec) --
						[Untitled] (4 min. 36 sec.) -- [Untitled] (3 min. 19 sec.) -- [Untitled] (2
						min. 27 sec.) -- [Untitled] (2 min. 30 sec.) -- [Untitled] (3 min. 9 sec.)
						-- [Untitled] (4 min. 21 sec.) -- [Untitled] (3 min. 32 sec.) -- [End] (1
						min. 13 sec.) -- [Outro] (0 min. 57 sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH40(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Kahil El Zabar Percussion Quartet [sound recording]</unittitle>
					<unitdate type="inclusive">1988.11.11</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 129 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 129 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 129 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Kahil El Zabar, performer ; Kahil El Zabar Percussion Quartet, performers</p>
					<p>Recorded live 1988.11.11, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 41 sec.) -- [Introduction, continued] (8
						min. 21 sec.) -- [Untitled] (17 min. 2 sec.) -- [Untitled] (2 min. 30 sec.)
						-- [Untitled] (11 min. 54 sec.) -- ["Where there's a will there's a way"] (4
						min. 37 sec.) -- [Untitled] (4 min. 35 sec.) -- [Untitled] (6 min. 14 sec.)
						-- [Untitled] (11 min. 7 sec.) -- [Untitled] (0 min. 31 sec.) -- [Untitled]
						(12 min. 59 sec.) -- [Untitled] (19 min. 46 sec.) -- [Untitled] (6 min. 5
						sec.) -- [Untitled] (26 min. 3 sec.) -- [Outro] (1 min. 14 sec.)</p>
				</scopecontent>
				<note>
					<p>Among the many different projects that Kahil El Zabar has launched,
						includingn The Ethnic Heritage Ensemble, The Beat, The Kahil El Zabar
						Quartet and The Orchestra Infinity to name a few, The Percussion Quartet is
						one of the most inspired. Kahil has toured and recorded with some of the
						giants of contemporary music today, i.e. David Murray, Cannonball Adderly,
						Stevie Wonder, Dizzy Gillespie, etc... He is considered to be one of the
						finest percussionists of his generation and a thought-provoking composer as
						well as a vocalist, dramatist, dancer and poet. [Links Hall "Performance
						Series" Program Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH41(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Afro-Cuban Conga Quintet: Conjunto Bembe [sound recording]</unittitle>
					<unitdate type="inclusive">1988.11.12</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 91 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 91 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 91 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Art "Turk" Burton, conga drums ; Carlos [?], performer ; Sam Torres,
						performer ; Brandon Hill, performer ; Jim Harrison, performer</p>
					<p>Recorded live 1988.11.12, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Abagwa (?)] (8 min. 9 sec.) -- [Sam Torres solo] (3 min. 36 sec.)
						-- [Carlos solo] (3 min. 16 sec.) -- [Brandon Hill solo] (3 min. 25 sec.) --
						[Jim Harrison solo] (4 min. 36 sec.) -- [Art "Turk" Burton solo] (5 min. 31
						sec.) -- ["Samba"] (8 min. 2 sec.) -- ["Puerto Rico"] (7 min. 34 sec.) --
						[Pause] (1 min. 39 sec.) -- ["Rhumba from Cuba"] (6 min. 18 sec.) --
						["Rhumba"] (8 min. 36 sec.) -- ["Mambo"] (12 min. 29 sec.) -- ["Very old
						rhythm from Cuba"] (6 min. 35 sec.) -- ["Merengue from Dominican Republic"]
						(5 min. 20 sec.) -- ["Improvisation on Rhythm and Blues"] (10 min. 26 sec.)
						-- [Outro] (1 min. 31 sec.)</p>
				</scopecontent>
				<note>
					<p>Conjunto Bembe is a conga quintet directed by composer/bandleader Art "Turk"
						Burton. Turk was involved with the AACM for 13 years and performed with
						Muhal Richard Abram's Big Band and the Governors State University Big Band.
						He has led his own ensembles including "Black Fire" and "Congo Square."
						"Congo Square" was featured in the Windy Jazz Series that was broadcast from
						Ricks Cafe American to 30 cities nationwide. Turk is also an Honorary Member
						of the Camisa Verde y Branco Samba School. "Conjunto Bembe" has performed at
						the Chicago Field Museum of Natural History, Ruiz Belvis Cultural Center,
						The ETA Theater and the Du Sable Museum. The members are some of the most
						sought after African and Latin percussionists working in Chicago today.
						"Conjunto Bembe" has been together for 5 years and performs a mixture of
						Cuban, African and Caribbean rhythms as a take off point for improvisation.
						[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH41(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Stories, Poems, Sound Environments and Movies: The Oxygen Jukebox
						[sound recording]</unittitle>
					<unitdate type="inclusive">1988.11.17</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 65 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 65 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 65 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Seth Green, performer ; Martha Green, performer ; Mary Zimmerman, performer ;
						Daniel Fish, performer</p>
					<p>Recorded live 1988.11.17, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["Mamie thinks all Canadian geese..."] (3 min. 14 sec.) -- ["Upside
						down"] (4 min. 25 sec.) -- ["Mrs. Beetle/Mr. Bison"] (7 min. 25 sec.) -- ["A
						piece about my youth"] (9 min. 29 sec.) -- ["I once was a famous
						astronomer"] (41 min. 4 sec.) -- [Outro] (0 min. 34 sec.)</p>
				</scopecontent>
				<note>
					<p>Seth and Martha Green have performed in Chicago for 12 years. They were
						founding members of the Kapture Performance Ensemble, and in 1983 left to
						form the Oxygen Jukebox. In the fall of '88 they will open a recording
						studio/performance gallery of the same name in Chicago. For this Links Hall
						Performance, Seth and Martha will be joined by Mary Zimmerman and Daniel
						Fish. [Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH42(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Davey Williams/LaDonna Smith [sound recording]</unittitle>
					<unitdate type="inclusive">1988.11.18</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 128 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 128 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 128 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Davey Williams, performer ; LaDonna Smith, performer</p>
					<p>Recorded live 1988.11.18, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (16 min. 23 sec.) -- [Untitled] (20 min. 2 sec.) --
						[Guitar solo] (12 min. 29 sec.) -- [Untitled] (12 min. 2 sec.) --
						[Tuning/break] (4 min. 37 sec.) -- [Untitled] (25 min. 31 sec.) --
						[Untitled] (9 min. 23 sec.) -- ["Country western"] (7 min. 3 sec.) --
						[Untitled] (16 min. 14 sec.) -- [Untitled] (5 min. 45 sec.) -- [Outro] (2
						min. 51 sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH42(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Sea Monkey Vengeance [sound recording]</unittitle>
					<unitdate type="inclusive">1988.11.19</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 107 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 107 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 107 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Robert Metrick, performer ; Heidi Lang, performer ; Steve Jones, performer ;
						Alan Tollefson, performer</p>
					<p>Recorded live 1988.11.19, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["A Walk"] (10 min. 57 sec.) -- ["Elements of performance art"] (4
						min. 56 sec.) -- ["Enter father Steve Jones"] (7 min. 35 sec.) -- ["Poem by
						Alan Ginsberg: Consulting the i-ching"] (13 min. 28 sec.) -- [Untitled] (8
						min. 9 sec.) -- ["Eyesight to the blind"] (3 min. 37 sec.) -- [Outro] (1
						min. 2 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>A gala all-star performance art tribute to the American Theater by Robert
							Metrick, Heidi Lang, Steve Jones, Alan Tollefson.</p>
						<p>Sea Monkey Vengeance is a collective of Chicago-based performance-artists
							whose individual and collaborative works are frequently presented in
							alternative spaces, galleries and clubs around and below the greater
							Chicago metropolitan area. Although SMV's "membership" may fluctuate
							between 0-23, depending upon the performance, its principal
							activists/artists include Robert Metrick, Heidi Lang, Steve Jones and
							Alan Tollefson.</p>
						<p>Sea Monkey Vengeance's Tribute to the American Theater is a triple edged
							assault/wake/homage to the American Theater Tradition. This all-star
							revue will salute the fiscally/critically successful milestones of
							comedy, tragedy, dramas and musicals. Excerpts from <i>Annie</i> to
								<i>Equis</i>, from <i>Cats</i> to <i>Whose Afraid of Virginia
							Wolf?</i>. from <i>Hair</i> to <i>The Hairy Ape</i>, and more will be
							explored in an eclectic series of intensely personal, abstracted
							interpretations. SMV's tribute proposes the definitive statement in the
							interminable debate over Theater vs. Performance Art, taking the issue
							straight-on and strangling it, or setting the clock back 50 years. </p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH43(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>The Phantom Ranch String Quartet</unittitle>
					<unitdate type="inclusive">1988.12.02</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 39 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 39 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 39 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Daniel Scanlan, violin ; Katherine Hughes, violin ; Erik Neumann, cello ;
						Kent Kessler, contrabass, slide guitar</p>
					<p>Recorded live 1988.12.02, Moming Dance and Art Center, 1034 W. Barry Ave.,
						Chicago, IL 60657</p>
					<p>Contents: [Untitled] (7 min. 50 sec.) -- [Untitled] (7 min. 24 sec.) --
						[Untitled] (7 min. 26 sec.) -- [Untitled] (8 min. 24 sec.) -- [Untitled] (3
						min. 10 sec.) -- [Untitled] (6 min. 17 sec.) -- [Untitled] (1 min. 13
					sec.)</p>
				</scopecontent>
				<note>
					<p>The Phantom Ranch String Quartet explores the textural andn sonic
						possibilities of the string family through structured improvisations. The
						group was founded in 1985 by Kent Kessler and has performed extensively in
						the Chicago area and around the Midwest. The String Quartet consists of
						Daniel Scanlan-violin; Katherine Hughes-violin, Erik Neumann-Cello; Kent
						Kessler-contra bass. [Links Hall "Performance Series" Program Schedule, Fall
						1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH43(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Phil Cohran and Circle of Sound [sound recording]</unittitle>
					<unitdate type="inclusive">1988.12.03</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 114 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 114 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 114 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Phil Cohran, trumpet ; Circle of Sound, performers</p>
					<p>Recorded live 1988.12.03, Moming Dance and Art Center, 1034 W. Barry,
						Chicago, IL 60657</p>
					<p>Contents: ["Wade in the water"] (16 min. 43 sec.) -- ["Black music workshop"]
						(9 min. 20 sec.) -- ["A cappella piece/Cigarette smokin'"] (10 min. 12 sec.)
						-- ["Ottoman image"] 1 min. 14 sec.) -- ["You really got a hold on me"] (4
						min. 33 sec.) -- ["Ask me why"] (2 min. 47 sec.) -- ["Stand by me"] (5 min.
						20 sec.) -- [Untitled] (5 min. 15 sec.) -- ["Tribute to Duke Elllington"] (4
						min. 37 sec.) -- ["Story"] (3 min. 15 sec.) -- ["Frankincense and myrrh"] (9
						min. 34 sec.) -- ["Under the boardwalk"] (5 min. 2 sec.) -- ["(You ain't
						nothin' but a) Hound Dog"] (2 min. 30 sec.) -- ["Story"] (2 min. 14 sec.) --
						["Parker's mood"] (9 min. 51 sec.) -- ["African thumb piano mayhem"] (15
						min. 50 sec.) -- ["Thanks"] (1 min. 1 sec.) -- [Encore] (10 min. 22 sec.) --
						[Outro] (1 min. 13 sec.)</p>
				</scopecontent>
				<note>
					<p>Phil Cohran, "An avant-gardist who has deep roots in the jazz tradition"
							(<i>Chicago Tribune</i>). "A longtime Chicago musical presence, ex-Sun
						Ra sideman and AACM founding father, this trumpeter bandleader is a force
						for good in his community (<i>Downbeat</i>). [Links Hall "Performance
						Series" Program Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH43(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Don Meckley [sound recording]</unittitle>
					<unitdate type="inclusive">1988.12.02</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 36 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 36 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 36 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Don Meckley, shortwave radio, performer</p>
					<p>Recorded live 1988.12.02, Moming Dance and Art Center, 1034 W. Barry Ave.,
						Chicago, IL 60657</p>
					<p>Contents: [Untitled] (35 min. 57 sec.) -- [Outro] (0 min. 45 sec.)</p>
				</scopecontent>
				<note>
					<p>Arguably one of the "Best damned Shortwave Radio players in the United
						States" (Daniel Scanlan), Don Meckley creates unsurpassed sonic landscapes
						through the use of multiple shortwave radios, water-dripping inventions
						(called hydro-kalimbas) and other low-tech devices. [Links Hall "Performance
						Series" Program Schedule, Fall 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH44(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Night of Country Blues: Otis "Smokey" Smothers [sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.27</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 134 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 134 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 134 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Otis "Smokey" Smothers, guitar, vocal</p>
					<p>Recorded live 1988.05.27, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 5 sec.) -- [Untitled] (4 min. 32 sec.) --
						[Untitled] (5 min. 12 sec.) -- [Untitled] (4 min. 35 sec.) -- [Untitled] (6
						min. 14 sec.) -- [Untitled] (6 min. 3 sec.) -- [Untitled] (4 min. 32 sec.)
						-- [Untitled] (6 min. 6 sec.) -- [Untitled] (4 min. 1 sec.) -- [Untitled] (4
						min. 21 sec.) -- [Unttiled] (4 min. 4 sec.) -- [Untitled] (5 min. 18 sec.)
						-- [Untitled] (7 min. 30 sec.) -- [Untitled] (7 min. 8 sec.) -- [Untitled]
						(11 min. 27 sec.) -- [Untitled] (5 min. 16 sec.) -- [Untitled] (9 min. 28
						sec.) -- [Untitled] (7 min. 34 sec.) -- [Untitled] (4 min. 20 sec.) --
						[Untitled] (15 min. 24 sec.) -- ["Baby please don't go"] (4 min. 44 sec.) --
						[Untitled] (4 min. 16 sec.) -- [Untitled] (4 min. 12 sec.) -- [Outro] (4
						min. 25 sec.)</p>
				</scopecontent>
				<note>
					<p>Otis "Smokey" Smothers was born in 1929 in Lexington, Mississippi, where he
						learned guitar from his aunt before migrating to Chicago at the age of
						seventeen. He became active in the city's burgeoning blues scene and over
						the next two decades he worked with such luminaries as Henry Strong, Arthur
						"Big Boy" Spires, Bo Diddley, Little Walter, Howling Wolf, Muddy Waters and
						Freddie King. [Links Hall "Performance Series" Program Schedule, Spring
						1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH44(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>David "Honeyboy" Edwards [sound recording]</unittitle>
					<unitdate type="inclusive">1988.05.28</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 79 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 79 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 79 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>David "Honeyboy" Edwards, guitar, vocals</p>
					<p>Recorded live 1988.05.28, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 45 sec.) -- [Untitled] (4 min. 7 sec.) --
						[Untitled] (4 min. 37 sec.) -- [Untitled] (6 min. 6 sec.) -- [Untitled] (3
						min. 35 sec.) -- [Untitled] (4 min. 39 sec.) -- [Untitled] (5 min. 22 sec.)
						-- [Untitled] (5 min. 13 sec.) -- [Untitled] (4 min. 12 sec.) -- [Untitled]
						(3 min. 16 sec.) -- [Untitled] (7 min. 21 sec.) -- [Untitled] (5 min. 14
						sec.) -- [Untitled] (3 min. 49 sec.) -- [Untitled] (7 min. 0 sec.) --
						[Untitled] (1 min. 16 sec.) -- [Untitled] (6 min. 31 sec.) -- [Untitled] (3
						min. 22 sec.) -- [Untitled] (5 min. 39 sec.) -- [Untitled] (3 min. 57
					sec.)</p>
				</scopecontent>
				<note>
					<p>David "Honeyboy" Edwards was born in the heart of the delta in 1915 in Shaw,
						Mississippi and learned his first guitar licks from his father Henry
						Edwards, who played guitar and violin at the country dances and juke joints.
						At the age of fourteen, he hit the road with Big Joe Williams. During the
						mid-1930's he worked both as a solo player and with Robert Johnson, Tommy
						Johnson and others. [Links Hall "Performance Series" Program Schedule,
						Spring 1988]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH44(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>An evening of Composition and Improvisation: Katherine Hughes and
						Gene Coleman (second set) [sound recording]</unittitle>
					<unitdate type="inclusive">1988.06.03</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 42 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 42 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 42 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Katherine Hughes, violin ; Gene Coleman, performer</p>
					<p>Recorded live 1988.06.03, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Untitled] (18 min. 36 sec.) -- [Untitled] (4 min. 36 sec.) --
						[Untitled] (5 min. 22 sec.) -- [Untitled] (14 min. 29 sec.) -- [Untitled] (1
						min. 7 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Katherinen Hughes (violinst) has brought a strong orientation in
							classical music to a wide variety of improvising ensembles--from rock
							and jazz bands to new music groups such as Musica Menta. She has also
							written music for films and has produced two rock videos.</p>
						<p>Gene Coleman is a composer, visual artist and musician. He is the founder
							of Plethora, an interdisciplinary ensemble, and Rx, a concert space for
							contemporary music.</p>
						<p>Their work employs improvisation in the context of compositional
							structure. Highlighting the evening will be a concerto for violin, bass
							clarinet andn chamber ensemble.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1988]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH45-1(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>The Music of Bengal [sound recording]</unittitle>
					<unitdate type="inclusive">1990.04.07</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 78 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 78 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 78 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Indrani Mukherjee, vocals ; Paul Raman, tabla ; Siddhartha, table ; Ustad
						Nafiz Khan, sitar</p>
					<p>Recorded live 1990.04.07, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 58 sec.) -- ["The program"] (2 min. 53 sec.)
						-- [Untitled] (4 min. 11 sec.) -- [Untitled] (4 min. 36 sec.) -- [Untitled]
						(5 min. 13 sec.) -- [Untitled] (4 min. 18 sec.) -- [Untitled] (5 min. 53
						sec.) -- [Untitled] (0 min. 31 sec.) -- [Untitled] (10 min. 25 sec.) --
						[Untitled] (5 min. 3 sec.) -- [Untitled] (11 min. 2 sec.) -- [Untitled] (0
						min. 21 sec.) -- [Untitled] (11 min. 32 sec.) -- [Untitled] (6 min. 27 sec.)
						-- [Untitled] (1 min. 32 sec.) -- [Untitled] (5 min. 41 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Traditional and modern music of Bengal will be featured in a special
							performance celebrating the Bengali new year.</p>
						<p>Indrani Mukherjee, vocalist, will be featured in this performance. The
							program will include pieces by 20th century Bengali composers
							Ravindra-Nath Tagore and Nazrul Islam, as well as Ghazal, devotional
							music in Urdu</p>
						<p>Indian musical forms stem from vocal traditions based on ethnic epic
							poetry such as the <i>Bhagavad Gita</i>. Ms. Mukherjee will be
							accompanied by Paul Raman and Siddhartha on tabla. Ustad Nafiz Khan will
							join the group on sitar.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1990]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH45-1(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Fujima Shunojo [sound recording]</unittitle>
					<unitdate type="inclusive">1990.04.14</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 76 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 76 min.) : digital, stereo </physdesc>
				</did>
				<scopecontent>
					<p>Fujima Shunojo, performer</p>
					<p>Recorded live 1990.04.14, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 8 sec.) -- ["Act I"] (29 min. 22 sec.) --
						[Intermission] (3 min. 15 sec.) -- [Intermission, continued] (10 min. 33
						sec.) -- ["Act II"] (32 min. 20 sec.) -- [Outro] (0 min. 42 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Fujima Shunojo, a master of the "Fujima" school of dance, will appear at
							Links Hall with a performance that will provide an unprecedented
							oppurtunity to view this centuries-old art form in an intimate setting.</p>
						<p>Fujima's classical dance employs exquisite costuming. His work moves with
							the grace of Haiku. The apparently simple form is highly disciplined and
							resonates with many layers of complexity and meaning. In this highly
							symbolic art, every gesture, each expressive detail, has signifigance.</p>
						<p>Fujima is a highly respected teacher of this classical dance form, and
							its foremost practitioneer in the midwest. Traditionally he has
							performed only in large formal settings. His appearance at Links Hall is
							a rare oppurtunity to experience Fujima's artistry in a direct and
							personal context.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Spring 1990]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH45-2(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Jim Baker Trio with Kent Kessler and Steve Hunt [sound recording]</unittitle>
					<unitdate type="inclusive">1989.10.13</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 111 min.) : analogue, stereo</physdesc>
					<physdesc>2 sound cassettes (DAT, ca. 111 min.) : digital, stereo </physdesc>
				</did>
				<scopecontent>
					<p>Jim Baker, performer ; Kent Kessler, performer ; Steve Hunt, performer</p>
					<p>Recorded live 1989.10.13, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 40 sec.) -- [Untitled] (8 min. 28 sec.) --
						[Untitled] (13 min. 24 sec.) -- [Untitled] (15 min. 23 sec.) -- [Untitled]
						(10 min. 19 sec.) -- [Set break] (1 min. 29 sec.) -- [Untitled] (10 min. 2
						sec.) -- [Untitled] (9 min. 5 sec.) -- [Untitled] (8 min. 54 sec.) --
						[Untitled] (34 min. 33 sec.) -- [Outro] (1 min. 14 sec.)</p>
				</scopecontent>
				<note>
					<p>An important part of an earlier, more experimental, jazz oriented version of
						the Nicholas Tremulus band. Baker's thorough analytic grounding provides
						bedrock sense for every unexpected solo and stimulating section turn. Joined
						by the energetic, versatile talents of two top acoustic players, when they
						slide into the occasional slot, they don't just cook, they bake.[Links Hall
						"Performance Series" Program Schedule, Fall 1989]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH45-2(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Monochrome Bleu [sound recording]</unittitle>
					<unitdate type="inclusive">1989>.10.14</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 56 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 56 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 56 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Thomas Resch, vocals, saxophone ; Wolfgang Dorninger, saxophone, electronics
						; Peter Andronsch, guitar</p>
					<p>Recorded live 1989.10.14, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 59 sec.) -- ["The ritual, tough guys"] (21
						min. 12 sec.) -- ["Ennio"] (5 min. 36 sec.) -- ["They did it somehow, but
						they did it all right"] (5 min. 10 sec.) -- [Untitled] (9 min. 20 sec.) --
						[Untitled] (4 min. 4 sec.) -- [Untitled] (9 min. 28 sec.) -- [Untitled] (0
						min. 44 sec.) -- [Outro] (2 min. 8 sec.)</p>
				</scopecontent>
				<note>
					<p>Thomas Resch, vocals, saxophone; and Wolfgang Dorninger, saxophone,
						electronics; are two thirds, with guitarist Peter Andronsch, of this avant
						music trio on a rare U.S. tour. Winners of Ars Electronica 1988, they
						translate world music influences and experimental sounds in a very European
						and purely personal approach to new musical frontiers.[Links Hall
						"Performance Series" Program Schedule, Fall 1989]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH46(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Michael Smith: A Chalk Talk [sound recording]</unittitle>
					<unitdate type="inclusive">1989.10.20</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 42 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 42 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 42 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Michael Smith, performer</p>
					<p>Recorded live 1989.10.20, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 55 sec.) -- ["A Chalk Talk"] (38 min. 49
						sec.) -- [Intermission] (0 min. 44 sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH46(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Ray McNiece: Dis...Voices from a Shelter [sound recording]</unittitle>
					<unitdate type="inclusive">1989.10.20</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 80 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 80 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 80 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Ray McNiece, performer</p>
					<p>Recorded live 1989.10.20, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 47 sec.) -- ["Distant voices from a
						shelter"] (77 min. 34 sec.) -- [Outro] (3 min. 14 sec.)</p>
				</scopecontent>
				<note>
					<p>Based on the life experiences of those he meets as counselor for Boston's
						homeless, McNiece weaves character and contex into a telling commentary on
						society's tunnel vision, ignorance and fear of acknowledgement. A portion of
						tonight's receipts will be donated to the not-for-profit Lakefront SRO.
						Link's begins the evening with a Chalk Talk and more comedy bits by homeski
						gone NY NY Cinemax host/producer, comedian/performance artist Michael
						Smith.[Links Hall "Performance Series" Program Schedule, Fall 1989] [Note:
						Refer to LH46(a) for Michael Smith's performance]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH46(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Michael Smith: A Chalk Talk [sound recording]</unittitle>
					<unitdate type="inclusive">1989.10.21</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 39 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 39 min.) : digital, stereo </physdesc>
				</did>
				<scopecontent>
					<p>Michael Smith, performer</p>
					<p>Recorded live 1989.10.21, Links Hall, 4753 N. Broadway, Suite 918, Chicago,
						IL 60640</p>
					<p>Contents: [Introduction] (3 min. 20 sec.) -- ["A Chalk Talk"] (22 min. 31
						sec.) -- ["More chalk talk"] (13 min. 19 sec.) -- [Outro] (o min. 20
					sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH46(d)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Ray McNiece: Dis...Voices from a Shelter [sound recording]</unittitle>
					<unitdate type="inclusive">1989.10.21</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 78 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 78 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 78 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Ray McNiece, performer</p>
					<p>Recorded live 1989.10.21, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (0 min. 46 sec.) -- ["Distant voices from a
						shelter"] (29 min. 4 sec.) -- ["Distant voices from a shelter" continued]
						(46 min. 27 sec.) -- [Outro] (2 min. 0 sec.)</p>
				</scopecontent>
				<note>
					<p>Based on the life experiences of those he meets as counselor for Boston's
						homeless, McNiece weaves character and contex into a telling commentary on
						society's tunnel vision, ignorance and fear of acknowledgement. A portion of
						tonight's receipts will be donated to the not-for-profit Lakefront SRO.
						Link's begins the evening with a Chalk Talk and more comedy bits by homeski
						gone NY NY Cinemax host/producer, comedian/performance artist Michael
						Smith.[Links Hall "Performance Series" Program Schedule, Fall 1989] [Note:
						Refer to LH46(c) for Michael Smith's performance]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH47(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Equinox Guatemalan Theater: "Model Villages"--A Present Reality in
						Guatemala [sound recording]</unittitle>
					<unitdate type="inclusive">1989.10.27</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 59 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 59 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 59 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Equinox Guatemalan Theater, performers</p>
					<p>Recorded live 1989.10.28, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["Model villages"] (12 min. 0 sec.) -- [Untitled] (10 min. 42 sec.)
						-- [Untitled] (8 min. 30 sec.) -- [Untitled] (4 min. 18 sec.) -- [Untitled]
						(8 min. 38 sec.) -- [Untitled] (9 min. 8 sec.) -- [Untitled] (7 min. 28
						sec.) -- [Outro] (0 min. 56 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>Link's Hall observes the Day of the Dead, celebrated in Latino cultures
							as El Dia de Los Muertes with work by the Equinox Guatemalan Theater and
							Chicago Latino Poets.</p>
						<p>Equinox Guatemalan Theater: Friday's Performance: "Model Villages" --A
							Present Reality in Guatemala explores the current counterinsurgency
							movement in Guatemala as a sophisticated form of genocide.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1989]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH47(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Chicago Poetry Agenda: Chicago Latino Poets [sound recording]</unittitle>
					<unitdate type="inclusive">1989.10.28</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 37 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 37 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 37 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Gregario Gomez, speaker ; Jose Chavez, speaker ; Luis Rodriguez, speaker</p>
					<p>Recorded live 1989.10.28, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] / Gregario Gomez (2 min. 11 sec.) -- [Untitled] /
						Gregario Gomez (1 min. 44 sec.) -- [Unitled] / Gregario Gomez (2 min. 31
						sec.) -- ["A portrait painted"] / Gregario Gomez (1 min. 13 sec.) --
						[Untitled] / Gregario Gomez (2 min. 5 sec.) -- [Untitled] / Gregario Gomez
						(3 min. 36 sec.) -- [Untitled] / Gregario Gomez (1 min. 35 sec.) --
						[Untitled] / Gregario Gomez (1 min. 15 sec.) -- [Introduction] / Luis
						Rodriguez (1 min. 14 sec.) -- ["The best of us"] / Luis Rodriguez (2 min. 28
						sec.) -- [Untitled] / Luis Rodriguez (4 min. 14 sec.) -- [Untitled] / Luis
						Rodriguez (2 min. 21 sec.) -- [Untitled] / Luis Rodriguez (2 min. 31 sec.)
						-- ["Piece by piece"] / Luis Rodriguez (2 min. 0 sec.) -- [Introduction] /
						Jose Chavez (2 min. 20 sec.) -- [Untitled] / Luis Rodriguez (2 min. 12 sec.)
						-- [Untitled] / Luis Rodriguez (1 min. 9 sec.) -- [Untitled] / Luis
						Rodriguez (1 min. 9 sec.) -- [Untitled] / Luis Rodriguez (1 min. 20 sec.) --
						["A certain paternity"] / Luis Rodriguez (1 min. 36 sec.) -- [Outro] (1 min.
						5 sec.) </p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH47(c)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Equinox Guatemalan Theater: A shout echoes the world [sound
						recording]</unittitle>
					<unitdate type="inclusive">19889.10.28</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 65 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 65 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 65 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Equinox Guatemalan Theater, performers</p>
					<p>Recorded live 1989.10.28, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>[Introduction] (0 min. 45 sec.) -- ["A shout echoes the world"] (25 min. 34
						sec.) -- [Untitled] (29 min. 19 sec.) -- [Outro] (10 min. 4 sec.)</p>
				</scopecontent>
				<note>
					<p>Equinox Guatemalan Theater has been performing in Chicago since 1985. It
						takes its name from a symbol of human equality and justice--the Equinox,
						occurring twice each year when day and night are equal. Saturday's
						performance: "A Shout Echoes the World, by Monica Ferraro. Sketches
						real-life stories of the Guatemalan "disappeared"--some dead, some still
						alive. [Links Hall "Performance Series" Program Schedule, Fall 1989]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH48(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Sandra Binion: <i>Opera Barcelona</i> (for cello, saxophone,
						laundress and video [sound recording]</unittitle>
					<unitdate type="inclusive">1989.11.03</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 46 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 46 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 46 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Sandra Binion, performer ; Naomi Millender, cello ; Ari Brown, saxophone ;
						Fareed Haque, guitar</p>
					<p>Recorded live 1989.11.03, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 59 sec.) -- ["Opera Barcelona"] (21 min. 33
						sec.) -- ["Opera Barcelona" continued] (23 min. 29 sec.) -- [Outro] (0 min.
						59 sec.)</p>
				</scopecontent>
				<note>
					<p>A Barcelona rooftop is brought to life in this tableau vivant by Sandra
						Binion. With Naomi Millender, cello, Ari Brown, saxophone, and special guest
						Fareed Haque, classical guitar. Sandra Binion's performance theatre evokes
						multiple levels of emotional, sensory, and mythis imagery. Premier.[Links
						Hall "Performance Series" Program Schedule, Fall 1989]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH48(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Andre Codrescu [sound recording]</unittitle>
					<unitdate type="inclusive">1989.11.04</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 53 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 53 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 53 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Andre Codrescu, performer</p>
					<p>Recorded live 1989.11.04, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: ["Death of Stalin"] (40 min. 4 sec.) -- [Untitled] (12 min. 23
						sec.) -- [Outro] (1 min. 13 sec.)</p>
				</scopecontent>
				<note>
					<p>Writer, poet, National Public Radio correspondent, and a professor of English
						at Louisiana State University. His early works glisten with the light of
						surrealist poets and Rumanian folklore. His most recent books include
							<i>Raised by Puppets Only to be Killed by Research</i> (Addison-Wesley,
						1989), a collection of his essays for NPR; and <i>The Stiffest of the
							Corpse: An Exquisite Corpse Reader</i> (City Lights Books, 1989),
						selections of the best of <i>The Exquisite Corpse</i>, a literary magazine
						founded by Mr. Codrescu.[Links Hall "Performance Series" Program Schedule,
						Fall 1989]</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH49(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Movement &amp;Music Improvisations: Maltese, Mandel, Marriott,
						&amp;Moses [sound recording]</unittitle>
					<unitdate type="inclusive">1989.11.10</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 55 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 55 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 55 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Laurie Lee Moses, performer ; Kathleen Maltese, performer ; Donna Mandel,
						performer ; Lukie Marriott, performer</p>
					<p>Recorded live 1989.11.10, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 22 sec.) -- ["The Clear Bead at the Center"]
						(27 min. 8 sec.) -- [Intermission] (2 min. 24 sec.) -- ["Part two"] (18 min.
						2 sec.) -- ["Part three, conclusion"] (5 min. 13 sec.) -- [Outro] (1 min. 5
						sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>
							<i>The Clear Bead at the Center</i>
						</p>
						<p>Four women, multi-instrumentalist Laurie Lee Moses and improvisational
							dancers Kathleen Maltese, Donna Mandel and Lukie Marriott, individually
							celebrated for their experimental works, collaborate with original
							improvised works for movement and music.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1989]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH49(b)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Movement &amp;Music Improvisations: Maltese, Mandel, Marriott,
						&amp;Moses [sound recording]</unittitle>
					<unitdate type="inclusive">1989.11.11</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 50 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 50 min.) : digital, stereo </physdesc>
					<physdesc>1 sound disc (CD, ca. 50 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Laurie Lee Moses, performer ; Kathleen Maltese, performer ; Donna Mandel,
						performer ; Lukie Marriott, performer</p>
					<p>Recorded live 1989.11.11, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (2 min. 11 sec.) -- ["The Clear Bead at the Center"]
						(24 min. 12 sec.) -- [Intermission] (2 min. 3 sec.) -- ["Part two"] (21 min.
						9 sec.) -- [Outro] (1 min. 5 sec.)</p>
				</scopecontent>
				<note>
					<p>
						<p>
							<i>The Clear Bead at the Center</i>
						</p>
						<p>Four women, multi-instrumentalist Laurie Lee Moses and improvisational
							dancers Kathleen Maltese, Donna Mandel and Lukie Marriott, individually
							celebrated for their experimental works, collaborate with original
							improvised works for movement and music.</p>
						<p>[Links Hall "Performance Series" Program Schedule, Fall 1989]</p>
					</p>
				</note>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH50(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Links Hall Fifth Anniversary: Fools Eve Benefit Party [sound
						recording]</unittitle>
					<unitdate type="inclusive"/>
					<physdesc>1 sound videocasette (VHS, ca. 215 min.) : analogue, stereo</physdesc>
					<physdesc>3 sound cassettes (DAT, ca. 215 min.) : digital, stereo </physdesc>
					<physdesc>4 sound discs (CD, ca. 215 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Paul Hoover, speaker ; Kerry Leung, performer ; Luis Rodriques, speaker ;
						Cindy Salach, speaker ; Lydia Tomkiw, speaker ; Iris Moore, performer ; Lou
						Mallozzi, performer ; Michael Warr, speaker ; Kevin Henry, performer ;
						Equinox Guatamalan Theatre Company, performers ; Robert Metrick, performer ;
						Jim Baker, perfomer ; Art Lange, speaker ; Patricia Smith, speaker ; Marc
						Smith, speaker</p>
					<p>Recorded live 1990.03.31, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents:</p>
					<p>
						<p>[Disc 1, Dat 1] [Introduction] (2 min. 15 sec.) -- ["Paul Hoover reads
							Ted Berrigan"] / Paul Hoover (5 min. 3 sec.) -- ["Ted Berrigan"
							continued] / Paul Hoover (1 min. 21 sec.) -- ["Ted Berrigan" continued]
							/ Paul Hoover (2 min. 24 sec.) -- ["People who died"] / Paul Hoover (2
							min. 32 sec.) -- ["Ten things I do everyday"] / Paul Hoover (1 min. 1
							sec.) -- ["Sonnets"] / Paul Hoover (5 min. 17 sec.) -- ["About Ted
							Berrigan"] / Paul Hoover (5 min. 26 sec.) -- [Introduction] / Kerry
							Leung (3 min. 27 sec.) -- [Untitled] / Kerry Leung (1 min. 49 sec.) --
							[Untitled] / Kerry Leung (4 min. 57 sec.) -- [Untitled] / Kerry Leung (1
							min. 21 sec.) -- [Untitled] / Kerry Leung (4 min. 16 sec.) -- [Untitled]
							/ Kerry Leung (6 min. 2 sec.) -- [Untitled] / Kerry Leung (5 min. 30
							sec.) -- [Introduction] / Luis Rodriques (2 min. 34 sec.) -- ["The blast
							furnace"] / Luis Rodriques (2 min. 11 sec.) -- ["Harocho blues"] / Luis
							Rodriques (2 min. 57 sec.) -- ["Chuta"] / Luis Rodriques (1 min. 32
							sec.) -- ["Lips"] / Luis Rodriques (2 min. 4 sec.) -- ["The village"] /
							Luis Rodriques (1 min. 37 sec.) -- ["The concrete river"] / Luis
							Rodriques (5 min. 33 sec.) -- [Introduction] / Cindy Salach (0 min. 22
							sec.) -- ["If I stood right here"] / Cindy Salach (3 min. 2 sec.) --
							["Instead of Europe"] / Cindy Salach (3 min. 27 sec.) -- ["Beautiful
							women"] / Cindy Salach (2 min. 48 sec.) -- ["The night I married my
							television set"] / Cindy Salach (2 min. 3 sec.) -- [Introduction] /
							Lydia Tomkiw (1 min. 12 sec.) -- ["Sonics"] / Lydia Tomkiw (1 min. 31
							sec.) -- ["Party game question"] / Lydia Tomkiw (2 min. 56 sec.)</p>
						<p>[CD 2, DAT 2] ["Holiday"] / Lydia Tomkiw (4 min. 20 sec.) --
							[Introduction] / Iris Moore (1 min. 19 sec.) -- [Untitled] / Iris Moore
							(8 min. 23 sec.) -- [Inroduction] / Lou Mallozzi (1 min. 19 sec.) --
							[Untitled] / Lou Mallozzi (11 min. 24 sec.) -- [Introduction] / Erwin
							Helfer (2 min. 0 sec.) -- [Untitled] / Erwin Helfer (2 min. 20 sec.) --
							[Untitled] / Erwin Helfer (6 min. 29 sec.) -- [Introduction] / Michael
							Warr (1 min. 24 sec.) -- ["Not black enough"] / Michael Warr (2 min. 7
							sec.) -- ["What are you doing here"] / Michael Warr (5 min. 24 sec.) --
							[Untitled] / Michael Warr (3 min. 5 sec.) -- [Introduction] / Kevin
							Henry (3 min. 24 sec.) -- [Untitled] / Kevin Henry (1 min. 2 sec.)</p>
						<p>[CD 3, DAT 3] [Introduction] / Equinox Guatamalan Theatre Co. (4 min. 17
							sec.) -- ["A shout echoes the world/The escape"] / Equinox Guatamalan
							Theatre Co. (9 min. 26 sec.) -- [Untitled] / Equinox Guatamalan Theatre
							Co. (1 min. 48 sec.) -- [Break] (4 min. 12 sec.) -- ["The donkey and the
							mule"] / Robert Metrick (2 min. 5 sec.) -- [Introduction] / Jim Baker
							Trio (1 min. 15 sec.) -- [Untitled] / Jim Baker Trio (12 min. 1 sec.) --
							[Introduction] / Art Lange (3 min. 10 sec.) -- ["Maze (in four parts)"]
							/ Art Lange (4 min. 19 sec.) -- ["Embizo"] / Art Lange (2 min. 17 sec.)
							-- ["A white line"] / Art Lange (3 min. 49 sec.) -- ["Poem"] / Art Lange
							(2 min. 30 sec.) -- [Introduction] / Patricia Smith (2 min. 11 sec.) --
							[Untitled] / Patricia Smith (5 min. 45 sec.) -- [Introduction] / Marc
							Smith (3 min. 54 sec.) </p>
						<p>[CD 4] [Untitled] / Marc Smith (7 min. 40 sec.) -- ["Tattoo Taboo"] /
							Marc Smith (8 min. 9 sec.)</p>
					</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH51(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Links Hall Fifth Anniversary: Fools Eve Benefit Party [sound
						recording]</unittitle>
					<unitdate type="inclusive">1990.03.31</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 226 min.) : analogue, stereo</physdesc>
					<physdesc>3 sound cassettes (DAT, ca. 226 min.) : digital, stereo </physdesc>
					<physdesc>3 sound discs (CD, ca. 226 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Gene Coleman, performer ; Joseph Medosch, performer ; Mathew Goulish, speaker
						; Charlotte Pryce, director ; Hal Russell, performer ; Steve Hunt, performer
						; Kent Kessler, performer ; Sterling Plumpp, speaker ; Kaja
						Overstreet/Douglas Crew, performers ; David Sedaris, performer ; Ross
						Lipman, director ; Michael Meyers, performer ; Italian American Theatre Co.,
						performers ; Richard House, performer ; Jean Parisi, performer ; Hamid
						Drake, performer ; Michael Zerang, performer ; Brigid Murphy, performer</p>
					<p>Recorded live 1989.03.31, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>
						<p>Contents: </p>
						<p>[CD 1, DAT 1] [Introduction] / Gene Coleman (3 min. 18 sec.) --
							[Untitled] / Gene Coleman (15 min. 28 sec.) -- [Introduction] / Joseph
							Medosch (5 min. 28 sec.) -- ["Formatic equation of existence"] / Joseph
							Medosch (8 min. 35 sec.) -- [Introduction] / Mathew Goulish (2 min. 4
							sec.) -- ["A moment of silence..."] / Mathew Goulish (2 min. 19 sec.) --
							["Killer"] / Mathew Goulish (1 min. 29 sec.) -- ["I saw Ronald Reagan
							when I was a child"] / Mathew Goulish (0 min. 49 sec.) -- [Introduction]
							/ Charlotte Pryce (4 min. 9 sec.) -- ["X/Y, two films"] / Charlotte
							Pryce (10 min. 15 sec.) --[Introduction] / Hal Russell with Steve Hunt
							and Kent Kessler (3 min. 11 sec.) -- [Untitled] / Hal Russell with Steve
							Hunt and Kent Kessler (13 min. 45 sec.) -- [Untitled] / Hal Russell with
							Steve Hunt and Kent Kessler (5 min. 8 sec.)</p>
						<p>[CD 2, DAT 2] [Outro] / Hal Russell with Steve Hunt and Kent Kessler (1
							min. 29 sec.) -- [Introduction] / Sterling Plumpp (5 min. 17 sec.) --
							["Chicago Blues Festival 1989"] / Sterling Plumpp (8 min. 30 sec.) --
							["Medicine man (for Willie Dixon)"] / Sterling Plumpp (5 min. 15 sec.)
							-- [Introduction] / Kaja Overstreet (3 min. 11 sec.) -- ["Nurture and
							nature"] / Kaja Overstreet (8 min. 8 sec.) -- [Introduction] / David
							Sedaris (2 min. 32 sec.) -- [Untitled] / David Sedaris (15 min. 29 sec.)
							-- [Introduction to film] / Ross Lipman (3 min. 34 sec.) -- ["10-17-88"]
							/ Ross Lipman (11 min. 15 sec.) -- [Introduction] / Michael Meyers (1
							min. 23 sec.) -- ["This guy named Ray"] / Michael Meyers (2 min. 17
							sec.) -- ["In times to come"] / Michael Meyers (4 min. 7 sec.) -- ["A
							revisionist history"] / Michael Meyers (2 min. 1 sec.) -- ["A crazy
							woman"] / Michael Meyers (2 min. 53 sec.) -- ["His first movie shot in
							America"] / Michael Meyers (4 min. 7 sec.)</p>
						<p>[CD 3, DAT 3] [Introduction] / Italian American Theatre Co. (1 min. 18
							sec.) -- ["Commedia dell'arte"] / Italian American Theatre Co. (8 min.
							32 sec.) -- [Outro, Italian American Theatre Co./Introduction, Richard
							House] (10 min. 28 se .) -- [Introduction] / Jean Parisi (8 min. 22
							sec.) -- [Untitled] / Jean Parisi (10 min. 15 sec.) -- [Introduction] /
							Frank Melcoury and Lionel Bottari (1 min. 7 sec.) -- [Untitled] / Frank
							Melcoury and Lionel Bottari (9 min. 15 sec.) -- [Introduction] / Hamid
							Drake and Michael Zerang (3 min. 15 sec.) -- ["Mesopotamiam frame
							drums"] / Hamid Drake and Michael Zerang (18 min. 12 sec.) --
							[Introduction] / Brigid Murphy (1 min. 33 sec.) -- ["Milly Mae Smith"] /
							Brigid Murphy (1 min. 16 sec.) -- [Untitled] / Brigid Murphy (7 min. 6
							sec.)</p>
					</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH52(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Links Hall Fifth Anniversary: Fools Eve Benefit Party [sound
						recording]</unittitle>
					<unitdate type="inclusive">1990.03.31</unitdate>
					<physdesc>1 sound videocasette (VHS, ca. 183 min.) : analogue, stereo</physdesc>
					<physdesc>3 sound cassettes (DAT, ca. 183 min.) : digital, stereo </physdesc>
					<physdesc>3 sound discs (CD, ca. 183 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Brigid Murphy, performer ; Tom Palazzola, director ; Matthew Owens, performer
						; Jacqui Disler, speaker ; Douglas Ewart, performer ; Kahil El Zabar,
						performer ; Curious Theatre Branch, performers ; Paula Killen, performer ;
						Carlos Cumpian, speaker ; Heather McAdams, director</p>
					<p>Recorded live 1990.03.31, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>
						<p>Contents:</p>
						<p>[CD 1, DAT 1] [Untitled] / Brigid Murphy (1 min. 32 sec.) -- ["I'm a
							sucker for a trucker" / Brigid Murphy (3 min. 6 sec.) -- [Encore] /
							Brigid Murphy (5 min. 39 sec.) -- [Introduction to film] / Tom Palazzola
							(1 min. 33 sec.) -- ["Love it or leave it"] / Tom Palazzola (14 min. 9
							sec.) -- [Introduction] / Mathew Owens (2 min. 1 sec.) -- [Untitled] /
							Mathew Owens (7 min. 54 sec.) -- [Introduction] / Jacqui Disler (4 min.
							37 sec.) -- ["Optional release"] / Jacqui Disler (2 min. 39 sec.) --
							["Breaking it down"] / Jacqui Disler (2 min. 0 sec.) -- ["Shifting sand,
							and others?"] / Jacqui Disler (6 min. 1 sec.) -- ["Stay of Execution"] /
							Jacqui Disler (1 min. 0 sec.) -- [Introduction] / Douglas Ewart (3 min.
							3 sec.) -- [Untitled] / Douglas Ewart (0 min. 42 sec.) -- ["Sax solo"] /
							Douglas Ewart (5 min. 0 sec.) -- ["Didjeridoo solo"] / Douglas Ewart (4
							min. 39 sec.) -- [Break] (0 min. 35 sec.)</p>
						<p> [CD 2, DAT 2] [Introduction] / Kahil El Zabar (6 min. 38 sec.) --
							["Song"] / Kahil El Zabar (3 min. 34 sec.) -- ["Drum"] / Kahil El Zabar
							(4 min. 10 sec.) -- ["Story"] / Kahil El Zabar (2 min. 47 sec.) --
							["Thumb piano"] / Kahil El Zabar (5 min. 50 sec.) -- [Introduction] /
							Curious Theatre Branch (5 min. 32 sec.) -- ["Chet Baker"] / Curious
							Theatre Branch (14 min. 23 sec.) -- ["Thelonious Monk"] / Curious
							Theatre Branch (5 min. 27 sec.) -- ["William Burroughs"] / Curious
							Theatre Branch (4 min. 44 sec.) -- [Introduction] / Paula Killen (1 min.
							3 sec.) -- [Untitled] / Paula Killen (16 min. 25 sec.) -- ["Nothing"] /
							Paula Killen (0 min. 12 sec.)</p>
						<p> [CD 3, DAT 3] [Introduction] / Carlos Cumpian (2 min. 16 sec.) -- ["A
							love poem"] / Carlos Cumpian (1 min. 7 sec.) -- ["Communion wayfarers"]
							/ Carlos Cumpian (2 min. 29 sec.) -- ["Barflies have feelings too"] /
							Carlos Cumpian (2 min. 35 sec.) -- ["In less than an hour"] / Carlos
							Cumpian (2 min. 30 sec.) -- [Untitled] / Carlos Cumpian (3 min. 15 sec.)
							-- [Break] (5 min. 38 sec.) -- [Introduction to three films] / Heather
							McAdams (2 min. 30 sec.) -- ["First film"] / Heather McAdams (8 min. 25
							sec.) -- ["Second film"] / Heather McAdams (6 min. 19 sec.) -- ["Third
							film"] / Heather McAdams (13 min. 16 sec.) -- [Outro] (7 min. 34
						sec.)</p>
					</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
			<c01 level="item">
				<did>
					<unitid countrycode="iso3166-1" repositorycode="iso15511">LH53(a)</unitid>
					<origination>Michael Zerang</origination>
					<langmaterial>English</langmaterial>
					<unittitle>Links Hall Fifth Anniversary: Fools Eve Benefit Party [sound
						recording]</unittitle>
					<unitdate type="inclusive"/>
					<physdesc>1 sound videocasette (VHS, ca. 94 min.) : analogue, stereo</physdesc>
					<physdesc>1 sound cassette (DAT, ca. 94 min.) : digital, stereo </physdesc>
					<physdesc>2 sound discs (CD, ca. 94 min) : digital, stereo</physdesc>
				</did>
				<scopecontent>
					<p>Conjunto Areyto, performers</p>
					<p>Recorded live 1990.03.31, Links Hall, 3435 N. Sheffield, Chicago, IL 60657</p>
					<p>Contents: [Introduction] (1 min. 22 sec.) -- ["Grinding coffee"] (9 min. 18
						sec.) -- ["Brazil"] (9 min. 9 sec.) -- ["Panama"] (6 min. 23 sec.) --
						["Merengue/Santo Domingo"] (8 min. 33 sec.) -- ["Bomba/Puerto Rico"] (10
						min. 36 sec.) -- [Break] (7 min. 26 sec.) -- [Untitled] (5 min. 3 sec.) --
						["Santo Domingo merengue"] (7 min. 47 sec.) -- ["Guantanamera/Cuba"] (7 min.
						54 sec.) -- ["Polka from Mexico"] (4 min. 38 sec.) -- ["Another polka from
						Mexico"] (4 min. 50 sec.) -- ["Salsa from Puerto Rico"] (8 min. 19 sec.) --
						[Encore: "Santo Domingo Merengue"] (7 min. 6 sec.) -- [Outro] (0 min. 56
						sec.)</p>
				</scopecontent>
				<userestrict>Material is copyright of respective artists.</userestrict>
			</c01>
		</dsc>
	</archdesc>
</ead>

